arXiv subjects

Chunyu Qiang

Publications and source records attributed to Chunyu Qiang.

At least 19 recordsLinked to original sources

arXiv2026

EmotionDialogCN: A Spontaneous Multimodal Dataset for Mandarin Emotional Dialogue

Face-to-face audiovisual interaction is central to human communication, conveying rich emotional and social cues. However, existing multimodal dialogue datasets remain limited by inadequate emotion annotations, poor emotional diversity, and small scale. We introduce EmotionDialogCN, a large-scale audiovisual-emotional dataset designed to capture authentic face-to-face communication. It contains 21,880 dialogue sessions performed by 119 professional actors across 20 everyday scenarios, covering 18 emotion categories with over 400 hours of recordings, the largest and most comprehensive dataset of its kind. A novel data collection framework minimizes equipment interference, enabling natural and nuanced emotional expressions. EmotionDialogCN achieves an emotion distribution deviation of 0.64 from real human emotion statistics (versus 5.65 for prior datasets) and consistent subject framing (52-59% frame occupancy). Together, these properties translate into stable unimodal and multimodal performance across acoustic, lexical, and visual modalities, with fusion results further underscoring strong multimodal alignment and cross-modal complementarity.

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arXiv2026

Speech Meets ELF: Audio Conditional Continuous-Target Diffusion for Speech Recognition and Translation

Speech-to-text (S2T) systems for recognition (ASR) and translation (S2TT) typically generate discrete text tokens. In contrast, continuous-target language modelling performs generation in a continuous space, yet its potential for S2T remains unexplored. To bridge this gap, we propose ELF-S2T, an audio-conditioned continuous-target generative model for S2T. Built upon the pre-trained Embedded Language Flows (ELF) backbone, ELF-S2T processes speech via a frozen Whisper encoder and a single linear projector, prepending the resulting audio condition to the noisy text latent for in-context, flow-matching denoising. To prevent the model from over-relying on its pre-trained text context, we introduce audio forcing during training, and further amplify the audio condition via classifier-free guidance at inference. Experiments on LibriSpeech and CoVoST2 show that ELF-S2T achieves competitive ASR and S2TT performance. Crucially, our error analysis reveals that, although ASR and S2TT errors look very different on the surface, both stem from the same underlying cause, a close distance confusion in the continuous latent space. This finding naturally aligns with the continuous representation generation paradigm, indicating a common semantic mapping process beneath recognition and translation. Our code and pretrained models are publicly available at https://github.com/Sslnon/ELF-S2T.

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arXiv2026

Towards Unified Song Generation and Singing Voice Conversion with Accompaniment Co-Generation

While song generation and singing voice conversion (SVC) have evolved significantly, they have long been developed isolated: the former lacks zero-shot speaker cloning, while the latter overlooks vocal-accompaniment synergy. To bridge this gap, we propose UniSinger, the first end-to-end framework unifying speaker cloning song generation and accompaniment co-generation SVC. Building on the multimodal diffusion transformer, we construct a unified speaker embedding space transferring speaker representation from SVC to song generation, endowing fine-grained cross-task timbre control. To mitigate multi-task optimization conflicts, we design a curriculum learning strategy using task-specific modality masking to guide the model to gradually master the generative mechanisms among semantic content, vocal timbre, and accompaniment. Experiments show state-of-the-art performance on both tasks and realizes complementary benefits, offering new possibilities for intelligent music production.

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arXiv2026

Audio Imitator: Controlling Timbre and Tempo in Video2Audio Synthesis with Audio Reference

Video-to-audio generation has made significant progress in achieving semantic consistency and temporal alignment from silent videos. However, audio contains rich stylistic attributes such as timbre and tempo that are difficult to infer from visual and textual inputs alone. While reference audio can serve as additional conditioning, it is typically treated as a holistic signal, limiting fine-grained style control. We propose AudioIM, an attribute-aware framework that explicitly models timbre and tempo as separate control factors rather than relying on holistic prompt conditioning. Dual encoders extract complementary timbre-related and tempo-related representations, which are injected through global conditioning. A masking-based training strategy enables effective latent prompt conditioning at inference. Experiments on VGGSound show improved style similarity while preserving semantic alignment and synchronization. Audio samples are available at: https://anonymousdemo757.github.io/.

