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Andrea Guzman

Publications and source records attributed to Andrea Guzman.

3 recordsLinked to original sources

TART: A Modular Tool for Technique-Aware Audio-to-Tablature Guitar Transcription

Automatic Music Transcription (AMT) for guitar remains limited by three challenges: existing systems often fail to capture expressive techniques such as slides, bends, and percussive hits; they often assign notes to incorrect string-fret combinations; and they are typically trained on clean recordings, limiting their generalization to noisy real-world audio. To address these challenges, we propose TART, a modular four-stage audio-to-tablature pipeline consisting of (1) an audio-to-MIDI transcription model, (2) an expressive technique classifier, (3) an audio-conditioned T5 encoder-decoder for string-fret assignment, and (4) an automated tablature generator. We evaluate TART in a zero-shot setting on GuitarSet, EGDB, and two augmented benchmarks, Noisy GuitarSet and Noisy EGDB. Averaged across these four benchmarks, TART achieves 81.35% audio-to-MIDI F50 (+6.67 points over the best prior baseline), 71.8% string-fret Tab F1 (+8.5 points over the best prior baseline), and 54.08% end-to-end Tab F1. To our knowledge, TART is the first framework to generate guitar tablature with both fingering and expressive technique annotations directly from guitar audio.

cs.LG

TART: A Comprehensive Tool for Technique-Aware Audio-to-Tab Guitar Transcription

Automatic Music Transcription (AMT) has advanced significantly for the piano, but transcription for the guitar remains limited due to several key challenges. Existing systems fail to detect and annotate expressive techniques (e.g., slides, bends, percussive hits) and incorrectly map notes to the wrong string and fret combination in the generated tablature. Furthermore, prior models are typically trained on small, isolated datasets, limiting their generalizability to real-world guitar recordings. To overcome these limitations, we propose a four-stage end-to-end pipeline that produces detailed guitar tablature directly from audio. Our system consists of (1) Audio-to-MIDI pitch conversion through a piano transcription model adapted to guitar datasets; (2) MLP-based expressive technique classification; (3) Transformer-based string and fret assignment; and (4) LSTM-based tablature generation. To the best of our knowledge, this framework is the first to generate detailed tablature with accurate fingerings and expressive labels from guitar audio.

cs.SD

Towards an Interpretable Representation of Speaker Identity via Perceptual Voice Qualities

Unlike other data modalities such as text and vision, speech does not lend itself to easy interpretation. While lay people can understand how to describe an image or sentence via perception, non-expert descriptions of speech often end at high-level demographic information, such as gender or age. In this paper, we propose a possible interpretable representation of speaker identity based on perceptual voice qualities (PQs). By adding gendered PQs to the pathology-focused Consensus Auditory-Perceptual Evaluation of Voice (CAPE-V) protocol, our PQ-based approach provides a perceptual latent space of the character of adult voices that is an intermediary of abstraction between high-level demographics and low-level acoustic, physical, or learned representations. Contrary to prior belief, we demonstrate that these PQs are hearable by ensembles of non-experts, and further demonstrate that the information encoded in a PQ-based representation is predictable by various speech representations.

cs.SD