arXiv subjects

Eloi Moliner

Publications and source records attributed to Eloi Moliner.

At least 19 recordsLinked to original sources

arXiv2026

Ambisonics Encoding of Room Impulse Responses using a Device-Agnostic Diffusion Model

We address the problem of encoding room impulse responses (RIRs) into high-order Ambisonics (HOA) representations from arbitrary and potentially insufficient or incomplete microphone array measurements. This task is fundamentally ill-posed for microphone arrays with limited spatial capture capabilities, such as irregular or sparse arrays, as classical linear methods fail to reconstruct high-order spatial detail. We introduce a diffusion-based generative framework that models the statistical properties of HOA RIRs. This enables device-agnostic encoding from arbitrary microphone arrays, potentially unseen during data measurement. Our approach incorporates a posterior sampling procedure that enforces consistency between the estimated signals and the measurements while plausibly reconstructing spatial information that is unobservable from the limited measurements alone. Experiments on simulated data demonstrate that our method outperforms linear and neural baselines, achieving accurate HOA RIR estimation up to 12th order. A listening test with binaural renderings, including both simulated and measured RIRs, further confirms that the proposed method yields higher perceptual similarity to reference Ambisonics RIRs than all baselines. The flexibility and accuracy of the proposed framework opens new possibilities for scalable acoustics simulations.

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arXiv2026

Music Restoration via Latent Operator Optimization and Diffusion Model Priors

Music restoration seeks to recover a clean signal from an observed recording degraded by an unknown effect, distortion, or corruption. Existing systems often rely on paired training data and distortion-specific supervision, which limits their use when the forward process is not known in advance. We propose LOUDAR (Latent-space Optimization of Unknown Distortion for Audio Restoration) a general-purpose restoration method that operates in the latent space of a pretrained audio autoencoder and models the unknown distortion as a learnable latent operator. At inference time, LOUDAR alternates between estimating the clean latent variable and updating the latent operator parameters. An unconditional latent diffusion model provides a prior over clean audio and regularizes this inference by steering the latent estimate toward the manifold of clean recordings. Because the degradation model is adapted per input, the approach is broadly applicable across diverse restoration problems. We evaluate LOUDAR on singing voice effect removal and restoration, as well as guitar distortion removal, and show that it consistently improves over degraded inputs and is competitive with supervised and unsupervised baselines in waveform and latent domains.

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arXiv2026

Automatic Audio Equalization with Semantic Embeddings

This paper presents a data-driven approach to automatic blind equalization of audio by predicting log-mel spectral features and deriving an inverse filter. The method uses a deep neural network, where a pre-trained model provides semantic embeddings as a backbone, and only a lightweight head is trained. This design is intended to enhance training efficiency and generalization. Trained on both music and speech, the model is robust to noise and reverberation. Objective evaluations confirm its effectiveness, and subjective tests show performance comparable to that of an oracle that uses true log-mel spectral features, indicating that the model accurately estimates the desired characteristics, with remaining limitations attributed to the filtering stage. Overall, the results highlight the potential of the method for real-world audio enhancement applications.

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arXiv2025

Automatic Music Mixing using a Generative Model of Effect Embeddings

Music mixing involves combining individual tracks into a cohesive mixture, a task characterized by subjectivity where multiple valid solutions exist for the same input. Existing automatic mixing systems treat this task as a deterministic regression problem, thus ignoring this multiplicity of solutions. Here we introduce MEGAMI (Multitrack Embedding Generative Auto MIxing), a generative framework that models the conditional distribution of professional mixes given unprocessed tracks. MEGAMI uses a track-agnostic effects processor conditioned on per-track generated embeddings, handles arbitrary unlabeled tracks through a permutation-equivariant architecture, and enables training on both dry and wet recordings via domain adaptation. Our objective evaluation using distributional metrics shows consistent improvements over existing methods, while listening tests indicate performances approaching human-level quality across diverse musical genres.

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arXiv2025

Unsupervised Estimation of Nonlinear Audio Effects: Comparing Diffusion-Based and Adversarial approaches

Accurately estimating nonlinear audio effects without access to paired input-output signals remains a challenging problem. This work studies unsupervised probabilistic approaches for solving this task. We introduce a method, novel for this application, based on diffusion generative models for blind system identification, enabling the estimation of unknown nonlinear effects using black- and gray-box models. This study compares this method with a previously proposed adversarial approach, analyzing the performance of both methods under different parameterizations of the effect operator and varying lengths of available effected recordings. Through experiments on guitar distortion effects, we show that the diffusion-based approach provides more stable results and is less sensitive to data availability, while the adversarial approach is superior at estimating more pronounced distortion effects. Our findings contribute to the robust unsupervised blind estimation of audio effects, demonstrating the potential of diffusion models for system identification in music technology.

