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Brian de Silva

Publications and source records attributed to Brian de Silva.

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Deeptime: a Python library for machine learning dynamical models from time series data

Generation and analysis of time-series data is relevant to many quantitative fields ranging from economics to fluid mechanics. In the physical sciences, structures such as metastable and coherent sets, slow relaxation processes, collective variables dominant transition pathways or manifolds and channels of probability flow can be of great importance for understanding and characterizing the kinetic, thermodynamic and mechanistic properties of the system. Deeptime is a general purpose Python library offering various tools to estimate dynamical models based on time-series data including conventional linear learning methods, such as Markov state models (MSMs), Hidden Markov Models and Koopman models, as well as kernel and deep learning approaches such as VAMPnets and deep MSMs. The library is largely compatible with scikit-learn, having a range of Estimator classes for these different models, but in contrast to scikit-learn also provides deep Model classes, e.g. in the case of an MSM, which provide a multitude of analysis methods to compute interesting thermodynamic, kinetic and dynamical quantities, such as free energies, relaxation times and transition paths. The library is designed for ease of use but also easily maintainable and extensible code. In this paper we introduce the main features and structure of the deeptime software.

math.DS

Prediction of Foreign Box Office Revenues Based on Wikipedia Page Activity

A number of attempts have been made at estimating the amount of box office revenue a film will generate during its opening weekend. One such attempt makes extensive use of the number of views a film's Wikipedia page has attracted as a predictor of box office success in the United States. In this paper we develop a similar method of approximating box office success. We test our method using 325 films from the United States and then apply it to films from four foreign markets: Japan (95 films), Australia (118 films), Germany (105 films), and the United Kingdom (141 films). We find the technique to have inconsistent performance in these nations. While it makes relatively accurate predictions for the United States and Australia, its predictions in the remaining markets are not accurate enough to be useful.

cs.SI