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Daniel Chenyu Lin

Publications and source records attributed to Daniel Chenyu Lin.

2 recordsLinked to original sources

PianoBench: Evaluating Musical Perception and Reasoning in Language Models

Multimodal language models continue to improve on broad music understanding benchmarks, but which musical features can they perceive and reason about? We investigate this question by introducing PianoBench, a benchmark that tasks language models with reasoning about musical performances across congruent acoustic and symbolic input representations. PianoBench is derived from our new multimodal, training-scale dataset comprising more than 20,000 hours of interleaved transcripts of music and spoken musical commentary from instructional piano videos. Open-weight audio-language models achieve at most 52.8% accuracy on PianoBench, and at best only modestly outperform their accuracy on a no-audio control. In contrast, frontier models using chain of thought achieve up to 93.2% accuracy when provided transcripts of music as text, exposing a gap between perceiving musical features from audio and reasoning about musical events when they are given explicitly. We then test whether mid-training on interleaved musical instruction can improve question answering without chain of thought, raising Qwen 3.5 9B Base's zero-shot accuracy on PianoBench with music transcripts from 42.8% to 56.0% after instruction tuning. These experiments suggest that instructional videos may represent an overlooked source of multimodal supervision for music. Available: https://gclef-cmu.org/pianobench.

cs.SD↗

Assessing Factual Music Comprehension in Large Audio Language Models

Large audio language models (LALMs) leverage multimodal representations to generate open-ended answers to natural language queries about audio. In this paper, we (1) provide empirical evidence that assessment of LALMs using the popular MusicQA dataset fails to measure whether a model's responses about music are factually correct, and (2) develop a new protocol for assessing the music comprehension capabilities of LALMs. Specifically, we propose an evaluation protocol that prompts a LALM for factually verifiable information, and parses its open-ended response into a structured format that can be objectively assessed using Precision, Recall, and F1 scores. Using this protocol, we define a benchmark consisting of six factual information retrieval tasks defined on three diverse datasets: MusicNet, the Free Music Archive, and OverClocked ReMix. We benchmark nine recent LALMs, including frontier models like Gemini and the latest open models like Music Flamingo, and release the suite of evaluation scripts at https://github.com/DCL2004/LALM-Eval to facilitate benchmarking of new LALMs.

cs.SD↗