arXiv subjects

David Serrano-Lozano

Publications and source records attributed to David Serrano-Lozano.

9 recordsLinked to original sources

arXiv2026

Albedo Estimation via Latent Bridge Matching

Recent advances in Intrinsic Image Decomposition (IID) have increasingly relied on generative models. However, progress remains limited by three key challenges: (a) insufficient physical consistency, (b) high computational cost at inference time, and (c) limited generalization capabilities. In this work, we show that latent bridge matching (LBM) effectively addresses these limitations for albedo estimation. We introduce a novel LBM-based architecture that enforces physical consistency through a pixel reconstruction loss, benefits from the inherent efficiency of LBM low-cost inference, and improves generalization across diverse datasets by incorporating a shading conditioning. In this extended version, we additionally show that conditioning the shading estimator itself on the predicted albedo further improves reconstruction fidelity, and we benchmark our best model against stateof-the-art IID methods across five real and synthetic datasets.

cs.CV↗

arXiv2026

Leveraging Color Naming for Image Enhancement

Enhancing images to make them visually appealing is a persistent challenge in computer vision. Many deep-learning methods train models on paired datasets to replicate expert editing styles. However, these approaches struggle with two key issues: (1) interpretability and (2) a parametrization suitable for user adjustments. To address these challenges, we present NamedCurves+, an approach inspired by the concept of Color Naming, a universal set of familiar colors widely used in software tools for intuitive editing. Our method integrates color names into a learning-based framework, enabling global adjustments for each named color through tone curves. To address local image variations, we incorporate a transformer block that captures spatial dependencies, enabling context-aware edits across the image. NamedCurves+ enhances the retouching process's interpretability and supports user interaction, allowing flexible modifications of individual tone curves to refine the retouched image according to personal preferences. Extensive experiments on tasks such as image retouching, tone mapping, and exposure correction demonstrate that NamedCurves+ outperforms state-of-the-art methods. Notably, our approach is both explainable, as the tone curves explicitly represent how each color name contributes to the enhancement, and interactive, allowing users to customize the retouching process and achieve results tailored to their liking.

cs.CV↗

arXiv2026

GLUT: 3D Gaussian Lookup Table for Continuous Color Transformation

3D Lookup Tables (3D LUTs) are widely used for color mapping, but their grid-based representation requires discretizing the RGB space, leading to a capacity-memory trade-off that becomes prohibitive when storing large numbers of LUTs. Recent approaches adopt implicit neural representations to improve scalability, yet their black-box nature limits interpretability and hinders intuitive, localized editing. In this paper, we propose Gaussian LUT (GLUT), a continuous and explicit color representation that models color transformations using a set of learnable 3D Gaussian primitives. By avoiding fixed-resolution grids, GLUT achieves flexible representational capacity while maintaining a compact memory footprint. Its explicit, spatially localized formulation further enables both accurate modeling and interpretability. Building on this representation, we introduce a compact conditional generator (CGLUT) that predicts GLUT parameters for multiple LUT instances, encoding diverse color styles in a single framework to enable smooth and controllable LUT style blending. Moreover, GLUT supports efficient, user-friendly editing by allowing localized adjustments to specific color regions without global retraining. Experimental results demonstrate that our approach outperforms prior neural LUT representations in both accuracy and efficiency, while offering improved interpretability and interactive control.

cs.GR↗

arXiv2026

SyncLight: Single-Edit Multi-View Relighting

We present SyncLight, a method to enable consistent, parametric control over light sources across multiple uncalibrated views of a static scene conditioned on a single view. While single-view relighting has advanced significantly, existing generative approaches struggle to maintain the rigorous lighting consistency essential for multi-camera broadcasts, stereoscopic cinema, and virtual production. SyncLight addresses this by enabling precise control over light intensity and color across a multi-view capture of a scene, conditioned on a single reference edit. Our method leverages a multi-view diffusion transformer trained using a latent bridge matching formulation, achieving high-fidelity relighting of the entire image set in a single inference step. To facilitate training, we introduce a large-scale hybrid dataset comprising diverse synthetic environments -- curated from existing sources and newly designed scenes -- alongside high-fidelity, real-world multi-view captures under calibrated illumination. Though trained only on image pairs, SyncLight generalizes zero-shot to an arbitrary number of viewpoints, effectively propagating lighting changes across all views, without requiring camera pose information. SyncLight enables practical relighting workflows for multi-view capture systems.