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arXiv2026

Evaluating the Expressive Appropriateness of Speech in Rich Contexts

Evaluating expressive speech remains challenging, as existing methods mainly assess emotional intensity and overlook whether a speech sample is expressively appropriate for its contextual setting. This limitation hinders reliable evaluation of speech systems used in narrative-driven and interactive applications, such as audiobooks and conversational agents. We introduce CEAEval, a Context-rich framework for Evaluating Expressive Appropriateness in speech, which assesses whether a speech sample expressively aligns with the underlying communicative intent implied by its discourse-level narrative context. To support this task, we construct CEAEval-D, the first context-rich speech dataset with real human performances in Mandarin conversational speech, providing narrative descriptions together with fifteen dimensions of human annotations covering expressive attributes and expressive appropriateness. We further develop CEAEval-M, a model that integrates knowledge distillation, planner-based multi-model collaboration, adaptive audio attention bias, and reinforcement learning to perform context-rich expressive appropriateness evaluation. Experiments on a human-annotated test set demonstrate that CEAEval-M substantially outperforms existing speech evaluation and analysis systems.

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arXiv2026

UniSonate: A Unified Model for Speech, Music, and Sound Effect Generation with Text Instructions

Generative audio modeling has largely been fragmented into specialized tasks, text-to-speech (TTS), text-to-music (TTM), and text-to-audio (TTA), each operating under heterogeneous control paradigms. Unifying these modalities remains a fundamental challenge due to the intrinsic dissonance between structured semantic representations (speech/music) and unstructured acoustic textures (sound effects). In this paper, we introduce UniSonate, a unified flow-matching framework capable of synthesizing speech, music, and sound effects through a standardized, reference-free natural language instruction interface. To reconcile structural disparities, we propose a novel dynamic token injection mechanism that projects unstructured environmental sounds into a structured temporal latent space, enabling precise duration control within a phoneme-driven Multimodal Diffusion Transformer (MM-DiT). Coupled with a multi-stage curriculum learning strategy, this approach effectively mitigates cross-modal optimization conflicts. Extensive experiments demonstrate that UniSonate achieves state-of-the-art performance in instruction-based TTS (WER 1.47%) and TTM (SongEval Coherence 3.18), while maintaining competitive fidelity in TTA. Crucially, we observe positive transfer, where joint training on diverse audio data significantly enhances structural coherence and prosodic expressiveness compared to single-task baselines. Audio samples are available at https://qiangchunyu.github.io/UniSonate/.

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arXiv2026

Habibi: Laying the Open-Source Foundation of Unified-Dialectal Arabic Speech Synthesis

Arabic spans over 30 spoken varieties, yet no open-source text-to-speech system unifies them. Key barriers include substantial cross-dialect lexical and phonological divergence, scarce synthesis-grade data, and the absence of a standardized multi-dialect evaluation benchmark. We present Habibi, a unified-dialectal Arabic TTS framework that addresses all three. Through a multi-step curation pipeline, we repurpose open-source ASR corpora into TTS training data covering 12+ regional dialects. A linguistically-informed curriculum learning strategy - progressing from Modern Standard Arabic to dialectal data - enables robust zero-shot synthesis without text diacritization. We further release the first standardized multi-dialect Arabic TTS benchmark, comprising over 11,000 utterances across 7 dialect subsets with manually verified transcripts. On this benchmark, our unified model matches or surpasses per-dialect specialized models. Both automatic metrics and human evaluations confirm that Habibi is highly competitive with ElevenLabs' Eleven v3 (alpha) in intelligibility, speaker similarity, and naturalness. Extensive ablations (~8,000 H100 GPU hours, 30+ configurations) validate each design choice. We open-source all checkpoints, training and inference code, and benchmark data - the first such release for multi-dialect Arabic TTS - at https://SWivid.github.io/Habibi/ .

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arXiv2026

Apollo: Unified Multi-Task Audio-Video Joint Generation

Audio-video joint generation has progressed rapidly, yet substantial challenges still remain. Non-commercial approaches still suffer audio-visual asynchrony, poor lip-speech alignment, and unimodal degradation, which can be stemmed from weak audio-visual correspondence modeling, limited generalization, and scarce high-quality dense-caption data. To address these issues, we introduce Apollo and delve into three axes--model architecture, training strategy, and data curation. Architecturally, we adopt a single-tower design with unified DiT blocks and an Omni-Full Attention mechanism, achieving tight audio-visual alignment and strong scalability. Training-wise, we adopt a progressive multitask regime--random modality masking to joint optimization across tasks, and a multistage curriculum, yielding robust representations, strengthening A-V aligned world knowledge, and preventing unimodal collapse. For datasets, we present the first large-scale audio-video dataset with dense captions, and introduce a novel automated data-construction pipeline which annotates and filters millions of diverse, high-quality, strictly aligned audio-video-caption triplets. Building on this, Apollo scales to large datasets, delivering high-fidelity, semantically and temporally aligned, instruction-following generation in both joint and unimodal settings while generalizing robustly to out-of-distribution scenarios. Across tasks, it substantially outperforms prior methods by a large margin and achieves performance comparable to Veo 3, offering a unified, scalable path toward next-generation audio-video synthesis.

