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Corentin Guichaoua

Publications and source records attributed to Corentin Guichaoua.

3 recordsLinked to original sources

Cosmodoit: A Python Package for Adaptive, Efficient Pipelining of Feature Extraction from Performed Music

Computational analysis of performed music is a key component of music information research, as performance shapes much of the music we hear. Music performance analysis studies the acoustic variations introduced by performers and how these variations reflect musical interpretation and structure. Although many algorithms and tools exist for tasks such as performance-to-score alignment and symbolic or audio feature extraction, they are spread across different programming languages and data formats, making them difficult to combine efficiently. To address this problem, we present Cosmodoit, a novel Python package designed to streamline feature extraction from performed music. Cosmodoit integrates performance-to-score alignment with symbolic and audio feature extraction in a modular, flexible pipeline that supports selective processing, dependency-aware computation, and incremental updates. Its extensible design reduces duplicated work, minimizes errors, and enables efficient large-scale processing. By accommodating algorithms implemented in multiple languages and allowing parameter tuning for consistent feature extraction, Cosmodoit provides a versatile and practical tool for both research and development in music performance analysis.

cs.SD

Taking Music Seriously: on the Dynamics of 'Mathemusical' Research with a Focus on Hexachordal Theorems

After presenting the general framework of 'mathemusical' dynamics, we focus on one music-theoretical problem concerning a special case of homometry theory applied to music composition, namely Milton Babbitt's hexachordal theorem. We briefly discuss some historical aspects of homometric structures and their ramifications in crystallography, spectral analysis and music composition via the construction of rhythmic canons tiling the integer line. We then present the probabilistic generalization of Babbitt's result we recently introduced in a paper entitled ''New hexachordal theorems in metric spaces with probability measure'' and illustrate the new approach with original constructions and examples.

math.PR

Composing (with) automorphisms in the colored Cube Dance: an interactive tool for musical chord transformation

The `colored Cube Dance' is an extension of Douthett's and Steinbach's Cube Dance graph, related to a monoid of binary relations defined on the set of major, minor, and augmented triads. This contribution explores the automorphism group of this monoid action, as a way to transform chord progressions. We show that this automorphism group is of order 7776 and is isomorphic to $({\mathbb{Z}_3}^4 \rtimes D_8) \rtimes (D_6 \times \mathbb{Z}_2)$. The size and complexity of this group makes it unwieldy: we therefore provide an interactive tool via a web interface based on common HTML/Javascript frameworks for students, musicians, and composers to explore these automorphisms, showing the potential of these technologies for math/music outreach activities.

math.GR