arXiv subjects

Gerhard Widmer

Publications and source records attributed to Gerhard Widmer.

At least 145 records · Page 8Linked to original sources

arXiv2018

Mixture Density Generative Adversarial Networks

Generative Adversarial Networks have surprising ability for generating sharp and realistic images, though they are known to suffer from the so-called mode collapse problem. In this paper, we propose a new GAN variant called Mixture Density GAN that while being capable of generating high-quality images, overcomes this problem by encouraging the Discriminator to form clusters in its embedding space, which in turn leads the Generator to exploit these and discover different modes in the data. This is achieved by positioning Gaussian density functions in the corners of a simplex, using the resulting Gaussian mixture as a likelihood function over discriminator embeddings, and formulating an objective function for GAN training that is based on these likelihoods. We demonstrate empirically (1) the quality of the generated images in Mixture Density GAN and their strong similarity to real images, as measured by the Fréchet Inception Distance (FID), which compares very favourably with state-of-the-art methods, and (2) the ability to avoid mode collapse and discover all data modes.

cs.LG↗

arXiv2018

Towards multi-instrument drum transcription

Automatic drum transcription, a subtask of the more general automatic music transcription, deals with extracting drum instrument note onsets from an audio source. Recently, progress in transcription performance has been made using non-negative matrix factorization as well as deep learning methods. However, these works primarily focus on transcribing three drum instruments only: snare drum, bass drum, and hi-hat. Yet, for many applications, the ability to transcribe more drum instruments which make up standard drum kits used in western popular music would be desirable. In this work, convolutional and convolutional recurrent neural networks are trained to transcribe a wider range of drum instruments. First, the shortcomings of publicly available datasets in this context are discussed. To overcome these limitations, a larger synthetic dataset is introduced. Then, methods to train models using the new dataset focusing on generalization to real world data are investigated. Finally, the trained models are evaluated on publicly available datasets and results are discussed. The contributions of this work comprise: (i.) a large-scale synthetic dataset for drum transcription, (ii.) first steps towards an automatic drum transcription system that supports a larger range of instruments by evaluating and discussing training setups and the impact of datasets in this context, and (iii.) a publicly available set of trained models for drum transcription. Additional materials are available at http://ifs.tuwien.ac.at/~vogl/dafx2018

cs.SD↗

arXiv2018

Attention as a Perspective for Learning Tempo-invariant Audio Queries

Current models for audio--sheet music retrieval via multimodal embedding space learning use convolutional neural networks with a fixed-size window for the input audio. Depending on the tempo of a query performance, this window captures more or less musical content, while notehead density in the score is largely tempo-independent. In this work we address this disparity with a soft attention mechanism, which allows the model to encode only those parts of an audio excerpt that are most relevant with respect to efficient query codes. Empirical results on classical piano music indicate that attention is beneficial for retrieval performance, and exhibits intuitively appealing behavior.

cs.SD↗

arXiv2018

Improved Chord Recognition by Combining Duration and Harmonic Language Models

Chord recognition systems typically comprise an acoustic model that predicts chords for each audio frame, and a temporal model that casts these predictions into labelled chord segments. However, temporal models have been shown to only smooth predictions, without being able to incorporate musical information about chord progressions. Recent research discovered that it might be the low hierarchical level such models have been applied to (directly on audio frames) which prevents learning musical relationships, even for expressive models such as recurrent neural networks (RNNs). However, if applied on the level of chord sequences, RNNs indeed can become powerful chord predictors. In this paper, we disentangle temporal models into a harmonic language model---to be applied on chord sequences---and a chord duration model that connects the chord-level predictions of the language model to the frame-level predictions of the acoustic model. In our experiments, we explore the impact of each model on the chord recognition score, and show that using harmonic language and duration models improves the results.

cs.SD↗

arXiv2018

Genre-Agnostic Key Classification With Convolutional Neural Networks

We propose modifications to the model structure and training procedure to a recently introduced Convolutional Neural Network for musical key classification. These modifications enable the network to learn a genre-independent model that performs better than models trained for specific music styles, which has not been the case in existing work. We analyse this generalisation capability on three datasets comprising distinct genres. We then evaluate the model on a number of unseen data sets, and show its superior performance compared to the state of the art. Finally, we investigate the model's performance on short excerpts of audio. From these experiments, we conclude that models need to consider the harmonic coherence of the whole piece when classifying the local key of short segments of audio.

cs.SD↗

arXiv2018

Automatic Chord Recognition with Higher-Order Harmonic Language Modelling

Common temporal models for automatic chord recognition model chord changes on a frame-wise basis. Due to this fact, they are unable to capture musical knowledge about chord progressions. In this paper, we propose a temporal model that enables explicit modelling of chord changes and durations. We then apply N-gram models and a neural-network-based acoustic model within this framework, and evaluate the effect of model overconfidence. Our results show that model overconfidence plays only a minor role (but target smoothing still improves the acoustic model), and that stronger chord language models do improve recognition results, however their effects are small compared to other domains.

