arXiv subjects

Divyansh Jha

Publications and source records attributed to Divyansh Jha.

3 recordsLinked to original sources

arXiv2026

BRo-JEPA: Learning Modular Transformations in Latent Space

Can neural networks learn algebraic rules from visual inputs, or do they merely fit observed patterns? We study this question using MNIST (or EMNIST letters) as states and modular arithmetic operations as actions in a JEPA-style world model. Standard supervised and JEPA baselines with operation embeddings achieve high accuracy on seen operations but fail to extrapolate reliably to unseen operations. We propose BRo-JEPA, a world model with a block-rotation predictor that represents arithmetic operations as rotations, resulting in the cyclic structure of modular arithmetic in latent space. By applying actions as rotations, the BRo-JEPA predictor learns the rotation angles to align the latent representations with the underlying modular structure which enables strict zero-shot operation generalization. While our best block-rotation supervised baseline reaches only 54.54% zero-shot accuracy on MNIST and 25.13% on EMNIST, BRo-JEPA with a ResNet-18 encoder achieves 99.44% and 94.35% respectively, despite being trained only on the primitive operations $\pm$1. Our results suggest that world models can learn algebraic rules when the latent transformations encode the underlying modular structure. Code is available \href{https://github.com/DL-World-Models/brojepa}{here}.

cs.LG↗

arXiv2024

AI Art Neural Constellation: Revealing the Collective and Contrastive State of AI-Generated and Human Art

Discovering the creative potentials of a random signal to various artistic expressions in aesthetic and conceptual richness is a ground for the recent success of generative machine learning as a way of art creation. To understand the new artistic medium better, we conduct a comprehensive analysis to position AI-generated art within the context of human art heritage. Our comparative analysis is based on an extensive dataset, dubbed ``ArtConstellation,'' consisting of annotations about art principles, likability, and emotions for 6,000 WikiArt and 3,200 AI-generated artworks. After training various state-of-the-art generative models, art samples are produced and compared with WikiArt data on the last hidden layer of a deep-CNN trained for style classification. We actively examined the various art principles to interpret the neural representations and used them to drive the comparative knowledge about human and AI-generated art. A key finding in the semantic analysis is that AI-generated artworks are visually related to the principle concepts for modern period art made in 1800-2000. In addition, through Out-Of-Distribution (OOD) and In-Distribution (ID) detection in CLIP space, we find that AI-generated artworks are ID to human art when they depict landscapes and geometric abstract figures, while detected as OOD when the machine art consists of deformed and twisted figures. We observe that machine-generated art is uniquely characterized by incomplete and reduced figuration. Lastly, we conducted a human survey about emotional experience. Color composition and familiar subjects are the key factors of likability and emotions in art appreciation. We propose our whole methodologies and collected dataset as our analytical framework to contrast human and AI-generated art, which we refer to as ``ArtNeuralConstellation''. Code is available at: https://github.com/faixan-khan/ArtNeuralConstellation

cs.CV↗

arXiv2021

Imaginative Walks: Generative Random Walk Deviation Loss for Improved Unseen Learning Representation

We propose a novel loss for generative models, dubbed as GRaWD (Generative Random Walk Deviation), to improve learning representations of unexplored visual spaces. Quality learning representation of unseen classes (or styles) is critical to facilitate novel image generation and better generative understanding of unseen visual classes, i.e., zero-shot learning (ZSL). By generating representations of unseen classes based on their semantic descriptions, e.g., attributes or text, generative ZSL attempts to differentiate unseen from seen categories. The proposed GRaWD loss is defined by constructing a dynamic graph that includes the seen class/style centers and generated samples in the current minibatch. Our loss initiates a random walk probability from each center through visual generations produced from hallucinated unseen classes. As a deviation signal, we encourage the random walk to eventually land after t steps in a feature representation that is difficult to classify as any of the seen classes. We demonstrate that the proposed loss can improve unseen class representation quality inductively on text-based ZSL benchmarks on CUB and NABirds datasets and attribute-based ZSL benchmarks on AWA2, SUN, and aPY datasets. In addition, we investigate the ability of the proposed loss to generate meaningful novel visual art on the WikiArt dataset. The results of experiments and human evaluations demonstrate that the proposed GRaWD loss can improve StyleGAN1 and StyleGAN2 generation quality and create novel art that is significantly more preferable. Our code is made publicly available at https://github.com/Vision-CAIR/GRaWD.

cs.CV↗