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arXiv · 2609.38183

One Tool, One Taste? How Vibe Coding Trades Collective Diversity for Individual Creativity

Abstract

Vibe-coding systems turn natural-language instructions into deployed websites, but little is known about the diversity of designs produced within a shared production context. We study 73 promotional websites created by graduate students with Lovable for distinct real businesses under a graded assignment that rewarded original design. We represent each homepage using DINOv3 embeddings and analyze pairwise cosine similarity, effective diversity, and descriptive cluster structure. A representative UMAP--HDBSCAN specification assigns 88\% of sites to six interpretable clusters, while sensitivity analyses yield between three and twelve clusters. In a process subsample of nine recordings, preliminary AI-assisted coding documents recurring generate-and-check behavior, incomplete transmission of verbalized intentions into prompts, and infrequent explicit evaluation of originality. Among survey respondents, perceived human control, satisfaction, and perceived quality show no detectable association with embedding-based cohort atypicality. These results document within-cohort visual concentration and a mismatch between subjective experience and distributional distinctiveness. We call this condition authored ignorance. Alongside early evidence that the collective cost of generative production reaches visual design, we contribute a measurement strategy that joins outcome, process, and perception for interactive artifacts, and design implications running from originality feedback to deliberate friction.

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BibTeXRIS

Léonard Boussioux, Ziyi Zhao, Kanghyun Cho. 2026-08-05. One Tool, One Taste? How Vibe Coding Trades Collective Diversity for Individual Creativity. https://arxiv.org/abs/2609.38183

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