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Federica Bonifazi

Publications and source records attributed to Federica Bonifazi.

2 recordsLinked to original sources

Augmenting Italian Cultural Heritage with Virtual and Digital Technologies: the final outcomes of Project CHANGES' Spoke 4

CHANGES (Cultural Heritage Innovation for Next-Gen Sustainable Society) was a project coordinated by the CHANGES Foundation, bringing together complementary disciplines and expertise across the entire cultural heritage lifecycle. This article focuses on the project's research area dedicated to applying virtual technologies to museums and art collections. This research enabled us to experiment with different types of museums and art collections across Italy, designing case studies and best practices that institutions and similar contexts can adapt and reuse. The meta-analysis of the case studies showed that museum types play a decisive role in shaping not only technological choices but also organisational strategies, training models, and pathways to sustainability. This work also allowed us to identify technological and organisational gaps that go beyond single cases and reflect shared challenges across museum contexts. Finally, we documented the success of the engagement, exploitation, and dissemination strategy proposed in the project.

cs.DL↗

Saving temporary exhibitions in virtual environments: the Digital Renaissance of Ulisse Aldrovandi -- acquisition and digitisation of cultural heritage objects

As per the objectives of Project CHANGES, particularly its thematic sub-project on the use of virtual technologies for museums and art collections, our goal was to obtain a digital twin of the temporary exhibition on Ulisse Aldrovandi called "The Other Renaissance", and make it accessible to users online. After a preliminary study of the exhibition, focussing on acquisition constraints and related solutions, we proceeded with the digital twin creation by acquiring, processing, modelling, optimising, exporting, and metadating the exhibition. We made hybrid use of two acquisition techniques to create new digital cultural heritage objects and environments, and we used open technologies, formats, and protocols to make available the final digital product. Here, we describe the process of collecting and curating bibliographical exhibition (meta)data and the beginning of the digital twin creation to foster its findability, accessibility, interoperability, and reusability. The creation of the digital twin is currently ongoing.

cs.GR↗