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arXiv2025

An Octave-based Multi-Resolution CQT Architecture for Diffusion-based Audio Generation

This paper introduces MR-CQTdiff, a novel neural-network architecture for diffusion-based audio generation that leverages a multi-resolution Constant-$Q$ Transform (C$Q$T). The proposed architecture employs an efficient, invertible CQT framework that adjusts the time-frequency resolution on an octave-by-octave basis. This design addresses the issue of low temporal resolution at lower frequencies, enabling more flexible and expressive audio generation. We conduct an evaluation using the Fréchet Audio Distance (FAD) metric across various architectures and two datasets. Experimental results demonstrate that MR-CQTdiff achieves state-of-the-art audio quality, outperforming competing architectures.

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arXiv2025

Similarity-Guided Diffusion for Long-Gap Music Inpainting

Music inpainting aims to reconstruct missing segments of a corrupted recording. While diffusion-based generative models improve reconstruction for medium-length gaps, they often struggle to preserve musical plausibility over multi-second gaps. We introduce Similarity-Guided Diffusion Posterior Sampling (SimDPS), a hybrid method that combines diffusion-based inference with similarity search. Candidate segments are first retrieved from a corpus based on contextual similarity, then incorporated into a modified likelihood that guides the diffusion process toward contextually consistent reconstructions. Subjective evaluation on piano music inpainting with 2-s gaps shows that the proposed SimDPS method enhances perceptual plausibility compared to unguided diffusion and frequently outperforms similarity search alone when moderately similar candidates are available. These results demonstrate the potential of a hybrid similarity approach for diffusion-based audio enhancement with long gaps.

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arXiv2025

Unsupervised Blind Joint Dereverberation and Room Acoustics Estimation with Diffusion Models

This paper presents an unsupervised method for single-channel blind dereverberation and room impulse response (RIR) estimation, called BUDDy. The algorithm is rooted in Bayesian posterior sampling: it combines a likelihood model enforcing fidelity to the reverberant measurement, and an anechoic speech prior implemented by an unconditional diffusion model. We design a parametric filter representing the RIR, with exponential decay for each frequency subband. Room acoustics estimation and speech dereverberation are jointly carried out, as the filter parameters are iteratively estimated and the speech utterance refined along the reverse diffusion trajectory. In a blind scenario where the RIR is unknown, BUDDy successfully performs speech dereverberation in various acoustic scenarios, significantly outperforming other blind unsupervised baselines. Unlike supervised methods, which often struggle to generalize, BUDDy seamlessly adapts to different acoustic conditions. This paper extends our previous work by offering new experimental results and insights into the algorithm's versatility. We demonstrate the robustness of our proposed method to new acoustic and speaker conditions, as well as its adaptability to high-resolution singing voice dereverberation, using both instrumental metrics and subjective listening evaluation. We study BUDDy's performance for RIR estimation and observe it surpasses a state-of-the-art supervised DNN-based estimator on mismatched acoustic conditions. Finally, we investigate the sensitivity of informed dereverberation methods to RIR estimation errors, thereby motivating the joint acoustic estimation and dereverberation design. Audio examples and code can be found online.

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arXiv2025

A Diffusion-Based Generative Equalizer for Music Restoration

This paper presents a novel approach to audio restoration, focusing on the enhancement of low-quality music recordings, and in particular historical ones. Building upon a previous algorithm called BABE, or Blind Audio Bandwidth Extension, we introduce BABE-2, which presents a series of improvements. This research broadens the concept of bandwidth extension to \emph{generative equalization}, a novel task that, to the best of our knowledge, has not been explicitly addressed in previous studies. BABE-2 is built around an optimization algorithm utilizing priors from diffusion models, which are trained or fine-tuned using a curated set of high-quality music tracks. The algorithm simultaneously performs two critical tasks: estimation of the filter degradation magnitude response and hallucination of the restored audio. The proposed method is objectively evaluated on historical piano recordings, showing an enhancement over the prior version. The method yields similarly impressive results in rejuvenating the works of renowned vocalists Enrico Caruso and Nellie Melba. This research represents an advancement in the practical restoration of historical music.

