arXiv subjects

Andrew Owens

Publications and source records attributed to Andrew Owens.

At least 19 recordsLinked to original sources

arXiv2026

Unified Motion-Action Modeling for Heterogeneous Robot Learning

We present Unified Motion-Action (UMA) Model, an approach that uses 3D object motion trajectories as a shared interface to bridge visuomotor control and dynamics modeling. UMA treats object motion and robot actions as co-evolving variables under a masked generative objective, in which the mask pattern determines both the supervision regime during pretraining and the inference mode at deployment. Using hindsight-relabeled motion contexts and a contrastive objective that disentangles task intent from scene geometry, UMA enables multi-task pretraining across heterogeneous data sources without requiring manually annotated task instructions. At deployment, the same pretrained parameters support motion-conditioned visuomotor control, motion-based dynamics modeling, and task adaptation from few-shot demonstrations. Pretrained on a mixture of robot demonstrations, human videos, and simulated data, UMA consistently outperforms state-of-the-art baselines specialized for each inference mode.

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arXiv2025

New York Smells: A Large Multimodal Dataset for Olfaction

While olfaction is central to how animals perceive the world, this rich chemical sensory modality remains largely inaccessible to machines. One key bottleneck is the lack of diverse, multimodal olfactory training data collected in natural settings. We present New York Smells, a large dataset of paired image and olfactory signals captured ``in the wild.'' Our dataset contains 7,000 smell-image pairs from 3,500 distinct objects across indoor and outdoor environments, with approximately 70$\times$ more objects than existing olfactory datasets. Our benchmark has three tasks: cross-modal smell-to-image retrieval, recognizing scenes, objects, and materials from smell alone, and fine-grained discrimination between grass species. Through experiments on our dataset, we find that visual data enables cross-modal olfactory representation learning, and that our learned olfactory representations outperform widely-used hand-crafted features.

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arXiv2025

Masked Diffusion Captioning for Visual Feature Learning

We learn visual features by captioning images with an image-conditioned masked diffusion language model, a formulation we call masked diffusion captioning (MDC). During training, text tokens in each image-caption pair are masked at a randomly chosen ratio, and a decoder conditioned on visual features is trained to reconstruct the original text. After training, the learned visual features can be applied to downstream vision tasks. Unlike autoregressive captioning, the strength of the visual learning signal in MDC does not depend on each token's position in the sequence, reducing the need for auxiliary objectives. Linear probing experiments across a variety of academic-scale models and datasets show that the learned visual features are competitive with those produced by autoregressive and contrastive approaches.

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arXiv2025

Point Prompting: Counterfactual Tracking with Video Diffusion Models

Trackers and video generators solve closely related problems: the former analyze motion, while the latter synthesize it. We show that this connection enables pretrained video diffusion models to perform zero-shot point tracking by simply prompting them to visually mark points as they move over time. We place a distinctively colored marker at the query point, then regenerate the rest of the video from an intermediate noise level. This propagates the marker across frames, tracing the point's trajectory. To ensure that the marker remains visible in this counterfactual generation, despite such markers being unlikely in natural videos, we use the unedited initial frame as a negative prompt. Through experiments with multiple image-conditioned video diffusion models, we find that these "emergent" tracks outperform those of prior zero-shot methods and persist through occlusions, often obtaining performance that is competitive with specialized self-supervised models.

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arXiv2025

Cross-Sensor Touch Generation

Today's visuo-tactile sensors come in many shapes and sizes, making it challenging to develop general-purpose tactile representations. This is because most models are tied to a specific sensor design. To address this challenge, we propose two approaches to cross-sensor image generation. The first is an end-to-end method that leverages paired data (Touch2Touch). The second method builds an intermediate depth representation and does not require paired data (T2D2: Touch-to-Depth-to-Touch). Both methods enable the use of sensor-specific models across multiple sensors via the cross-sensor touch generation process. Together, these models offer flexible solutions for sensor translation, depending on data availability and application needs. We demonstrate their effectiveness on downstream tasks such as in-hand pose estimation and behavior cloning, successfully transferring models trained on one sensor to another. Project page: https://samantabelen.github.io/cross_sensor_touch_generation.

