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Behzad Haki

Publications and source records attributed to Behzad Haki.

2 recordsLinked to original sources

Learned Continuous Synthesis of Quadratic Difference Tone Spectra

Quadratic difference tones (QDTs) are a species of auditory distortion product in which a "phantom" pure tone, absent from the acoustic signal, is clearly audible to listeners. Exploiting this phenomenon, one can synthesize harmonically rich tones for musical purposes, a technique called Quadratic Difference Tone Spectrum (QDTS) synthesis. Previous works have introduced numerical methods to synthesize QDTS based on the distortion function, which links a target QDTS and an overtone-structured carrier signal. While accurate, these methods were stochastic and discontinuous, making them difficult to control for musical purposes and effectively limiting them to stationary signals. This paper proposes a neural network-based approach that learns an approximate inverse of the distortion mapping in an autoencoder-like configuration, producing a continuous approximation that addresses prior limitations. Experimental results show that, although slightly less numerically precise, the method is sufficient for perceptual and musical applications. We also implement a real-time version in Max and evaluate its performance. Various sound examples demonstrate its expressive and musical potential. The source code, audio examples, tutorials, and software accompanying this work are available at https://cordutie.github.io/projects/qdts.html

cs.SD

Exploring Situated Stabilities of a Rhythm Generation System through Variational Cross-Examination

This paper investigates GrooveTransformer, a real-time rhythm generation system, through the postphenomenological framework of Variational Cross-Examination (VCE). By reflecting on its deployment across three distinct artistic contexts, we identify three stabilities: an autonomous drum accompaniment generator, a rhythmic control voltage sequencer in Eurorack format, and a rhythm driver for a harmonic accompaniment system. The versatility of its applications was not an explicit goal from the outset of the project. Thus, we ask: how did this multistability emerge? Through VCE, we identify three key contributors to its emergence: the affordances of system invariants, the interdisciplinary collaboration, and the situated nature of its development. We conclude by reflecting on the viability of VCE as a descriptive and analytical method for Digital Musical Instrument (DMI) design, emphasizing its value in uncovering how technologies mediate, co-shape, and are co-shaped by users and contexts.

cs.HC