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Dan Stowell

Publications and source records attributed to Dan Stowell.

At least 37 records · Page 2Linked to original sources

Few-shot bioacoustic event detection at the DCASE 2023 challenge

Few-shot bioacoustic event detection consists in detecting sound events of specified types, in varying soundscapes, while having access to only a few examples of the class of interest. This task ran as part of the DCASE challenge for the third time this year with an evaluation set expanded to include new animal species, and a new rule: ensemble models were no longer allowed. The 2023 few shot task received submissions from 6 different teams with F-scores reaching as high as 63% on the evaluation set. Here we describe the task, focusing on describing the elements that differed from previous years. We also take a look back at past editions to describe how the task has evolved. Not only have the F-score results steadily improved (40% to 60% to 63%), but the type of systems proposed have also become more complex. Sound event detection systems are no longer simple variations of the baselines provided: multiple few-shot learning methodologies are still strong contenders for the task.

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Learning to detect an animal sound from five examples

Automatic detection and classification of animal sounds has many applications in biodiversity monitoring and animal behaviour. In the past twenty years, the volume of digitised wildlife sound available has massively increased, and automatic classification through deep learning now shows strong results. However, bioacoustics is not a single task but a vast range of small-scale tasks (such as individual ID, call type, emotional indication) with wide variety in data characteristics, and most bioacoustic tasks do not come with strongly-labelled training data. The standard paradigm of supervised learning, focussed on a single large-scale dataset and/or a generic pre-trained algorithm, is insufficient. In this work we recast bioacoustic sound event detection within the AI framework of few-shot learning. We adapt this framework to sound event detection, such that a system can be given the annotated start/end times of as few as 5 events, and can then detect events in long-duration audio -- even when the sound category was not known at the time of algorithm training. We introduce a collection of open datasets designed to strongly test a system's ability to perform few-shot sound event detections, and we present the results of a public contest to address the task. We show that prototypical networks are a strong-performing method, when enhanced with adaptations for general characteristics of animal sounds. We demonstrate that widely-varying sound event durations are an important factor in performance, as well as non-stationarity, i.e. gradual changes in conditions throughout the duration of a recording. For fine-grained bioacoustic recognition tasks without massive annotated training data, our results demonstrate that few-shot sound event detection is a powerful new method, strongly outperforming traditional signal-processing detection methods in the fully automated scenario.

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Adaptive Representations of Sound for Automatic Insect Recognition

Insect population numbers and biodiversity have been rapidly declining with time, and monitoring these trends has become increasingly important for conservation measures to be effectively implemented. But monitoring methods are often invasive, time and resource intense, and prone to various biases. Many insect species produce characteristic sounds that can easily be detected and recorded without large cost or effort. Using deep learning methods, insect sounds from field recordings could be automatically detected and classified to monitor biodiversity and species distribution ranges. We implement this using recently published datasets of insect sounds (Orthoptera and Cicadidae) and machine learning methods and evaluate their potential for acoustic insect monitoring. We compare the performance of the conventional spectrogram-based audio representation against LEAF, a new adaptive and waveform-based frontend. LEAF achieved better classification performance than the mel-spectrogram frontend by adapting its feature extraction parameters during training. This result is encouraging for future implementations of deep learning technology for automatic insect sound recognition, especially as larger datasets become available.

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Full-Stack Bioacoustics: Field Kit to AI to Action (Workshop report)

Acoustic data (sound recordings) are a vital source of evidence for detecting, counting, and distinguishing wildlife. This domain of "bioacoustics" has grown in the past decade due to the massive advances in signal processing and machine learning, recording devices, and the capacity of data processing and storage. Numerous research papers describe the use of Raspberry Pi or similar devices for acoustic monitoring, and other research papers describe automatic classification of animal sounds by machine learning. But for most ecologists, zoologists, conservationists, the pieces of the puzzle do not come together: the domain is fragmented. In this Lorentz workshop we bridge this gap by bringing together leading exponents of open hardware and open-source software for bioacoustic monitoring and machine learning, as well as ecologists and other field researchers. We share skills while also building a vision for the future development of "bioacoustic AI". This report contains an overview of the workshop aims and structure, as well as reports from the six groups.