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arXiv2025

Fine-grained Defocus Blur Control for Generative Image Models

Current text-to-image diffusion models excel at generating diverse, high-quality images, yet they struggle to incorporate fine-grained camera metadata such as precise aperture settings. In this work, we introduce a novel text-to-image diffusion framework that leverages camera metadata, or EXIF data, which is often embedded in image files, with an emphasis on generating controllable lens blur. Our method mimics the physical image formation process by first generating an all-in-focus image, estimating its monocular depth, predicting a plausible focus distance with a novel focus distance transformer, and then forming a defocused image with an existing differentiable lens blur model. Gradients flow backwards through this whole process, allowing us to learn without explicit supervision to generate defocus effects based on content elements and the provided EXIF data. At inference time, this enables precise interactive user control over defocus effects while preserving scene contents, which is not achievable with existing diffusion models. Experimental results demonstrate that our model enables superior fine-grained control without altering the depicted scene.

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arXiv2025

Hearing Hands: Generating Sounds from Physical Interactions in 3D Scenes

We study the problem of making 3D scene reconstructions interactive by asking the following question: can we predict the sounds of human hands physically interacting with a scene? First, we record a video of a human manipulating objects within a 3D scene using their hands. We then use these action-sound pairs to train a rectified flow model to map 3D hand trajectories to their corresponding audio. At test time, a user can query the model for other actions, parameterized as sequences of hand poses, to estimate their corresponding sounds. In our experiments, we find that our generated sounds accurately convey material properties and actions, and that they are often indistinguishable to human observers from real sounds. Project page: https://www.yimingdou.com/hearing_hands/

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arXiv2025

Self-Supervised Spatial Correspondence Across Modalities

We present a method for finding cross-modal space-time correspondences. Given two images from different visual modalities, such as an RGB image and a depth map, our model identifies which pairs of pixels correspond to the same physical points in the scene. To solve this problem, we extend the contrastive random walk framework to simultaneously learn cycle-consistent feature representations for both cross-modal and intra-modal matching. The resulting model is simple and has no explicit photo-consistency assumptions. It can be trained entirely using unlabeled data, without the need for any spatially aligned multimodal image pairs. We evaluate our method on both geometric and semantic correspondence tasks. For geometric matching, we consider challenging tasks such as RGB-to-depth and RGB-to-thermal matching (and vice versa); for semantic matching, we evaluate on photo-sketch and cross-style image alignment. Our method achieves strong performance across all benchmarks.

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arXiv2025

GPS as a Control Signal for Image Generation

We show that the GPS tags contained in photo metadata provide a useful control signal for image generation. We train GPS-to-image models and use them for tasks that require a fine-grained understanding of how images vary within a city. In particular, we train a diffusion model to generate images conditioned on both GPS and text. The learned model generates images that capture the distinctive appearance of different neighborhoods, parks, and landmarks. We also extract 3D models from 2D GPS-to-image models through score distillation sampling, using GPS conditioning to constrain the appearance of the reconstruction from each viewpoint. Our evaluations suggest that our GPS-conditioned models successfully learn to generate images that vary based on location, and that GPS conditioning improves estimated 3D structure.

