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Alexandria Smith

Publications and source records attributed to Alexandria Smith.

4 recordsLinked to original sources

H2H Music Improv: A Communication Model and Audio-Visual Dataset for Music Improvisation

Current real-time AI improvisation systems lack the communication awareness human musicians rely on: rather than treating communication as a foundational algorithm design concern, most systems layer interaction strategies post-hoc onto generative algorithms through explicit controls and predefined modes. This gap persists in part because no formalized, machine-readable communication model with musicians exists. To address this, we study how expert musicians communicate in free (non-idiomatic) improvisation, unconstrained by prior discussion or agreement. Through a collaborative co-design process with expert improvisers, we derive a communication model that (1) captures how free improvisers negotiate musical ideas and enter stable musical spaces, and (2) is formalized as a machine-readable annotation scheme. We further present the H2H (Human-to-Human) Music Improvisation dataset: six hours of audio-visual expert duo improvisations with clean per-player stems and per-player annotations of both their own intentions and their perception of their partner's intentions. To our knowledge, this is the first such dataset for free improvisation. Together, the communication model and the dataset offer a new lens and resource for studying musician communication and may in future inform the design of AI musical partners that communicate by design.

cs.SD

Extending Xenakis: From Architectural Geometry to Sonification of the Philips Pavilion

Architecture and music have been linked through proportion and temporal structure, yet architectural geometry is rarely viewed as a source of generative music. Revisiting Xenakis' one-directional transformation from string glissandi in Metastaseis to the ruled surfaces of the Philips Pavilion, we invert this workflow and sonify the completed Pavilion as a temporal composition. We reconstruct the Pavilion as nine ruled surfaces, extract their governing ruling lines, and subdivide each surface into structural lines and spatial sampling points. Four evenly spaced ruling lines per surface generate continuous string glissandi, while 3357 sampled points develop five density-based energy blocks and a sparse brass and woodwind subsequence. Implemented in Python, the system produces MIDI rendered in Ableton Live, accompanied by a real-time 3D visualization that reveals architectural motion, stasis, and structural contrast through sound and image. In general, this work paves the way for the transfer of architectural geometry as a performable musical structure, extending Xenakis's architectural and musical thinking to sonification and interactive music practice.

cs.SD

Music of Changing Lines: Toward a Culturally Situated Approach to the I-Ching

The I-Ching is one of the most influential texts in Chinese intellectual history, integrating divination, cosmology, and ethical reflection. While Western experimental music, most notably John Cage, has drawn on the I-Ching as a source of chance operation, such appropriations have often detached its formal mechanisms from the interpretive and philosophical processes that give the text meaning. This work, Music of Changing Lines, presents an interactive system that re-centers the I-Ching as a meaning-bearing framework rather than a neutral randomizer. Users perform Wen Wang Fa coin casting, which is accompanied in real time through probabilistic musical processes. The resulting hexagrams and changing lines are interpreted by a large language model, Gemini, in relation to the user's inquiry. This textual interpretation is then translated into a prompt for a generative music model, Lyria, producing a responsive musical realization. By situating AI as an interpretive intermediary rather than a compositional authority, the system foregrounds the I-Ching's ritual, interpretation, and participation as the primary sonic materials. Music of Changing Lines extends process-driven traditions in computer music by demonstrating how generative AI can support participatory, meaning-driven musical processes without prescribing musical structure or replacing human agency.

cs.MM

NeoLightning: A Modern Reimagination of Gesture-Based Sound Design

This paper introduces NeoLightning, a modern reinterpretation of the Buchla Lightning. NeoLightning preserves the innovative spirit of Don Buchla's "Buchla Lightning" (introduced in the 1990s) while making its gesture-based interaction accessible to contemporary users. While the original Buchla Lightning and many other historical instruments were groundbreaking in their time, they are now largely unsupported, limiting user interaction to indirect experiences. To address this, NeoLightning leverages MediaPipe for deep learning-based gesture recognition and employs Max/MSP and Processing for real-time multimedia processing. The redesigned system offers precise, low-latency gesture recognition and immersive 3D interaction. By merging the creative spirit of the original Lightning with modern advancements, NeoLightning redefines gesture-based musical interaction, expanding possibilities for expressive performance and interactive sound design.

cs.HC