arXiv subjects

Fei-Yueh Chen

Publications and source records attributed to Fei-Yueh Chen.

4 recordsLinked to original sources

arXiv2026

TW-LegalBench: Measuring Taiwanese Legal Understanding

Large language models (LLMs) have shown impressive capabilities across diverse tasks, yet their performance on jurisdiction-specific legal reasoning remains underexplored. We present TW-LegalBench that utilizes Taiwanese legal system's rich official corpus open to the public to fill the gap in evaluating LLMs on Taiwanese law, among common-law benchmarks that focus on English sources and civil-law benchmarks focusing on sources of Simplified Chinese. TW-LegalBench comprises three task types: (1) over 16,000 multiple-choice questions (MCQs) across five years of official examinations in 18 professional domains; (2) 117 open-ended essay questions (OEQs) from examinations for legal professionals with official scoring rubrics; and (3) more than 14,000 legal judgment prediction (LJP) instances covering hundreds of crime categories. We evaluate 13 LLMs using accuracy for MCQs, a decomposed LLM-as-Judge framework based on the scoring rubric points for OEQs, and metrics for sentencing accuracy and statute citation for LJP. Our results reveal that top-performing models exceed the passing threshold for qualified lawyers (passing rate: 11%) but fall short of that for judges and prosecutors (passing rate: 1~2%). For LJP, while models demonstrate reasonable verdict type accuracy and sentence prediction capability, they struggle to cite exact legal articles. These findings highlight that reliable legal text generation remains challenging for LLMs, even though their performance on qualification examinations approaches human level.

cs.CL↗

arXiv2026

MIDI-Informed Singing Accompaniment Generation in a Compositional Song Pipeline

While end-to-end lyrics-to-song models offer convenience for casual users, professional songwriters require score-to-song systems that allow them to retain authorship over the core melody. However, existing score-to-song methods are limited to short-form snippets and fail to maintain coherence in long-form generation, particularly during vocal-silent sections like intros and bridges. To address this long-form bottleneck, we propose MIDI-informed singing accompaniment generation (MIDI-SAG). Unlike conventional audio-only models, MIDI-SAG utilizes symbolic timing and chord information derived from the vocal MIDI to provide a stable musical roadmap. By incorporating structure planning, which defines temporal boundaries and semantic labels, our framework facilitates consistent generation across both vocal and non-vocal sections. We demonstrate the feasibility of this compositional pipeline by leveraging specialized pre-trained modules, enabling data-efficient training on a single GPU. Our experiments show the potential of this approach for both professional score-to-song and general lyrics-to-song tasks. While an early exploration, MIDI-SAG suggests a promising direction for structured, long-form music synthesis. Audio demos are available, and the code will be open-sourced at https://composerflow.github.io/web_revealed/.

cs.SD↗

arXiv2026

MusicSem: A Semantically Rich Language--Audio Dataset of Natural Music Descriptions

Music representation learning is central to music information retrieval and generation. While recent advances in multimodal learning have improved alignment between text and audio for tasks such as cross-modal music retrieval, text-to-music generation, and music-to-text generation, existing models often struggle to capture users' expressed intent in natural language descriptions of music. This observation suggests that the datasets used to train and evaluate these models do not fully reflect the broader and more natural forms of human discourse through which music is described. In this paper, we introduce MusicSem, a dataset of 32,493 language-audio pairs derived from organic music-related discussions on the social media platform Reddit. Compared to existing datasets, MusicSem captures a broader spectrum of musical semantics, reflecting how listeners naturally describe music in nuanced and human-centered ways. To structure these expressions, we propose a taxonomy of five semantic categories: descriptive, atmospheric, situational, metadata-related, and contextual. In addition to the construction, analysis, and release of MusicSem, we use the dataset to evaluate a wide range of multimodal models for retrieval and generation, highlighting the importance of modeling fine-grained semantics. Overall, MusicSem serves as a novel semantics-aware resource to support future research on human-aligned multimodal music representation learning.

cs.MM↗

arXiv2026

Linguistically Informed Evaluation of Multilingual ASR for African Languages

Word Error Rate (WER) mischaracterizes ASR models' performance for African languages by combining phonological, tone, and other linguistic errors into a single lexical error. By contrast, Feature Error Rate (FER) has recently attracted attention as a viable metric that reveals linguistically meaningful errors in models' performance. In this paper, we evaluate three speech encoders on two African languages by complementing WER with CER, and FER, and add a tone-aware extension (TER). We show that by computing errors on phonological features, FER and TER reveal linguistically-salient error patterns even when word-level accuracy remains low. Our results reveal that models perform better on segmental features, while tones (especially mid and downstep) remain the most challenging features. Results on Yoruba show a striking differential in metrics, with WER=0.788, CER=0.305, and FER=0.151. Similarly for Uneme (an endangered language absent from pretraining data) a model with near-total WER and 0.461 CER achieves the relatively low FER of 0.267. This indicates model error is often attributable to individual phonetic feature errors, which is obscured by all-or-nothing metrics like WER.

cs.CL↗