cs.SD↗

arXiv2018

Learning to Listen, Read, and Follow: Score Following as a Reinforcement Learning Game

Score following is the process of tracking a musical performance (audio) with respect to a known symbolic representation (a score). We start this paper by formulating score following as a multimodal Markov Decision Process, the mathematical foundation for sequential decision making. Given this formal definition, we address the score following task with state-of-the-art deep reinforcement learning (RL) algorithms such as synchronous advantage actor critic (A2C). In particular, we design multimodal RL agents that simultaneously learn to listen to music, read the scores from images of sheet music, and follow the audio along in the sheet, in an end-to-end fashion. All this behavior is learned entirely from scratch, based on a weak and potentially delayed reward signal that indicates to the agent how close it is to the correct position in the score. Besides discussing the theoretical advantages of this learning paradigm, we show in experiments that it is in fact superior compared to previously proposed methods for score following in raw sheet music images.

cs.AI↗

arXiv2018

Psychological constraints on string-based methods for pattern discovery in polyphonic corpora

Researchers often divide symbolic music corpora into contiguous sequences of n events (called n-grams) for the purposes of pattern discovery, key finding, classification, and prediction. What is more, several studies have reported improved task performance when using psychologically motivated weighting functions, which adjust the count to privilege n-grams featuring more salient or memorable events (e.g., Krumhansl, 1990). However, these functions have yet to appear in harmonic pattern discovery algorithms, which attempt to discover the most recurrent chord progressions in complex polyphonic corpora. This study examines whether psychologically-motivated weighting functions can improve harmonic pattern discovery algorithms. Models using various n-gram selection methods, weighting functions, and ranking algorithms attempt to discover the most conventional closing harmonic progression in the common-practice period, ii6-"I64"-V7-I, with the progression's mean reciprocal rank serving as an evaluation metric for model comparison.

cs.SD↗

arXiv2018

Machine Learning Approaches to Hybrid Music Recommender Systems

Music recommender systems have become a key technology supporting the access to increasingly larger music catalogs in on-line music streaming services, on-line music shops, and private collections. The interaction of users with large music catalogs is a complex phenomenon researched from different disciplines. We survey our works investigating the machine learning and data mining aspects of hybrid music recommender systems (i.e., systems that integrate different recommendation techniques). We proposed hybrid music recommender systems based solely on data and robust to the so-called "cold-start problem" for new music items, favoring the discovery of relevant but non-popular music. We thoroughly studied the specific task of music playlist continuation, by analyzing fundamental playlist characteristics, song feature representations, and the relationship between playlists and the songs therein.

cs.IR↗

arXiv2018

The Importance of Song Context and Song Order in Automated Music Playlist Generation

The automated generation of music playlists can be naturally regarded as a sequential task, where a recommender system suggests a stream of songs that constitute a listening session. In order to predict the next song in a playlist, some of the playlist models proposed so far consider the current and previous songs in the playlist (i.e., the song context) and possibly the order of the songs in the playlist. We investigate the impact of the song context and the song order on next-song recommendations by conducting dedicated off-line experiments on two datasets of hand-curated music playlists. Firstly, we compare three playlist models, each able to consider a different song context length: a popularity-based model, a song-based Collaborative Filtering (CF) model and a Recurrent-Neural-Network-based model (RNN). We also consider a model that predicts next songs at random as a reference. Secondly, we challenge the RNN model (the only model from the first experiment able to consider the song order) by manipulating the order of songs within playlists. Our results indicate that the song context has a positive impact on the quality of next-song recommendations, even though this effect can be masked by the bias towards very popular songs. Furthermore, in our experiments the song order does not appear as a crucial variable to predict better next-song recommendations.

cs.IR↗

arXiv2018

Modeling Majorness as a Perceptual Property in Music from Listener Ratings

For the tasks of automatic music emotion recognition, genre recognition, music recommendation it is helpful to be able to extract mode from any section of a musical piece as a perceived amount of major or minor mode (majorness) inside that section, perceived as a whole (one or several melodies and any harmony present). In this paper we take a data-driven approach (modeling directly from data without giving an explicit definition or explicitly programming an algorithm) towards modeling this property. We collect annotations from musicians and show that majorness can be understood by musicians in an intuitive way. We model this property from the data using deep learning.

cs.SD↗

arXiv2018

A Predictive Model for Music Based on Learned Interval Representations

Connectionist sequence models (e.g., RNNs) applied to musical sequences suffer from two known problems: First, they have strictly "absolute pitch perception". Therefore, they fail to generalize over musical concepts which are commonly perceived in terms of relative distances between pitches (e.g., melodies, scale types, modes, cadences, or chord types). Second, they fall short of capturing the concepts of repetition and musical form. In this paper we introduce the recurrent gated autoencoder (RGAE), a recurrent neural network which learns and operates on interval representations of musical sequences. The relative pitch modeling increases generalization and reduces sparsity in the input data. Furthermore, it can learn sequences of copy-and-shift operations (i.e. chromatically transposed copies of musical fragments)---a promising capability for learning musical repetition structure. We show that the RGAE improves the state of the art for general connectionist sequence models in learning to predict monophonic melodies, and that ensembles of relative and absolute music processing models improve the results appreciably. Furthermore, we show that the relative pitch processing of the RGAE naturally facilitates the learning and the generation of sequences of copy-and-shift operations, wherefore the RGAE greatly outperforms a common absolute pitch recurrent neural network on this task.