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arXiv2025

Estimation and Restoration of Unknown Nonlinear Distortion using Diffusion

The restoration of nonlinearly distorted audio signals, alongside the identification of the applied memoryless nonlinear operation, is studied. The paper focuses on the difficult but practically important case in which both the nonlinearity and the original input signal are unknown. The proposed method uses a generative diffusion model trained unconditionally on guitar or speech signals to jointly model and invert the nonlinear system at inference time. Both the memoryless nonlinear function model and the restored audio signal are obtained as output. Successful example case studies are presented including inversion of hard and soft clipping, digital quantization, half-wave rectification, and wavefolding nonlinearities. Our results suggest that, out of the nonlinear functions tested here, the cubic Catmull-Rom spline is best suited to approximating these nonlinearities. In the case of guitar recordings, comparisons with informed and supervised methods show that the proposed blind method is at least as good as they are in terms of objective metrics. Experiments on distorted speech show that the proposed blind method outperforms general-purpose speech enhancement techniques and restores the original voice quality. The proposed method can be applied to audio effects modeling, restoration of music and speech recordings, and characterization of analog recording media.

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arXiv2025

Diffusion-Based Audio Inpainting

Audio inpainting aims to reconstruct missing segments in corrupted recordings. Most of existing methods produce plausible reconstructions when the gap lengths are short, but struggle to reconstruct gaps larger than about 100 ms. This paper explores recent advancements in deep learning and, particularly, diffusion models, for the task of audio inpainting. The proposed method uses an unconditionally trained generative model, which can be conditioned in a zero-shot fashion for audio inpainting, and is able to regenerate gaps of any size. An improved deep neural network architecture based on the constant-Q transform, which allows the model to exploit pitch-equivariant symmetries in audio, is also presented. The performance of the proposed algorithm is evaluated through objective and subjective metrics for the task of reconstructing short to mid-sized gaps, up to 300 ms. The results of a formal listening test show that the proposed method delivers comparable performance against the compared baselines for short gaps, such as 50 ms, while retaining a good audio quality and outperforming the baselines for wider gaps that are up to 300 ms long. The method presented in this paper can be applied to restoring sound recordings that suffer from severe local disturbances or dropouts, which must be reconstructed.

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arXiv2025

Latent Diffusion Bridges for Unsupervised Musical Audio Timbre Transfer

Music timbre transfer is a challenging task that involves modifying the timbral characteristics of an audio signal while preserving its melodic structure. In this paper, we propose a novel method based on dual diffusion bridges, trained using the CocoChorales Dataset, which consists of unpaired monophonic single-instrument audio data. Each diffusion model is trained on a specific instrument with a Gaussian prior. During inference, a model is designated as the source model to map the input audio to its corresponding Gaussian prior, and another model is designated as the target model to reconstruct the target audio from this Gaussian prior, thereby facilitating timbre transfer. We compare our approach against existing unsupervised timbre transfer models such as VAEGAN and Gaussian Flow Bridges (GFB). Experimental results demonstrate that our method achieves both better Fréchet Audio Distance (FAD) and melody preservation, as reflected by lower pitch distances (DPD) compared to VAEGAN and GFB. Additionally, we discover that the noise level from the Gaussian prior, $σ$, can be adjusted to control the degree of melody preservation and amount of timbre transferred.

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arXiv2024

Diffusion Models for Audio Restoration

With the development of audio playback devices and fast data transmission, the demand for high sound quality is rising for both entertainment and communications. In this quest for better sound quality, challenges emerge from distortions and interferences originating at the recording side or caused by an imperfect transmission pipeline. To address this problem, audio restoration methods aim to recover clean sound signals from the corrupted input data. We present here audio restoration algorithms based on diffusion models, with a focus on speech enhancement and music restoration tasks. Traditional approaches, often grounded in handcrafted rules and statistical heuristics, have shaped our understanding of audio signals. In the past decades, there has been a notable shift towards data-driven methods that exploit the modeling capabilities of DNNs. Deep generative models, and among them diffusion models, have emerged as powerful techniques for learning complex data distributions. However, relying solely on DNN-based learning approaches carries the risk of reducing interpretability, particularly when employing end-to-end models. Nonetheless, data-driven approaches allow more flexibility in comparison to statistical model-based frameworks, whose performance depends on distributional and statistical assumptions that can be difficult to guarantee. Here, we aim to show that diffusion models can combine the best of both worlds and offer the opportunity to design audio restoration algorithms with a good degree of interpretability and a remarkable performance in terms of sound quality. We explain the diffusion formalism and its application to the conditional generation of clean audio signals. We believe that diffusion models open an exciting field of research with the potential to spawn new audio restoration algorithms that are natural-sounding and remain robust in difficult acoustic situations.