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arXiv2026

MM-Sonate: Multimodal Controllable Audio-Video Generation with Zero-Shot Voice Cloning

Joint audio-video generation aims to synthesize synchronized multisensory content, yet current unified models struggle with fine-grained acoustic control, particularly for identity-preserving speech. Existing approaches either suffer from temporal misalignment due to cascaded generation or lack the capability to perform zero-shot voice cloning within a joint synthesis framework. In this work, we present MM-Sonate, a multimodal flow-matching framework that unifies controllable audio-video joint generation with zero-shot voice cloning capabilities. Unlike prior works that rely on coarse semantic descriptions, MM-Sonate utilizes a unified instruction-phoneme input to enforce strict linguistic and temporal alignment. To enable zero-shot voice cloning, we introduce a timbre injection mechanism that effectively decouples speaker identity from linguistic content. Furthermore, addressing the limitations of standard classifier-free guidance in multimodal settings, we propose a noise-based negative conditioning strategy that utilizes natural noise priors to significantly enhance acoustic fidelity. Empirical evaluations demonstrate that MM-Sonate establishes new state-of-the-art performance in joint generation benchmarks, significantly outperforming baselines in lip synchronization and speech intelligibility, while achieving voice cloning fidelity comparable to specialized Text-to-Speech systems.

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arXiv2025

DMP-TTS: Disentangled multi-modal Prompting for Controllable Text-to-Speech with Chained Guidance

Controllable text-to-speech (TTS) systems face significant challenges in achieving independent manipulation of speaker timbre and speaking style, often suffering from entanglement between these attributes. We present DMP-TTS, a latent Diffusion Transformer (DiT) framework with explicit disentanglement and multi-modal prompting. A CLAP-based style encoder (Style-CLAP) aligns cues from reference audio and descriptive text in a shared space and is trained with contrastive learning plus multi-task supervision on style attributes. For fine-grained control during inference, we introduce chained classifier-free guidance (cCFG) trained with hierarchical condition dropout, enabling independent adjustment of content, timbre, and style guidance strengths. Additionally, we employ Representation Alignment (REPA) to distill acoustic-semantic features from a pretrained Whisper model into intermediate DiT representations, stabilizing training and accelerating convergence. Experiments show that DMP-TTS delivers stronger style controllability than open-source baselines while maintaining competitive intelligibility and naturalness. Code and demos will be available at https://y61329697.github.io/DMP-TTS/.

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arXiv2025

M3-TTS: Multi-modal DiT Alignment & Mel-latent for Zero-shot High-fidelity Speech Synthesis

Non-autoregressive (NAR) text-to-speech synthesis relies on length alignment between text sequences and audio representations, constraining naturalness and expressiveness. Existing methods depend on duration modeling or pseudo-alignment strategies that severely limit naturalness and computational efficiency. We propose M3-TTS, a concise and efficient NAR TTS paradigm based on multi-modal diffusion transformer (MM-DiT) architecture. M3-TTS employs joint diffusion transformer layers for cross-modal alignment, achieving stable monotonic alignment between variable-length text-speech sequences without pseudo-alignment requirements. Single diffusion transformer layers further enhance acoustic detail modeling. The framework integrates a mel-vae codec that provides 3* training acceleration. Experimental results on Seed-TTS and AISHELL-3 benchmarks demonstrate that M3-TTS achieves state-of-the-art NAR performance with the lowest word error rates (1.36\% English, 1.31\% Chinese) while maintaining competitive naturalness scores. Code and demos will be available at https://wwwwxp.github.io/M3-TTS.