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Polyphonic sound event detection for highly dense birdsong scenes

One hour before sunrise, one can experience the dawn chorus where birds from different species sing together. In this scenario, high levels of polyphony, as in the number of overlapping sound sources, are prone to happen resulting in a complex acoustic outcome. Sound Event Detection (SED) tasks analyze acoustic scenarios in order to identify the occurring events and their respective temporal information. However, highly dense scenarios can be hard to process and have not been studied in depth. Here we show, using a Convolutional Recurrent Neural Network (CRNN), how birdsong polyphonic scenarios can be detected when dealing with higher polyphony and how effectively this type of model can face a very dense scene with up to 10 overlapping birds. We found that models trained with denser examples (i.e., higher polyphony) learn at a similar rate as models that used simpler samples in their training set. Additionally, the model trained with the densest samples maintained a consistent score for all polyphonies, while the model trained with the least dense samples degraded as the polyphony increased. Our results demonstrate that highly dense acoustic scenarios can be dealt with using CRNNs. We expect that this study serves as a starting point for working on highly populated bird scenarios such as dawn chorus or other dense acoustic problems.

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Rank-based loss for learning hierarchical representations

Hierarchical taxonomies are common in many contexts, and they are a very natural structure humans use to organise information. In machine learning, the family of methods that use the 'extra' information is called hierarchical classification. However, applied to audio classification, this remains relatively unexplored. Here we focus on how to integrate the hierarchical information of a problem to learn embeddings representative of the hierarchical relationships. Previously, triplet loss has been proposed to address this problem, however it presents some issues like requiring the careful construction of the triplets, and being limited in the extent of hierarchical information it uses at each iteration. In this work we propose a rank based loss function that uses hierarchical information and translates this into a rank ordering of target distances between the examples. We show that rank based loss is suitable to learn hierarchical representations of the data. By testing on unseen fine level classes we show that this method is also capable of learning hierarchically correct representations of the new classes. Rank based loss has two promising aspects, it is generalisable to hierarchies with any number of levels, and is capable of dealing with data with incomplete hierarchical labels.

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Computational bioacoustics with deep learning: a review and roadmap

Animal vocalisations and natural soundscapes are fascinating objects of study, and contain valuable evidence about animal behaviours, populations and ecosystems. They are studied in bioacoustics and ecoacoustics, with signal processing and analysis an important component. Computational bioacoustics has accelerated in recent decades due to the growth of affordable digital sound recording devices, and to huge progress in informatics such as big data, signal processing and machine learning. Methods are inherited from the wider field of deep learning, including speech and image processing. However, the tasks, demands and data characteristics are often different from those addressed in speech or music analysis. There remain unsolved problems, and tasks for which evidence is surely present in many acoustic signals, but not yet realised. In this paper I perform a review of the state of the art in deep learning for computational bioacoustics, aiming to clarify key concepts and identify and analyse knowledge gaps. Based on this, I offer a subjective but principled roadmap for computational bioacoustics with deep learning: topics that the community should aim to address, in order to make the most of future developments in AI and informatics, and to use audio data in answering zoological and ecological questions.

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Guitar Effects Recognition and Parameter Estimation with Convolutional Neural Networks

Despite the popularity of guitar effects, there is very little existing research on classification and parameter estimation of specific plugins or effect units from guitar recordings. In this paper, convolutional neural networks were used for classification and parameter estimation for 13 overdrive, distortion and fuzz guitar effects. A novel dataset of processed electric guitar samples was assembled, with four sub-datasets consisting of monophonic or polyphonic samples and discrete or continuous settings values, for a total of about 250 hours of processed samples. Results were compared for networks trained and tested on the same or on a different sub-dataset. We found that discrete datasets could lead to equally high performance as continuous ones, whilst being easier to design, analyse and modify. Classification accuracy was above 80\%, with confusion matrices reflecting similarities in the effects timbre and circuits design. With parameter values between 0.0 and 1.0, the mean absolute error is in most cases below 0.05, while the root mean square error is below 0.1 in all cases but one.