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arXiv2025

Factorized Diffusion: Perceptual Illusions by Noise Decomposition

Given a factorization of an image into a sum of linear components, we present a zero-shot method to control each individual component through diffusion model sampling. For example, we can decompose an image into low and high spatial frequencies and condition these components on different text prompts. This produces hybrid images, which change appearance depending on viewing distance. By decomposing an image into three frequency subbands, we can generate hybrid images with three prompts. We also use a decomposition into grayscale and color components to produce images whose appearance changes when they are viewed in grayscale, a phenomena that naturally occurs under dim lighting. And we explore a decomposition by a motion blur kernel, which produces images that change appearance under motion blurring. Our method works by denoising with a composite noise estimate, built from the components of noise estimates conditioned on different prompts. We also show that for certain decompositions, our method recovers prior approaches to compositional generation and spatial control. Finally, we show that we can extend our approach to generate hybrid images from real images. We do this by holding one component fixed and generating the remaining components, effectively solving an inverse problem.

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arXiv2024

Motion Prompting: Controlling Video Generation with Motion Trajectories

Motion control is crucial for generating expressive and compelling video content; however, most existing video generation models rely mainly on text prompts for control, which struggle to capture the nuances of dynamic actions and temporal compositions. To this end, we train a video generation model conditioned on spatio-temporally sparse or dense motion trajectories. In contrast to prior motion conditioning work, this flexible representation can encode any number of trajectories, object-specific or global scene motion, and temporally sparse motion; due to its flexibility we refer to this conditioning as motion prompts. While users may directly specify sparse trajectories, we also show how to translate high-level user requests into detailed, semi-dense motion prompts, a process we term motion prompt expansion. We demonstrate the versatility of our approach through various applications, including camera and object motion control, "interacting" with an image, motion transfer, and image editing. Our results showcase emergent behaviors, such as realistic physics, suggesting the potential of motion prompts for probing video models and interacting with future generative world models. Finally, we evaluate quantitatively, conduct a human study, and demonstrate strong performance. Video results are available on our webpage: https://motion-prompting.github.io/

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arXiv2024

Video-Guided Foley Sound Generation with Multimodal Controls

Generating sound effects for videos often requires creating artistic sound effects that diverge significantly from real-life sources and flexible control in the sound design. To address this problem, we introduce MultiFoley, a model designed for video-guided sound generation that supports multimodal conditioning through text, audio, and video. Given a silent video and a text prompt, MultiFoley allows users to create clean sounds (e.g., skateboard wheels spinning without wind noise) or more whimsical sounds (e.g., making a lion's roar sound like a cat's meow). MultiFoley also allows users to choose reference audio from sound effects (SFX) libraries or partial videos for conditioning. A key novelty of our model lies in its joint training on both internet video datasets with low-quality audio and professional SFX recordings, enabling high-quality, full-bandwidth (48kHz) audio generation. Through automated evaluations and human studies, we demonstrate that MultiFoley successfully generates synchronized high-quality sounds across varied conditional inputs and outperforms existing methods. Please see our project page for video results: https://ificl.github.io/MultiFoley/

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arXiv2024

Community Forensics: Using Thousands of Generators to Train Fake Image Detectors

One of the key challenges of detecting AI-generated images is spotting images that have been created by previously unseen generative models. We argue that the limited diversity of the training data is a major obstacle to addressing this problem, and we propose a new dataset that is significantly larger and more diverse than prior work. As part of creating this dataset, we systematically download thousands of text-to-image latent diffusion models and sample images from them. We also collect images from dozens of popular open source and commercial models. The resulting dataset contains 2.7M images that have been sampled from 4803 different models. These images collectively capture a wide range of scene content, generator architectures, and image processing settings. Using this dataset, we study the generalization abilities of fake image detectors. Our experiments suggest that detection performance improves as the number of models in the training set increases, even when these models have similar architectures. We also find that detection performance improves as the diversity of the models increases, and that our trained detectors generalize better than those trained on other datasets. The dataset can be found in https://jespark.net/projects/2024/community_forensics

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arXiv2024

Contrastive Touch-to-Touch Pretraining

Today's tactile sensors have a variety of different designs, making it challenging to develop general-purpose methods for processing touch signals. In this paper, we learn a unified representation that captures the shared information between different tactile sensors. Unlike current approaches that focus on reconstruction or task-specific supervision, we leverage contrastive learning to integrate tactile signals from two different sensors into a shared embedding space, using a dataset in which the same objects are probed with multiple sensors. We apply this approach to paired touch signals from GelSlim and Soft Bubble sensors. We show that our learned features provide strong pretraining for downstream pose estimation and classification tasks. We also show that our embedding enables models trained using one touch sensor to be deployed using another without additional training. Project details can be found at https://www.mmintlab.com/research/cttp/.

