arXiv subjects

Calla Glavin Beauregard

Publications and source records attributed to Calla Glavin Beauregard.

4 recordsLinked to original sources

arXiv2026

The queer Hero versus the Fool bias of the queer trait: An archetypometric analysis of the collective portrayal of queerness in fictional stories

Visibility in media is pivotal for identity development and for broadening societal views of gender and sexuality. Queer representation has increased in recent years, yet damaging stereotypes and tropes persist. Here, we focus on queer portrayal and its perception by audiences in fictional stories (television, film, and literature) by studying characters by their quantified archetypes which are operationalizations of common conceptions such as Hero, Diva, and Outcast. We use the archetypometrics and Fandom's LGBTQIA+ datasets to study samples of fictional characters along the trait differential spanning straight to queer. We find, quantify, and explain a seeming paradox. The characters with the highest queer score present positive primary archetypes and are typically Heroes rather than Fools, Angels rather than Demons, and Adventurers rather than Traditionalists. But evaluation across many stories for the straight-queer trait itself reveals a strong collective-writing bias towards Fool (away from Hero) and no meaningful loading for the other two dimensions. Our analysis offers a population-scale view of the complexities of queer portrayal, while also pointing to risks in blindly training on many-authored story corpora.

cs.CY↗

arXiv2026

Self-reported archetypes and behavioral failures in Large Language Models

Every large language model (LLM) has behavioral traits and moral preferences that comprise its character. Whether by design or as an emergent property of training, these systems exhibit persistent dispositions that shape how they interact, comply, resist, and err, yet the structure of LLM character remains poorly understood. We map the self-reported personality archetypes of 22 LLMs spanning closed-source frontier systems (GPT-4.0-5.2, Grok-3/4, Gemini 2.5 Pro/Flash, Claude Sonnet 4.5/4.6) and open-source models (Llama, DeepSeek, OLMo, and Qwen series). Each model self-rated across 464 bipolar semantic-differential trait pairs, and the resulting profiles were projected into a six-dimensional archetypal space derived from crowd-sourced ratings of 2,000 fictional characters using the Archetypometrics framework. Closed-source models' self-rating traits align with the empirical trait co-occurrence structure of human-rated fictional characters, suggesting coherent, human-like self-representations organized around combinations of four recurring archetypal dimensions: Hero, Angel, Traditionalist, and Geek. Their closest analogues include Data, Vision, and Janet. Open-source models show weaker, noisier, and internally contradictory self-representations, occupying a diffuse region of archetype space with weak structure. Cross-referencing self-reported profiles with developer constitutions reveals a consequential gap between claimed character and enacted behavior: hallucination undermines claimed precision, sycophancy complicates claimed kindness, and agentic failures contradict claimed obedience. These self-ratings should therefore be interpreted not as neutral measurements of model character, but as structured outputs of the same optimization processes that shape model behavior. This work provides a reproducible, character-grounded framework for evaluating what LLMs are, not just what they do.

cs.CL↗

arXiv2026

Buffy versus Bella: An archetypometric analysis and comparison

Fictional stories and characters embody and encode social norms, and their study is a powerful tool through which to understand culture and society. Vampire stories and folklore, in particular, have long both reflected and refracted people's preoccupation with disease, sexuality, death, and immortality. Here, we explore female main characters from two popular vampire franchises of the 21st century: Buffy Summers from the eponymous Buffy the Vampire Slayer and Bella Swan from the Twilight series. We employ the archetypometrics framework, built from 2,000 characters assesed across 464 semantic differential traits, to understand Buffy's and Bella's archetypes compared to one another and characters in their own stories, as well as within a larger societal context. While Buffy and Bella are female protagonists who share focus on love and romance, they differ broadly on their underlying traits and overall archetypes. Buffy -- presented as a prototypical high school cheerleader -- largely bucks traditional gender norms as an strong Adventurer-Hero. Bella -- stylized as ``not like the other girls'' -- largely conforms to traditional gender norms as a weak Outcast archetype. In each instance, our use of archetypometrics offers a detailed, character-based lens for assessing female protagonists in contemporary vampire narratives, with clear potential for broader application across other storytelling forms.

cs.CY↗

arXiv2026

Archetypes and gender in fiction: A data-driven mapping of gender stereotypes in stories

Fictional character representations reflect social norms and biases. For example, women are relatively underrepresented in television and film, irrespective of genre, and are frequently stereotyped in these media. Here, we draw on a data-driven operationalization of archetypes -- archetypometrics -- to explore the characterization of 2,000 canonically male and female characters. From an overall space of six pairs of base archetypes, we find that canonically female characters tend more toward Hero, Adventurer, Diva, and Sophisticate archetypes, while male characters, tend toward Fool, Traditionalist, Outcast, Brute and Outcast types. However, overarching patterns by gender nevertheless sustain traditional stereotypes: The seemingly positive heroic bias toward females is undercut by heroic female characters being more masculine than other female characters. We discuss the societal implications of skewed archetype representation by character gender.

cs.CY↗