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arXiv2024

HRTF Estimation using a Score-based Prior

We present a head-related transfer function (HRTF) estimation method which relies on a data-driven prior given by a score-based diffusion model. The HRTF is estimated in reverberant environments using natural excitation signals, e.g. human speech. The impulse response of the room is estimated along with the HRTF by optimizing a parametric model of reverberation based on the statistical behaviour of room acoustics. The posterior distribution of HRTF given the reverberant measurement and excitation signal is modelled using the score-based HRTF prior and a log-likelihood approximation. We show that the resulting method outperforms several baselines, including an oracle recommender system that assigns the optimal HRTF in our training set based on the smallest distance to the true HRTF at the given direction of arrival. In particular, we show that the diffusion prior can account for the large variability of high-frequency content in HRTFs.

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arXiv2024

Gaussian Flow Bridges for Audio Domain Transfer with Unpaired Data

Audio domain transfer is the process of modifying audio signals to match characteristics of a different domain, while retaining the original content. This paper investigates the potential of Gaussian Flow Bridges, an emerging approach in generative modeling, for this problem. The presented framework addresses the transport problem across different distributions of audio signals through the implementation of a series of two deterministic probability flows. The proposed framework facilitates manipulation of the target distribution properties through a continuous control variable, which defines a certain aspect of the target domain. Notably, this approach does not rely on paired examples for training. To address identified challenges on maintaining the speech content consistent, we recommend a training strategy that incorporates chunk-based minibatch Optimal Transport couplings of data samples and noise. Comparing our unsupervised method with established baselines, we find competitive performance in tasks of reverberation and distortion manipulation. Despite encoutering limitations, the intriguing results obtained in this study underscore potential for further exploration.

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arXiv2024

BUDDy: Single-Channel Blind Unsupervised Dereverberation with Diffusion Models

In this paper, we present an unsupervised single-channel method for joint blind dereverberation and room impulse response estimation, based on posterior sampling with diffusion models. We parameterize the reverberation operator using a filter with exponential decay for each frequency subband, and iteratively estimate the corresponding parameters as the speech utterance gets refined along the reverse diffusion trajectory. A measurement consistency criterion enforces the fidelity of the generated speech with the reverberant measurement, while an unconditional diffusion model implements a strong prior for clean speech generation. Without any knowledge of the room impulse response nor any coupled reverberant-anechoic data, we can successfully perform dereverberation in various acoustic scenarios. Our method significantly outperforms previous blind unsupervised baselines, and we demonstrate its increased robustness to unseen acoustic conditions in comparison to blind supervised methods. Audio samples and code are available online.

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arXiv2024

Blind Audio Bandwidth Extension: A Diffusion-Based Zero-Shot Approach

Audio bandwidth extension involves the realistic reconstruction of high-frequency spectra from bandlimited observations. In cases where the lowpass degradation is unknown, such as in restoring historical audio recordings, this becomes a blind problem. This paper introduces a novel method called BABE (Blind Audio Bandwidth Extension) that addresses the blind problem in a zero-shot setting, leveraging the generative priors of a pre-trained unconditional diffusion model. During the inference process, BABE utilizes a generalized version of diffusion posterior sampling, where the degradation operator is unknown but parametrized and inferred iteratively. The performance of the proposed method is evaluated using objective and subjective metrics, and the results show that BABE surpasses state-of-the-art blind bandwidth extension baselines and achieves competitive performance compared to informed methods when tested with synthetic data. Moreover, BABE exhibits robust generalization capabilities when enhancing real historical recordings, effectively reconstructing the missing high-frequency content while maintaining coherence with the original recording. Subjective preference tests confirm that BABE significantly improves the audio quality of historical music recordings. Examples of historical recordings restored with the proposed method are available on the companion webpage: (http://research.spa.aalto.fi/publications/papers/ieee-taslp-babe/)

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arXiv2023

Noise Morphing for Audio Time Stretching

This letter introduces an innovative method to enhance the quality of audio time stretching by precisely decomposing a sound into sines, transients, and noise and by improving the processing of the latter component. While there are established methods for time-stretching sines and transients with high quality, the manipulation of noise or residual components has lacked robust solutions in prior research. The proposed method combines sound decomposition with previous techniques for audio spectral resynthesis. The time-stretched noise component is achieved by morphing its time-interpolated spectral magnitude with a white-noise excitation signal. This method stands out for its simplicity, efficiency, and audio quality. The results of a subjective experiment affirm the superiority of this approach over current state-of-the-art methods across all evaluated stretch factors. The proposed technique notably excels in extreme stretching scenarios, signifying a substantial elevation in performance. The proposed method holds promise for a wide range of applications in slow-motion media content, such as music or sports video production.

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