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arXiv2025

InstructAudio: Unified speech and music generation with natural language instruction

Text-to-speech (TTS) and text-to-music (TTM) models face significant limitations in instruction-based control. TTS systems usually depend on reference audio for timbre, offer only limited text-level attribute control, and rarely support dialogue generation. TTM systems are constrained by input conditioning requirements that depend on expert knowledge annotations. The high heterogeneity of these input control conditions makes them difficult to joint modeling with speech synthesis. Despite sharing common acoustic modeling characteristics, these two tasks have long been developed independently, leaving open the challenge of achieving unified modeling through natural language instructions. We introduce InstructAudio, a unified framework that enables instruction-based (natural language descriptions) control of acoustic attributes including timbre (gender, age), paralinguistic (emotion, style, accent), and musical (genre, instrument, rhythm, atmosphere). It supports expressive speech, music, and dialogue generation in English and Chinese. The model employs joint and single diffusion transformer layers with a standardized instruction-phoneme input format, trained on 50K hours of speech and 20K hours of music data, enabling multi-task learning and cross-modal alignment. Fig. 1 visualizes performance comparisons with mainstream TTS and TTM models, demonstrating that InstructAudio achieves optimal results on most metrics. To our best knowledge, InstructAudio represents the first instruction-controlled framework unifying speech and music generation. Audio samples are available at: https://qiangchunyu.github.io/InstructAudio/

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arXiv2025

Perturbation Self-Supervised Representations for Cross-Lingual Emotion TTS: Stage-Wise Modeling of Emotion and Speaker

Cross-lingual emotional text-to-speech (TTS) aims to produce speech in one language that captures the emotion of a speaker from another language while maintaining the target voice's timbre. This process of cross-lingual emotional speech synthesis presents a complex challenge, necessitating flexible control over emotion, timbre, and language. However, emotion and timbre are highly entangled in speech signals, making fine-grained control challenging. To address this issue, we propose EMM-TTS, a novel two-stage cross-lingual emotional speech synthesis framework based on perturbed self-supervised learning (SSL) representations. In the first stage, the model explicitly and implicitly encodes prosodic cues to capture emotional expressiveness, while the second stage restores the timbre from perturbed SSL representations. We further investigate the effect of different speaker perturbation strategies-formant shifting and speaker anonymization-on the disentanglement of emotion and timbre. To strengthen speaker preservation and expressive control, we introduce Speaker Consistency Loss (SCL) and Speaker-Emotion Adaptive Layer Normalization (SEALN) modules. Additionally, we find that incorporating explicit acoustic features (e.g., F0, energy, and duration) alongside pretrained latent features improves voice cloning performance. Comprehensive multi-metric evaluations, including both subjective and objective measures, demonstrate that EMM-TTS achieves superior naturalness, emotion transferability, and timbre consistency across languages.

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arXiv2025

Word-Level Emotional Expression Control in Zero-Shot Text-to-Speech Synthesis

While emotional text-to-speech (TTS) has made significant progress, most existing research remains limited to utterance-level emotional expression and fails to support word-level control. Achieving word-level expressive control poses fundamental challenges, primarily due to the complexity of modeling multi-emotion transitions and the scarcity of annotated datasets that capture intra-sentence emotional and prosodic variation. In this paper, we propose WeSCon, the first self-training framework that enables word-level control of both emotion and speaking rate in a pretrained zero-shot TTS model, without relying on datasets containing intra-sentence emotion or speed transitions. Our method introduces a transition-smoothing strategy and a dynamic speed control mechanism to guide the pretrained TTS model in performing word-level expressive synthesis through a multi-round inference process. To further simplify the inference, we incorporate a dynamic emotional attention bias mechanism and fine-tune the model via self-training, thereby activating its ability for word-level expressive control in an end-to-end manner. Experimental results show that WeSCon effectively overcomes data scarcity, achieving state-of-the-art performance in word-level emotional expression control while preserving the strong zero-shot synthesis capabilities of the original TTS model.

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arXiv2025

SecoustiCodec: Cross-Modal Aligned Streaming Single-Codecbook Speech Codec

Speech codecs serve as a crucial bridge in unifying speech and text language models. Existing codec methods face several challenges in semantic encoding, such as residual paralinguistic information (e.g., timbre, emotion), insufficient semantic completeness, limited reconstruction capability, and lack of support for streaming. To address these challenges, we propose SecoustiCodec, a cross-modal aligned low-bitrate streaming speech codec that disentangles semantic and paralinguistic information in a single-codebook space. To ensure semantic completeness and reconstruction fidelity, paralinguistic encoding is introduced to bridge the information gap between semantic and acoustic encoding. A semantic-only efficient quantization method based on VAE (Variational Autoencoder) and FSQ (Finite Scalar Quantization) is proposed. This approach alleviates the long-tail distribution problem of tokens while maintaining high codebook utilization. A semantic disentanglement method based on contrastive learning is proposed, which aligns text and speech in a joint multimodal frame-level space, effectively removing paralinguistic information from semantic encoding. An acoustic-constrained multi-stage optimization strategy is proposed to ensure robust and stable convergence. Figure~\ref{fig:pesq_kbps_below_2kbps} shows SecoustiCodec achieves SOTA (state-of-the-art) reconstruction quality (PESQ) of 1.77/2.58 at 0.27/1 kbps. The code and model weights for SecoustiCodec will be open-sourced upon the completion of the peer-review process. We've open-sourced SecoustiCodec's demo, code, and model weights.

