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András Bálint Kovács

Publications and source records attributed to András Bálint Kovács.

2 recordsLinked to original sources

Transition-Related Potentials as Markers of Narrative Comprehension in Continuous EEG

Harnessing the potential of electroencephalography (EEG) for brain research is fundamentally limited by intrinsic noise and the diffuse projection of brain-generated activity over the scalp. The standard event-related potential (ERP) paradigm addresses this limitation by relying on repeated independent trials, albeit at the cost of moving away from naturalistic experimental conditions. As a more naturalistic alternative, we collected continuous EEG while participants watched short films and extracted potentials aligned to sharp cinematic transitions (cuts). We demonstrate that such transition-related potentials (TRPs) exhibit canonical ERP-like temporal structure associated with significant information processing. By comparing coherent films with scene-scrambled versions containing matched post-cut sensory input, we find that these responses are systematically shaped by narrative context. We then show that the cut-related EEG signature can be recovered directly from group-averaged continuous recordings with a compact deep neural network (DNN). The detector generalized across films and subject groups, and the resulting TRPs reproduced the main context-dependent effects observed for manually annotated cuts. These results indicate that narrative context leaves a measurable signature in EEG responses, that this signature can be detected directly in continuous recordings, and that such detections provide a semi-automated framework for analyzing how viewers process and understand film narratives. We propose that the method outlined here can be adapted to parse EEG responses to other forms of continuous stimulation, providing a general tool for probing experimental conditions that are closer to natural human experience.

q-bio.NC↗

Who is the director of this movie? Automatic style recognition based on shot features

We show how low-level formal features, such as shot duration, meant as length of camera takes, and shot scale, i.e. the distance between the camera and the subject, are distinctive of a director's style in art movies. So far such features were thought of not having enough varieties to become distinctive of an author. However our investigation on the full filmographies of six different authors (Scorsese, Godard, Tarr, Fellini, Antonioni, and Bergman) for a total number of 120 movies analysed second by second, confirms that these shot-related features do not appear as random patterns in movies from the same director. For feature extraction we adopt methods based on both conventional and deep learning techniques. Our findings suggest that feature sequential patterns, i.e. how features evolve in time, are at least as important as the related feature distributions. To the best of our knowledge this is the first study dealing with automatic attribution of movie authorship, which opens up interesting lines of cross-disciplinary research on the impact of style on the aesthetic and emotional effects on the viewers.

cs.MM↗