arXiv subjects

Dimitra Emmanouilidou

Publications and source records attributed to Dimitra Emmanouilidou.

9 recordsLinked to original sources

arXiv2026

Cognitive Load Estimation Using Brain Foundation Models and Interpretability for BCIs

Accurately monitoring cognitive load in real time is critical for Brain-Computer Interfaces (BCIs) that adapt to user engagement and support personalized learning. Electroencephalography (EEG) offers a non-invasive, cost-effective modality for capturing neural activity, though traditional methods often struggle with cross-subject variability and task-specific preprocessing. We propose leveraging Brain Foundation Models (BFMs), large pre-trained neural networks, to extract generalizable EEG features for cognitive load estimation. We adapt BFMs for long-term EEG monitoring and show that fine-tuning a small subset of layers yields improved accuracy over the state-of-the-art. Despite their scale, BFMs allow for real-time inference with a longer context window. To address often-overlooked interpretability challenges, we apply Partition SHAP (SHapley Additive exPlanations) to quantify feature importance. Our findings reveal consistent emphasis on prefrontal regions linked to cognitive control, while longitudinal trends suggest learning progression. These results position BFMs as efficient and interpretable tools for continuous cognitive load monitoring in real-world BCIs.

cs.HC↗

arXiv2025

SALAD-VAE: Semantic Audio Compression with Language-Audio Distillation

Modern generative and multimodal models increasingly rely on compact latent representations that trade and balance semantic richness with high-fidelity reconstruction. We introduce SALAD-VAE, a continuous and highly compact semantic Audio Variational Autoencoder, which operates in the frequency domain and achieves state-of-the-art compression with very low latent frame rate (7.8 Hz) while surfacing semantic structure and producing high audio quality. We enhance the standard VAE semantic losses and augmentation, specifically contrastive learning and CLAP-based embedding distillation, enabling it to generalize across diverse audio domains. With a significantly less computational complex architecture than comparable state-of-the-art VAEs, SALAD-VAE matches their reconstruction quality while it consistently outperforms them on a wide range of classification benchmarks. Furthermore, the proposed additional loss function provides a trained CLAP projection layer, which can be used zero-shot audio captioning and classification matching pretrained CLAP audio-text embeddings.

eess.AS↗

arXiv2025

Quality Over Quantity? LLM-Based Curation for a Data-Efficient Audio-Video Foundation Model

Integrating audio and visual data for training multimodal foundational models remains a challenge. The Audio-Video Vector Alignment (AVVA) framework addresses this by considering AV scene alignment beyond mere temporal synchronization, and leveraging Large Language Models (LLMs) for data curation. AVVA implements a scoring mechanism for selecting aligned training data segments. It integrates Whisper, a speech-based foundation model, for audio and DINOv2 for video analysis in a dual-encoder structure with contrastive learning on AV pairs. Evaluations on AudioCaps, VALOR, and VGGSound demonstrate the effectiveness of the proposed model architecture and data curation approach. AVVA achieves a significant improvement in top-k accuracies for video-to-audio retrieval on all datasets compared to DenseAV, while using only 192 hrs of curated training data. Furthermore, an ablation study indicates that the data curation process effectively trades data quality for data quantity, yielding increases in top-k retrieval accuracies on AudioCaps, VALOR, and VGGSound, compared to training on the full spectrum of uncurated data.

cs.MM↗

arXiv2024

Addressing Emotion Bias in Music Emotion Recognition and Generation with Frechet Audio Distance

The complex nature of musical emotion introduces inherent bias in both recognition and generation, particularly when relying on a single audio encoder, emotion classifier, or evaluation metric. In this work, we conduct a study on Music Emotion Recognition (MER) and Emotional Music Generation (EMG), employing diverse audio encoders alongside Frechet Audio Distance (FAD), a reference-free evaluation metric. Our study begins with a benchmark evaluation of MER, highlighting the limitations of using a single audio encoder and the disparities observed across different measurements. We then propose assessing MER performance using FAD derived from multiple encoders to provide a more objective measure of musical emotion. Furthermore, we introduce an enhanced EMG approach designed to improve both the variability and prominence of generated musical emotion, thereby enhancing its realism. Additionally, we investigate the differences in realism between the emotions conveyed in real and synthetic music, comparing our EMG model against two baseline models. Experimental results underscore the issue of emotion bias in both MER and EMG and demonstrate the potential of using FAD and diverse audio encoders to evaluate musical emotion more objectively and effectively.