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Short-term prediction of photovoltaic power generation using Gaussian process regression

Photovoltaic (PV) power is affected by weather conditions, making the power generated from the PV systems uncertain. Solving this problem would help improve the reliability and cost effectiveness of the grid, and could help reduce reliance on fossil fuel plants. The present paper focuses on evaluating predictions of the energy generated by PV systems in the United Kingdom Gaussian process regression (GPR). Gaussian process regression is a Bayesian non-parametric model that can provide predictions along with the uncertainty in the predicted value, which can be very useful in applications with a high degree of uncertainty. The model is evaluated for short-term forecasts of 48 hours against three main factors -- training period, sky area coverage and kernel model selection -- and for very short-term forecasts of four hours against sky area. We also compare very short-term forecasts in terms of cloud coverage within the prediction period and only initial cloud coverage as a predictor.

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Estimating & Mitigating the Impact of Acoustic Environments on Machine-to-Machine Signalling

The advance of technology for transmitting Data-over-Sound in various IoT and telecommunication applications has led to the concept of machine-to-machine over-the-air acoustic signalling. Reverberation can have a detrimental effect on such machine-to-machine signals while decoding. Various methods have been studied to combat the effects of reverberation in speech and audio signals, but it is not clear how well they generalise to other sound types. We look at extending these models to facilitate machine-to-machine acoustic signalling. This research investigates dereverberation techniques to shortlist a single-channel reverberation suppression method through a pilot test. In order to apply the chosen dereverberation method a novel method of estimating acoustic parameters governing reverberation is proposed. The performance of the final algorithm is evaluated on quality metrics as well as the performance of a real machine-to-machine decoder. We demonstrate a dramatic reduction in error rate for both audible and ultrasonic signals.

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Spectral Visibility Graphs: Application to Similarity of Harmonic Signals

Graph theory is emerging as a new source of tools for time series analysis. One promising method is to transform a signal into its visibility graph, a representation which captures many interesting aspects of the signal. Here we introduce the visibility graph for audio spectra and propose a novel representation for audio analysis: the spectral visibility graph degree. Such representation inherently captures the harmonic content of the signal whilst being resilient to broadband noise. We present experiments demonstrating its utility to measure robust similarity between harmonic signals in real and synthesised audio data. The source code is available online.

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Efficient On-line Computation of Visibility Graphs

A visibility algorithm maps time series into complex networks following a simple criterion. The resulting visibility graph has recently proven to be a powerful tool for time series analysis. However its straightforward computation is time-consuming and rigid, motivating the development of more efficient algorithms. Here we present a highly efficient method to compute visibility graphs with the further benefit of flexibility: on-line computation. We propose an encoder/decoder approach, with an on-line adjustable binary search tree codec for time series as well as its corresponding decoder for visibility graphs. The empirical evidence suggests the proposed method for computation of visibility graphs offers an on-line computation solution at no additional computation time cost. The source code is available online.

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End-to-End Probabilistic Inference for Nonstationary Audio Analysis

A typical audio signal processing pipeline includes multiple disjoint analysis stages, including calculation of a time-frequency representation followed by spectrogram-based feature analysis. We show how time-frequency analysis and nonnegative matrix factorisation can be jointly formulated as a spectral mixture Gaussian process model with nonstationary priors over the amplitude variance parameters. Further, we formulate this nonlinear model's state space representation, making it amenable to infinite-horizon Gaussian process regression with approximate inference via expectation propagation, which scales linearly in the number of time steps and quadratically in the state dimensionality. By doing so, we are able to process audio signals with hundreds of thousands of data points. We demonstrate, on various tasks with empirical data, how this inference scheme outperforms more standard techniques that rely on extended Kalman filtering.

