arXiv subjects

Caren Chen

Publications and source records attributed to Caren Chen.

6 recordsLinked to original sources

arXiv2026

CtrlSpeech: Coarse-to-Fine Control for Expressive Speech Synthesis

Recent Text-To-Speech (TTS) systems have achieved strong naturalness and zero-shot voice cloning performance, but fine-grained control of expressive speech at the word or phoneme level remains challenging. We propose CtrlSpeech, a controllable, expressive TTS framework with coarse-to-fine control. Built on the DiTAR architecture, CtrlSpeech combines global speaker conditioning with phone-aligned pitch, loudness, and duration signals, enabling localized prosodic control while preserving the target speaker's timbre. This design allows users to adjust expressive attributes at a fine temporal granularity, making speech refinement more flexible and controllable. Experimental results show that CtrlSpeech achieves competitive zero-shot TTS performance and improves controllability over expressive attributes, demonstrating its effectiveness for flexible and practical expressive speech synthesis.

eess.AS↗

arXiv2026

AugCodec: A Low-Bitrate Disentangled Neural Speech Codec via Data Augmentation

We propose AugCodec, a low-bitrate disentangled neural speech codec that leverages data augmentation to decompose speech into three distinct components: semantic, speaker, and prosody tokens. Specifically, we employ tailored augmenta tion strategies to transform speech into distinct variants, each serving as input for extracting tokens that preserve the target attribute while suppressing others. This disentanglement strategy enables substantial reduction in token rate. Further more, we introduce an augmentation loss that aligns semantic encoder outputs between source and voice-converted speech, encouraging speaker-agnostic embeddings while mitigating the acoustic mismatch induced by voice conversion. Experiments on LibriSpeech test-clean demonstrate that AugCodec significantly outperforms state-of-the-art methods in both reconstruction quality and disentanglement, while operating at only 12.5Hz with three token streams.

cs.SD↗

arXiv2026

Subtle Motion Blur Detection and Segmentation from Static Image Artworks

Streaming services serve hundreds of millions of viewers worldwide, where visual assets such as thumbnails, box art, and cover images are critical for engagement. Subtle motion blur remains a pervasive quality issue, reducing visual clarity and negatively affecting user trust and click-through rates. However, motion blur detection from static images is underexplored, as existing methods and datasets focus on severe blur and lack fine-grained pixel-level annotations needed for quality-critical applications. Benchmarks such as GOPRO and NFS are dominated by strong synthetic blur and often contain residual blur in their sharp references, leading to ambiguous supervision. We propose SMBlurDetect, a unified framework combining high-quality motion blur specific dataset generation with an end-to-end detector capable of zero-shot detection at multiple granularities. Our pipeline synthesizes realistic motion blur from super high resolution aesthetic images using controllable camera and object motion simulations over SAM segmented regions, enhanced with alpha-aware compositing and balanced sampling to generate subtle, spatially localized blur with precise ground truth masks. We train a U-Net based detector with ImageNet pretrained encoders using a hybrid mask and image centric strategy incorporating curriculum learning, hard negatives, focal loss, blur frequency channels, and resolution aware augmentation.Our method achieves strong zero-shot generalization, reaching 89.68% accuracy on GoPro (vs 66.50% baseline) and 59.77% Mean IoU on CUHK (vs 9.00% baseline), demonstrating 6.6x improvement in segmentation. Qualitative results show accurate localization of subtle blur artifacts, enabling automated filtering of low quality frames and precise region of interest extraction for intelligent cropping.

cs.CV↗

arXiv2026

Automatic Funny Scene Extraction from Long-form Cinematic Videos

Automatically extracting engaging and high-quality humorous scenes from cinematic titles is pivotal for creating captivating video previews and snackable content, boosting user engagement on streaming platforms. Long-form cinematic titles, with their extended duration and complex narratives, challenge scene localization, while humor's reliance on diverse modalities and its nuanced style add further complexity. This paper introduces an end-to-end system for automatically identifying and ranking humorous scenes from long-form cinematic titles, featuring shot detection, multimodal scene localization, and humor tagging optimized for cinematic content. Key innovations include a novel scene segmentation approach combining visual and textual cues, improved shot representations via guided triplet mining, and a multimodal humor tagging framework leveraging both audio and text. Our system achieves an 18.3% AP improvement over state-of-the-art scene detection on the OVSD dataset and an F1 score of 0.834 for detecting humor in long text. Extensive evaluations across five cinematic titles demonstrate 87% of clips extracted by our pipeline are intended to be funny, while 98% of scenes are accurately localized. With successful generalization to trailers, these results showcase the pipeline's potential to enhance content creation workflows, improve user engagement, and streamline snackable content generation for diverse cinematic media formats.

cs.IR↗

arXiv2025

From Inpainting to Layer Decomposition: Repurposing Generative Inpainting Models for Image Layer Decomposition

Images can be viewed as layered compositions, foreground objects over background, with potential occlusions. This layered representation enables independent editing of elements, offering greater flexibility for content creation. Despite the progress in large generative models, decomposing a single image into layers remains challenging due to limited methods and data. We observe a strong connection between layer decomposition and in/outpainting tasks, and propose adapting a diffusion-based inpainting model for layer decomposition using lightweight finetuning. To further preserve detail in the latent space, we introduce a novel multi-modal context fusion module with linear attention complexity. Our model is trained purely on a synthetic dataset constructed from open-source assets and achieves superior performance in object removal and occlusion recovery, unlocking new possibilities in downstream editing and creative applications.

cs.CV↗

arXiv2025

From Captions to Keyframes: KeyScore for Multimodal Frame Scoring and Video-Language Understanding

Selecting informative keyframes is critical for efficient video understanding, yet existing approaches often rely on heuristics, ignore semantics, or produce redundant frames. We propose KeyScore, a caption-aware frame scoring method that combines three complementary signals: semantic similarity to captions, temporal representativeness, and contextual drop impact. Applied to large-scale video-caption datasets, KeyScore generates frame-level importance scores that enable training keyframe extractors or guiding video-language models. To support this, we also propose STACFP, a Spatio-Temporal Adaptive Clustering method that generates diverse and compact frame proposals across long videos. Together, KeyScore and STACFP reduce uninformative frames while preserving critical content, resulting in faster and more accurate inference. Our experiments on three standard video-language benchmarks (MSRVTT, MSVD, DiDeMo) show that combining STACFP and KeyScore enables up to 99% frame reduction compared to full-frame processing, while outperforming uniform 8-frame encoders in video-text retrieval, keyframe extraction, and action recognition tasks. By focusing on semantically relevant frames, our method enhances both efficiency and performance, enabling scalable and caption-grounded video understanding.

cs.CV↗