SearcharxivSearch

arXiv subjects

Bennett Hogg

Publications and source records attributed to Bennett Hogg.

2 recordsLinked to original sources

Singing Materials: Initial experiments in applying sonification to phonon spectra

Solid materials may appear static, but at the atomic scale they are in constant vibrational motion. These vibrations, described by phonons, govern many key material properties, including structural stability, mechanical strength, optical behaviour, and thermal transport. Understanding phonon physics is therefore central to the rational design of materials with targeted functionalities. Singing Materials is a research project that explores how sonification can be applied to this domain. In this work, we introduce `SingingMaterials`, a modular Python package for sonifying materials simulation data. The software interfaces with the Materials Project database and is designed to be extensible, enabling the incorporation of additional sonification strategies and data sources. Built using the Sonification Toolkit `STRAUSS`, the current implementation supports three core approaches: spectral, synthesised, and sample-based. We demonstrate these approaches using phonon density-of-states data and evaluate their effectiveness through a user study, investigating whether listeners can distinguish differences in material properties from their auditory representations. The results show that sonification can provide an interpretable and complementary approach for exploring vibrational materials data.

cond-mat.mtrl-sci

Sonification Abstraite/Sonification Concrète: An 'Aesthetic Perspective Space' for Classifying Auditory Displays in the Ars Musica Domain

This paper discusses æsthetic issues of sonifications and the relationships between sonification (ars informatica) and music & sound art (ars musica). It is posited that many sonifications have suffered from poor internal ecological validity which makes listening more difficult, thereby resulting in poorer data extraction and inference on the part of the listener. Lessons are drawn from the electroacoustic music and musique concrète communities as it is argued that it is not instructive to distinguish between sonifications and music/sound art.

cs.HC