arXiv subjects

Brian McFee

Publications and source records attributed to Brian McFee.

25 records · Page 2Linked to original sources

arXiv2019

Enhanced Hierarchical Music Structure Annotations via Feature Level Similarity Fusion

We describe a novel pipeline to automatically discover hierarchies of repeated sections in musical audio. The proposed method uses similarity network fusion (SNF) to combine different frame-level features into clean affinity matrices, which are then used as input to spectral clustering. While prior spectral clustering approaches to music structure analysis have pre-processed affinity matrices with heuristics specifically designed for this task, we show that the SNF approach directly yields segmentations which agree better with human annotators, as measured by the ``L-measure'' metric for hierarchical annotations. Furthermore, the SNF approach immediately supports arbitrarily many input features, allowing us to simultaneously discover structure encoded in timbral, harmonic, and rhythmic representations without any changes to the base algorithm.

cs.IR↗

arXiv2018

Multitask Learning for Fundamental Frequency Estimation in Music

Fundamental frequency (f0) estimation from polyphonic music includes the tasks of multiple-f0, melody, vocal, and bass line estimation. Historically these problems have been approached separately, and only recently, using learning-based approaches. We present a multitask deep learning architecture that jointly estimates outputs for various tasks including multiple-f0, melody, vocal and bass line estimation, and is trained using a large, semi-automatically annotated dataset. We show that the multitask model outperforms its single-task counterparts, and explore the effect of various design decisions in our approach, and show that it performs better or at least competitively when compared against strong baseline methods.

cs.SD↗

arXiv2018

Adaptive pooling operators for weakly labeled sound event detection

Sound event detection (SED) methods are tasked with labeling segments of audio recordings by the presence of active sound sources. SED is typically posed as a supervised machine learning problem, requiring strong annotations for the presence or absence of each sound source at every time instant within the recording. However, strong annotations of this type are both labor- and cost-intensive for human annotators to produce, which limits the practical scalability of SED methods. In this work, we treat SED as a multiple instance learning (MIL) problem, where training labels are static over a short excerpt, indicating the presence or absence of sound sources but not their temporal locality. The models, however, must still produce temporally dynamic predictions, which must be aggregated (pooled) when comparing against static labels during training. To facilitate this aggregation, we develop a family of adaptive pooling operators---referred to as auto-pool---which smoothly interpolate between common pooling operators, such as min-, max-, or average-pooling, and automatically adapt to the characteristics of the sound sources in question. We evaluate the proposed pooling operators on three datasets, and demonstrate that in each case, the proposed methods outperform non-adaptive pooling operators for static prediction, and nearly match the performance of models trained with strong, dynamic annotations. The proposed method is evaluated in conjunction with convolutional neural networks, but can be readily applied to any differentiable model for time-series label prediction.

cs.SD↗

arXiv2017

Towards Music Captioning: Generating Music Playlist Descriptions

Descriptions are often provided along with recommendations to help users' discovery. Recommending automatically generated music playlists (e.g. personalised playlists) introduces the problem of generating descriptions. In this paper, we propose a method for generating music playlist descriptions, which is called as music captioning. In the proposed method, audio content analysis and natural language processing are adopted to utilise the information of each track.

cs.MM↗

arXiv2013

Codebook based Audio Feature Representation for Music Information Retrieval

Digital music has become prolific in the web in recent decades. Automated recommendation systems are essential for users to discover music they love and for artists to reach appropriate audience. When manual annotations and user preference data is lacking (e.g. for new artists) these systems must rely on \emph{content based} methods. Besides powerful machine learning tools for classification and retrieval, a key component for successful recommendation is the \emph{audio content representation}. Good representations should capture informative musical patterns in the audio signal of songs. These representations should be concise, to enable efficient (low storage, easy indexing, fast search) management of huge music repositories, and should also be easy and fast to compute, to enable real-time interaction with a user supplying new songs to the system. Before designing new audio features, we explore the usage of traditional local features, while adding a stage of encoding with a pre-computed \emph{codebook} and a stage of pooling to get compact vectorial representations. We experiment with different encoding methods, namely \emph{the LASSO}, \emph{vector quantization (VQ)} and \emph{cosine similarity (CS)}. We evaluate the representations' quality in two music information retrieval applications: query-by-tag and query-by-example. Our results show that concise representations can be used for successful performance in both applications. We recommend using top-$τ$ VQ encoding, which consistently performs well in both applications, and requires much less computation time than the LASSO.

cs.IR↗

arXiv2011

Learning content similarity for music recommendation

Many tasks in music information retrieval, such as recommendation, and playlist generation for online radio, fall naturally into the query-by-example setting, wherein a user queries the system by providing a song, and the system responds with a list of relevant or similar song recommendations. Such applications ultimately depend on the notion of similarity between items to produce high-quality results. Current state-of-the-art systems employ collaborative filter methods to represent musical items, effectively comparing items in terms of their constituent users. While collaborative filter techniques perform well when historical data is available for each item, their reliance on historical data impedes performance on novel or unpopular items. To combat this problem, practitioners rely on content-based similarity, which naturally extends to novel items, but is typically out-performed by collaborative filter methods. In this article, we propose a method for optimizing contentbased similarity by learning from a sample of collaborative filter data. The optimized content-based similarity metric can then be applied to answer queries on novel and unpopular items, while still maintaining high recommendation accuracy. The proposed system yields accurate and efficient representations of audio content, and experimental results show significant improvements in accuracy over competing content-based recommendation techniques.

cs.MM↗

arXiv2010

Learning Multi-modal Similarity

In many applications involving multi-media data, the definition of similarity between items is integral to several key tasks, e.g., nearest-neighbor retrieval, classification, and recommendation. Data in such regimes typically exhibits multiple modalities, such as acoustic and visual content of video. Integrating such heterogeneous data to form a holistic similarity space is therefore a key challenge to be overcome in many real-world applications. We present a novel multiple kernel learning technique for integrating heterogeneous data into a single, unified similarity space. Our algorithm learns an optimal ensemble of kernel transfor- mations which conform to measurements of human perceptual similarity, as expressed by relative comparisons. To cope with the ubiquitous problems of subjectivity and inconsistency in multi- media similarity, we develop graph-based techniques to filter similarity measurements, resulting in a simplified and robust training procedure.

cs.AI↗