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A Generative Model for Natural Sounds Based on Latent Force Modelling

Recent advances in analysis of subband amplitude envelopes of natural sounds have resulted in convincing synthesis, showing subband amplitudes to be a crucial component of perception. Probabilistic latent variable analysis is particularly revealing, but existing approaches don't incorporate prior knowledge about the physical behaviour of amplitude envelopes, such as exponential decay and feedback. We use latent force modelling, a probabilistic learning paradigm that incorporates physical knowledge into Gaussian process regression, to model correlation across spectral subband envelopes. We augment the standard latent force model approach by explicitly modelling correlations over multiple time steps. Incorporating this prior knowledge strengthens the interpretation of the latent functions as the source that generated the signal. We examine this interpretation via an experiment which shows that sounds generated by sampling from our probabilistic model are perceived to be more realistic than those generated by similar models based on nonnegative matrix factorisation, even in cases where our model is outperformed from a reconstruction error perspective.

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Unifying Probabilistic Models for Time-Frequency Analysis

In audio signal processing, probabilistic time-frequency models have many benefits over their non-probabilistic counterparts. They adapt to the incoming signal, quantify uncertainty, and measure correlation between the signal's amplitude and phase information, making time domain resynthesis straightforward. However, these models are still not widely used since they come at a high computational cost, and because they are formulated in such a way that it can be difficult to interpret all the modelling assumptions. By showing their equivalence to Spectral Mixture Gaussian processes, we illuminate the underlying model assumptions and provide a general framework for constructing more complex models that better approximate real-world signals. Our interpretation makes it intuitive to inspect, compare, and alter the models since all prior knowledge is encoded in the Gaussian process kernel functions. We utilise a state space representation to perform efficient inference via Kalman smoothing, and we demonstrate how our interpretation allows for efficient parameter learning in the frequency domain.

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Sparse Gaussian Process Audio Source Separation Using Spectrum Priors in the Time-Domain

Gaussian process (GP) audio source separation is a time-domain approach that circumvents the inherent phase approximation issue of spectrogram based methods. Furthermore, through its kernel, GPs elegantly incorporate prior knowledge about the sources into the separation model. Despite these compelling advantages, the computational complexity of GP inference scales cubically with the number of audio samples. As a result, source separation GP models have been restricted to the analysis of short audio frames. We introduce an efficient application of GPs to time-domain audio source separation, without compromising performance. For this purpose, we used GP regression, together with spectral mixture kernels, and variational sparse GPs. We compared our method with LD-PSDTF (positive semi-definite tensor factorization), KL-NMF (Kullback-Leibler non-negative matrix factorization), and IS-NMF (Itakura-Saito NMF). Results show that the proposed method outperforms these techniques.

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Efficient Learning of Harmonic Priors for Pitch Detection in Polyphonic Music

Automatic music transcription (AMT) aims to infer a latent symbolic representation of a piece of music (piano-roll), given a corresponding observed audio recording. Transcribing polyphonic music (when multiple notes are played simultaneously) is a challenging problem, due to highly structured overlapping between harmonics. We study whether the introduction of physically inspired Gaussian process (GP) priors into audio content analysis models improves the extraction of patterns required for AMT. Audio signals are described as a linear combination of sources. Each source is decomposed into the product of an amplitude-envelope, and a quasi-periodic component process. We introduce the Matérn spectral mixture (MSM) kernel for describing frequency content of singles notes. We consider two different regression approaches. In the sigmoid model every pitch-activation is independently non-linear transformed. In the softmax model several activation GPs are jointly non-linearly transformed. This introduce cross-correlation between activations. We use variational Bayes for approximate inference. We empirically evaluate how these models work in practice transcribing polyphonic music. We demonstrate that rather than encourage dependency between activations, what is relevant for improving pitch detection is to learnt priors that fit the frequency content of the sound events to detect.

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NIPS4Bplus: a richly annotated birdsong audio dataset

Recent advances in birdsong detection and classification have approached a limit due to the lack of fully annotated recordings. In this paper, we present NIPS4Bplus, the first richly annotated birdsong audio dataset, that is comprised of recordings containing bird vocalisations along with their active species tags plus the temporal annotations acquired for them. Statistical information about the recordings, their species specific tags and their temporal annotations are presented along with example uses. NIPS4Bplus could be used in various ecoacoustic tasks, such as training models for bird population monitoring, species classification, birdsong vocalisation detection and classification.

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