cs.CV↗

arXiv2026

Evaluating Low-Light Image Enhancement Across Multiple Intensity Levels

Imaging in low-light environments is challenging due to reduced scene radiance, which leads to elevated sensor noise and reduced color saturation. Most learning-based low-light enhancement methods rely on paired training data captured under a single low-light condition and a well-lit reference. The lack of radiance diversity limits our understanding of how enhancement techniques perform across varying illumination intensities. We introduce the Multi-Illumination Low-Light (MILL) dataset, containing images captured at diverse light intensities under controlled conditions with fixed camera settings and precise illuminance measurements. MILL enables comprehensive evaluation of enhancement algorithms across variable lighting conditions. We benchmark several state-of-the-art methods and reveal significant performance variations across intensity levels. Leveraging the unique multi-illumination structure of our dataset, we propose improvements that enhance robustness across diverse illumination scenarios. Our modifications achieve up to 10 dB PSNR improvement for DSLR and 2 dB for the smartphone on Full HD images.

cs.CV↗

arXiv2026

Bridging the Perception Gap in Image Super-Resolution Evaluation

As super-resolution (SR) techniques advance, we observe a growing distrust of evaluation metrics in recent SR research. An inconsistency often emerges between certain evaluation criteria and human perceptual preference. Although current SR research employs varying metrics to evaluate SR performance, it remains underexplored how robust and reliable these metrics actually are. To bridge this gap, we conduct a comprehensive analysis of widely used image quality metrics, examining their consistency with human perception when evaluating state-of-the-art SR models. We show that some metrics exhibit only limited-or even negative-correlation with human preferences. We further identify several intrinsic challenges in SR evaluation that compromise the effectiveness of both full-reference (FR) and no-reference (NR) image quality assessment (IQA) frameworks. To address these issues, we propose a simple yet effective Relative Quality Index (RQI) framework, which assesses the relative quality discrepancy between image pairs. Our framework enables easy integration and notable improvements for existing IQA metrics in SR evaluation. Moreover, it can be utilized as a valuable training guide for SR models, enabling the generation of images with more realistic details while maintaining structural fidelity.

cs.CV↗

arXiv2025

Revisiting Image Fusion for Multi-Illuminant White-Balance Correction

White balance (WB) correction in scenes with multiple illuminants remains a persistent challenge in computer vision. Recent methods explored fusion-based approaches, where a neural network linearly blends multiple sRGB versions of an input image, each processed with predefined WB presets. However, we demonstrate that these methods are suboptimal for common multi-illuminant scenarios. Additionally, existing fusion-based methods rely on sRGB WB datasets lacking dedicated multi-illuminant images, limiting both training and evaluation. To address these challenges, we introduce two key contributions. First, we propose an efficient transformer-based model that effectively captures spatial dependencies across sRGB WB presets, substantially improving upon linear fusion techniques. Second, we introduce a large-scale multi-illuminant dataset comprising over 16,000 sRGB images rendered with five different WB settings, along with WB-corrected images. Our method achieves up to 100\% improvement over existing techniques on our new multi-illuminant image fusion dataset.

cs.CV↗

arXiv2025

Adaptive Blind All-in-One Image Restoration

Blind all-in-one image restoration models aim to recover a high-quality image from an input degraded with unknown distortions. However, these models require all the possible degradation types to be defined during the training stage while showing limited generalization to unseen degradations, which limits their practical application in complex cases. In this paper, we introduce ABAIR, a simple yet effective adaptive blind all-in-one restoration model that not only handles multiple degradations and generalizes well to unseen distortions but also efficiently integrates new degradations by training only a small subset of parameters. We first train our baseline model on a large dataset of natural images with multiple synthetic degradations. To enhance its ability to recognize distortions, we incorporate a segmentation head that estimates per-pixel degradation types. Second, we adapt our initial model to varying image restoration tasks using independent low-rank adapters. Third, we learn to adaptively combine adapters to versatile images via a flexible and lightweight degradation estimator. This specialize-then-merge approach is both powerful in addressing specific distortions and flexible in adapting to complex tasks. Moreover, our model not only surpasses state-of-the-art performance on five- and three-task IR setups but also demonstrates superior generalization to unseen degradations and composite distortions.

cs.CV↗

arXiv2024

NamedCurves: Learned Image Enhancement via Color Naming

A popular method for enhancing images involves learning the style of a professional photo editor using pairs of training images comprised of the original input with the editor-enhanced version. When manipulating images, many editing tools offer a feature that allows the user to manipulate a limited selection of familiar colors. Editing by color name allows easy adjustment of elements like the "blue" of the sky or the "green" of trees. Inspired by this approach to color manipulation, we propose NamedCurves, a learning-based image enhancement technique that separates the image into a small set of named colors. Our method learns to globally adjust the image for each specific named color via tone curves and then combines the images using an attention-based fusion mechanism to mimic spatial editing. We demonstrate the effectiveness of our method against several competing methods on the well-known Adobe 5K dataset and the PPR10K dataset, showing notable improvements.

cs.CV↗