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arXiv2024

Self-Supervised Any-Point Tracking by Contrastive Random Walks

We present a simple, self-supervised approach to the Tracking Any Point (TAP) problem. We train a global matching transformer to find cycle consistent tracks through video via contrastive random walks, using the transformer's attention-based global matching to define the transition matrices for a random walk on a space-time graph. The ability to perform "all pairs" comparisons between points allows the model to obtain high spatial precision and to obtain a strong contrastive learning signal, while avoiding many of the complexities of recent approaches (such as coarse-to-fine matching). To do this, we propose a number of design decisions that allow global matching architectures to be trained through self-supervision using cycle consistency. For example, we identify that transformer-based methods are sensitive to shortcut solutions, and propose a data augmentation scheme to address them. Our method achieves strong performance on the TapVid benchmarks, outperforming previous self-supervised tracking methods, such as DIFT, and is competitive with several supervised methods.

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arXiv2024

Self-Supervised Audio-Visual Soundscape Stylization

Speech sounds convey a great deal of information about the scenes, resulting in a variety of effects ranging from reverberation to additional ambient sounds. In this paper, we manipulate input speech to sound as though it was recorded within a different scene, given an audio-visual conditional example recorded from that scene. Our model learns through self-supervision, taking advantage of the fact that natural video contains recurring sound events and textures. We extract an audio clip from a video and apply speech enhancement. We then train a latent diffusion model to recover the original speech, using another audio-visual clip taken from elsewhere in the video as a conditional hint. Through this process, the model learns to transfer the conditional example's sound properties to the input speech. We show that our model can be successfully trained using unlabeled, in-the-wild videos, and that an additional visual signal can improve its sound prediction abilities. Please see our project webpage for video results: https://tinglok.netlify.app/files/avsoundscape/

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arXiv2024

Tactile Functasets: Neural Implicit Representations of Tactile Datasets

Modern incarnations of tactile sensors produce high-dimensional raw sensory feedback such as images, making it challenging to efficiently store, process, and generalize across sensors. To address these concerns, we introduce a novel implicit function representation for tactile sensor feedback. Rather than directly using raw tactile images, we propose neural implicit functions trained to reconstruct the tactile dataset, producing compact representations that capture the underlying structure of the sensory inputs. These representations offer several advantages over their raw counterparts: they are compact, enable probabilistically interpretable inference, and facilitate generalization across different sensors. We demonstrate the efficacy of this representation on the downstream task of in-hand object pose estimation, achieving improved performance over image-based methods while simplifying downstream models. We release code, demos and datasets at https://www.mmintlab.com/tactile-functasets.

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arXiv2024

Touch2Touch: Cross-Modal Tactile Generation for Object Manipulation

Today's touch sensors come in many shapes and sizes. This has made it challenging to develop general-purpose touch processing methods since models are generally tied to one specific sensor design. We address this problem by performing cross-modal prediction between touch sensors: given the tactile signal from one sensor, we use a generative model to estimate how the same physical contact would be perceived by another sensor. This allows us to apply sensor-specific methods to the generated signal. We implement this idea by training a diffusion model to translate between the popular GelSlim and Soft Bubble sensors. As a downstream task, we perform in-hand object pose estimation using GelSlim sensors while using an algorithm that operates only on Soft Bubble signals. The dataset, the code, and additional details can be found at https://www.mmintlab.com/research/touch2touch/.

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