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arXiv2025

AudioGen-Omni: A Unified Multimodal Diffusion Transformer for Video-Synchronized Audio, Speech, and Song Generation

We present AudioGen-Omni - a unified approach based on multimodal diffusion transformers (MMDit), capable of generating high-fidelity audio, speech, and song coherently synchronized with the input video. AudioGen-Omni introduces a novel joint training paradigm that seamlessly integrates large-scale video-text-audio corpora, enabling a model capable of generating semantically rich, acoustically diverse audio conditioned on multimodal inputs and adaptable to a wide range of audio generation tasks. AudioGen-Omni employs a unified lyrics-transcription encoder that encodes graphemes and phonemes from both song and spoken inputs into dense frame-level representations. Dense frame-level representations are fused using an AdaLN-based joint attention mechanism enhanced with phase-aligned anisotropic positional infusion (PAAPI), wherein RoPE is selectively applied to temporally structured modalities to ensure precise and robust cross-modal alignment. By unfreezing all modalities and masking missing inputs, AudioGen-Omni mitigates the semantic constraints of text-frozen paradigms, enabling effective cross-modal conditioning. This joint training approach enhances audio quality, semantic alignment, and lip-sync accuracy, while also achieving state-of-the-art results on Text-to-Audio/Speech/Song tasks. With an inference time of 1.91 seconds for 8 seconds of audio, it offers substantial improvements in both efficiency and generality.

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arXiv2025

Kling-Foley: Multimodal Diffusion Transformer for High-Quality Video-to-Audio Generation

We propose Kling-Foley, a large-scale multimodal Video-to-Audio generation model that synthesizes high-quality audio synchronized with video content. In Kling-Foley, we introduce multimodal diffusion transformers to model the interactions between video, audio, and text modalities, and combine it with a visual semantic representation module and an audio-visual synchronization module to enhance alignment capabilities. Specifically, these modules align video conditions with latent audio elements at the frame level, thereby improving semantic alignment and audio-visual synchronization. Together with text conditions, this integrated approach enables precise generation of video-matching sound effects. In addition, we propose a universal latent audio codec that can achieve high-quality modeling in various scenarios such as sound effects, speech, singing, and music. We employ a stereo rendering method that imbues synthesized audio with a spatial presence. At the same time, in order to make up for the incomplete types and annotations of the open-source benchmark, we also open-source an industrial-level benchmark Kling-Audio-Eval. Our experiments show that Kling-Foley trained with the flow matching objective achieves new audio-visual SOTA performance among public models in terms of distribution matching, semantic alignment, temporal alignment and audio quality.

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arXiv2025

RPRA-ADD: Forgery Trace Enhancement-Driven Audio Deepfake Detection

Existing methods for deepfake audio detection have demonstrated some effectiveness. However, they still face challenges in generalizing to new forgery techniques and evolving attack patterns. This limitation mainly arises because the models rely heavily on the distribution of the training data and fail to learn a decision boundary that captures the essential characteristics of forgeries. Additionally, relying solely on a classification loss makes it difficult to capture the intrinsic differences between real and fake audio. In this paper, we propose the RPRA-ADD, an integrated Reconstruction-Perception-Reinforcement-Attention networks based forgery trace enhancement-driven robust audio deepfake detection framework. First, we propose a Global-Local Forgery Perception (GLFP) module for enhancing the acoustic perception capacity of forgery traces. To significantly reinforce the feature space distribution differences between real and fake audio, the Multi-stage Dispersed Enhancement Loss (MDEL) is designed, which implements a dispersal strategy in multi-stage feature spaces. Furthermore, in order to enhance feature awareness towards forgery traces, the Fake Trace Focused Attention (FTFA) mechanism is introduced to adjust attention weights dynamically according to the reconstruction discrepancy matrix. Visualization experiments not only demonstrate that FTFA improves attention to voice segments, but also enhance the generalization capability. Experimental results demonstrate that the proposed method achieves state-of-the-art performance on 4 benchmark datasets, including ASVspoof2019, ASVspoof2021, CodecFake, and FakeSound, achieving over 20% performance improvement. In addition, it outperforms existing methods in rigorous 3*3 cross-domain evaluations across Speech, Sound, and Singing, demonstrating strong generalization capability across diverse audio domains.

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