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Finn Wong

Publications and source records attributed to Finn Wong.

2 recordsLinked to original sources

PoseGen: In-Context LoRA Finetuning for Pose-Controllable Long Human Video Generation

Generating temporally coherent, long-duration videos with precise control over subject identity and movement remains a fundamental challenge for contemporary diffusion-based models, which often suffer from identity drift and are limited to short video length. We present PoseGen, a novel framework that generates human videos of extended duration from a single reference image and a driving video. Our contributions include an in-context LoRA finetuning design that injects subject appearance at the token level for identity preservation, while simultaneously conditioning on pose information at the channel level for fine-grained motion control. To overcome duration limits, we introduce a segment-interleaved generation strategy, where non-overlapping segments are first generated with improved background consistency through a shared KV-cache mechanism, and then stitched into a continuous sequence via pose-aware interpolated generation. Despite being trained on a remarkably small 33-hour video dataset, PoseGen demonstrates superior performance over state-of-the-art baselines in identity fidelity, pose accuracy, and temporal consistency. Code is available at https://github.com/Jessie459/PoseGen .

cs.CV

Talking Head Generation with Probabilistic Audio-to-Visual Diffusion Priors

In this paper, we introduce a simple and novel framework for one-shot audio-driven talking head generation. Unlike prior works that require additional driving sources for controlled synthesis in a deterministic manner, we instead probabilistically sample all the holistic lip-irrelevant facial motions (i.e. pose, expression, blink, gaze, etc.) to semantically match the input audio while still maintaining both the photo-realism of audio-lip synchronization and the overall naturalness. This is achieved by our newly proposed audio-to-visual diffusion prior trained on top of the mapping between audio and disentangled non-lip facial representations. Thanks to the probabilistic nature of the diffusion prior, one big advantage of our framework is it can synthesize diverse facial motion sequences given the same audio clip, which is quite user-friendly for many real applications. Through comprehensive evaluations on public benchmarks, we conclude that (1) our diffusion prior outperforms auto-regressive prior significantly on almost all the concerned metrics; (2) our overall system is competitive with prior works in terms of audio-lip synchronization but can effectively sample rich and natural-looking lip-irrelevant facial motions while still semantically harmonized with the audio input.

cs.GR