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Benjamin R. Thompson

Publications and source records attributed to Benjamin R. Thompson.

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Evaluating Dynamic Range Compressor Models Using Control-Voltage Measurements: an Approach and Dataset

The quantity that defines the behavior of a dynamic range compressor is the time-varying gain applied to the signal as a function of the input level. However, models of these devices are typically evaluated using proxy metrics because isolating the gain reduction signal from the audio input-output data included in existing datasets creates an ill-conditioned inverse problem. It is unclear how accurately these metrics describe the behavior the model is tasked with emulating, particularly as waveform-based metrics can be influenced by secondary effects introduced by analog processing and capture, even when those effects are inaudible. We investigate a method of evaluation in which the gain-reduction signal produced by a model is measured directly against a gain-reduction control voltage signal produced by the hardware. To evaluate the efficacy of this metric as a learning objective, a gray-box model is trained using loss computed directly over the gain control signals alongside two models trained using common proxy losses. The models trained using proxy losses did not achieve parity with models trained directly on the gain control signal when evaluated with respect to the underlying control trajectory, and the waveform-domain metrics assigned similar errors to models that were clearly separated by the direct metric. To facilitate further exploration of this method of evaluation, we present a Solid State Logic bus compressor dataset that includes the gain control voltage signal captured alongside the audio output.

eess.AS

A Survey of Methods for the Discretization of Phonograph Record Playback Filters

Since the inception of electrical recording for phonograph records in 1924, records have been intentionally cut with a non-uniform frequency response to maximize the information density on a disc and to improve the signal-to-noise ratio. To reproduce a nominally flat signal within the available bandwidth, the effects of this cutting curve must be undone by applying an inverse curve on playback. Until 1953, with the introduction of what has become known as the RIAA curve, the playback curve required for any particular disc could vary by record company and over time. As a consequence, anyone seeking to hear or restore the information on a disc must have access to equipment that is capable of implementing multiple playback equalizations. This correction may be accomplished with either analog hardware or digital processing. The digital approach has the advantages of reduced cost and expanded versatility, but requires a transformation from continuous time, where the original curves are defined, to discrete time. This transformation inevitably comes with some deviations from the continuous-time response near the Nyquist frequency. There are many established methods for discretizing continuous-time filters, and these vary in performance, computational cost, and inherent latency. In this work, several methods for performing this transformation are explored in the context of phonograph playback equalization, and the performance of each approach is quantified. This work is intended as a resource for anyone developing systems for digital playback equalization or similar applications that require approximating the response of a continuous-time filter digitally.

eess.AS