eess.AS↗

arXiv2024

Adapting Frechet Audio Distance for Generative Music Evaluation

The growing popularity of generative music models underlines the need for perceptually relevant, objective music quality metrics. The Frechet Audio Distance (FAD) is commonly used for this purpose even though its correlation with perceptual quality is understudied. We show that FAD performance may be hampered by sample size bias, poor choice of audio embeddings, or the use of biased or low-quality reference sets. We propose reducing sample size bias by extrapolating scores towards an infinite sample size. Through comparisons with MusicCaps labels and a listening test we identify audio embeddings and music reference sets that yield FAD scores well-correlated with acoustic and musical quality. Our results suggest that per-song FAD can be useful to identify outlier samples and predict perceptual quality for a range of music sets and generative models. Finally, we release a toolkit that allows adapting FAD for generative music evaluation.

eess.AS↗

arXiv2023

Training Audio Captioning Models without Audio

Automated Audio Captioning (AAC) is the task of generating natural language descriptions given an audio stream. A typical AAC system requires manually curated training data of audio segments and corresponding text caption annotations. The creation of these audio-caption pairs is costly, resulting in general data scarcity for the task. In this work, we address this major limitation and propose an approach to train AAC systems using only text. Our approach leverages the multimodal space of contrastively trained audio-text models, such as CLAP. During training, a decoder generates captions conditioned on the pretrained CLAP text encoder. During inference, the text encoder is replaced with the pretrained CLAP audio encoder. To bridge the modality gap between text and audio embeddings, we propose the use of noise injection or a learnable adapter, during training. We find that the proposed text-only framework performs competitively with state-of-the-art models trained with paired audio, showing that efficient text-to-audio transfer is possible. Finally, we showcase both stylized audio captioning and caption enrichment while training without audio or human-created text captions.

eess.AS↗

arXiv2023

Investigations in Audio Captioning: Addressing Vocabulary Imbalance and Evaluating Suitability of Language-Centric Performance Metrics

The analysis, processing, and extraction of meaningful information from sounds all around us is the subject of the broader area of audio analytics. Audio captioning is a recent addition to the domain of audio analytics, a cross-modal translation task that focuses on generating natural descriptions from sound events occurring in an audio stream. In this work, we identify and improve on three main challenges in automated audio captioning: i) data scarcity, ii) imbalance or limitations in the audio captions vocabulary, and iii) the proper performance evaluation metric that can best capture both auditory and semantic characteristics. We find that generally adopted loss functions can result in an unfair vocabulary imbalance during model training. We propose two audio captioning augmentation methods that enrich the training dataset and the vocabulary size. We further underline the need for in-domain pretraining by exploring the suitability of audio encoders that were previously trained on different audio tasks. Finally, we systematically explore five performance metrics borrowed from the image captioning domain and highlight their limitations for the audio domain.

eess.AS↗

arXiv2020

Predicting word error rate for reverberant speech

Reverberation negatively impacts the performance of automatic speech recognition (ASR). Prior work on quantifying the effect of reverberation has shown that clarity (C50), a parameter that can be estimated from the acoustic impulse response, is correlated with ASR performance. In this paper we propose predicting ASR performance in terms of the word error rate (WER) directly from acoustic parameters via a polynomial, sigmoidal, or neural network fit, as well as blindly from reverberant speech samples using a convolutional neural network (CNN). We carry out experiments on two state-of-the-art ASR models and a large set of acoustic impulse responses (AIRs). The results confirm C50 and C80 to be highly correlated with WER, allowing WER to be predicted with the proposed fitting approaches. The proposed non-intrusive CNN model outperforms C50-based WER prediction, indicating that WER can be estimated blindly, i.e., directly from the reverberant speech samples without knowledge of the acoustic parameters.

eess.AS↗

arXiv2020

CURE Dataset: Ladder Networks for Audio Event Classification

Audio event classification is an important task for several applications such as surveillance, audio, video and multimedia retrieval etc. There are approximately 3M people with hearing loss who can't perceive events happening around them. This paper establishes the CURE dataset which contains curated set of specific audio events most relevant for people with hearing loss. We propose a ladder network based audio event classifier that utilizes 5s sound recordings derived from the Freesound project. We adopted the state-of-the-art convolutional neural network (CNN) embeddings as audio features for this task. We also investigate extreme learning machine (ELM) for event classification. In this study, proposed classifiers are compared with support vector machine (SVM) baseline. We propose signal and feature normalization that aims to reduce the mismatch between different recordings scenarios. Firstly, CNN is trained on weakly labeled Audioset data. Next, the pre-trained model is adopted as feature extractor for proposed CURE corpus. We incorporate ESC-50 dataset as second evaluation set. Results and discussions validate the superiority of Ladder network over ELM and SVM classifier in terms of robustness and increased classification accuracy. While Ladder network is robust to data mismatches, simpler SVM and ELM classifiers are sensitive to such mismatches, where the proposed normalization techniques can play an important role. Experimental studies with ESC-50 and CURE corpora elucidate the differences in dataset complexity and robustness offered by proposed approaches.

cs.SD↗