cs.SD↗

arXiv2018

Evaluating language models of tonal harmony

This study borrows and extends probabilistic language models from natural language processing to discover the syntactic properties of tonal harmony. Language models come in many shapes and sizes, but their central purpose is always the same: to predict the next event in a sequence of letters, words, notes, or chords. However, few studies employing such models have evaluated the most state-of-the-art architectures using a large-scale corpus of Western tonal music, instead preferring to use relatively small datasets containing chord annotations from contemporary genres like jazz, pop, and rock. Using symbolic representations of prominent instrumental genres from the common-practice period, this study applies a flexible, data-driven encoding scheme to (1) evaluate Finite Context (or n-gram) models and Recurrent Neural Networks (RNNs) in a chord prediction task; (2) compare predictive accuracy from the best-performing models for chord onsets from each of the selected datasets; and (3) explain differences between the two model architectures in a regression analysis. We find that Finite Context models using the Prediction by Partial Match (PPM) algorithm outperform RNNs, particularly for the piano datasets, with the regression model suggesting that RNNs struggle with particularly rare chord types.

cs.SD↗

arXiv2018

Deep SNP: An End-to-end Deep Neural Network with Attention-based Localization for Break-point Detection in SNP Array Genomic data

Diagnosis and risk stratification of cancer and many other diseases require the detection of genomic breakpoints as a prerequisite of calling copy number alterations (CNA). This, however, is still challenging and requires time-consuming manual curation. As deep-learning methods outperformed classical state-of-the-art algorithms in various domains and have also been successfully applied to life science problems including medicine and biology, we here propose Deep SNP, a novel Deep Neural Network to learn from genomic data. Specifically, we used a manually curated dataset from 12 genomic single nucleotide polymorphism array (SNPa) profiles as truth-set and aimed at predicting the presence or absence of genomic breakpoints, an indicator of structural chromosomal variations, in windows of 40,000 probes. We compare our results with well-known neural network models as well as Rawcopy though this tool is designed to predict breakpoints and in addition genomic segments with high sensitivity. We show, that Deep SNP is capable of successfully predicting the presence or absence of a breakpoint in large genomic windows and outperforms state-of-the-art neural network models. Qualitative examples suggest that integration of a localization unit may enable breakpoint detection and prediction of genomic segments, even if the breakpoint coordinates were not provided for network training. These results warrant further evaluation of DeepSNP for breakpoint localization and subsequent calling of genomic segments.

q-bio.GN↗

arXiv2018

Learning to Transcribe by Ear

Rethinking how to model polyphonic transcription formally, we frame it as a reinforcement learning task. Such a task formulation encompasses the notion of a musical agent and an environment containing an instrument as well as the sound source to be transcribed. Within this conceptual framework, the transcription process can be described as the agent interacting with the instrument in the environment, and obtaining reward by playing along with what it hears. Choosing from a discrete set of actions - the notes to play on its instrument - the amount of reward the agent experiences depends on which notes it plays and when. This process resembles how a human musician might approach the task of transcription, and the satisfaction she achieves by closely mimicking the sound source to transcribe on her instrument. Following a discussion of the theoretical framework and the benefits of modelling the problem in this way, we focus our attention on several practical considerations and address the difficulties in training an agent to acceptable performance on a set of tasks with increasing difficulty. We demonstrate promising results in partially constrained environments.

cs.SD↗

arXiv2018

Investigating Label Noise Sensitivity of Convolutional Neural Networks for Fine Grained Audio Signal Labelling

We measure the effect of small amounts of systematic and random label noise caused by slightly misaligned ground truth labels in a fine grained audio signal labeling task. The task we choose to demonstrate these effects on is also known as framewise polyphonic transcription or note quantized multi-f0 estimation, and transforms a monaural audio signal into a sequence of note indicator labels. It will be shown that even slight misalignments have clearly apparent effects, demonstrating a great sensitivity of convolutional neural networks to label noise. The implications are clear: when using convolutional neural networks for fine grained audio signal labeling tasks, great care has to be taken to ensure that the annotations have precise timing, and are free from systematic or random error as much as possible - even small misalignments will have a noticeable impact.

cs.SD↗

arXiv2018

A Hybrid Approach to Music Playlist Continuation Based on Playlist-Song Membership

Automated music playlist continuation is a common task of music recommender systems, that generally consists in providing a fitting extension to a given playlist. Collaborative filtering models, that extract abstract patterns from curated music playlists, tend to provide better playlist continuations than content-based approaches. However, pure collaborative filtering models have at least one of the following limitations: (1) they can only extend playlists profiled at training time; (2) they misrepresent songs that occur in very few playlists. We introduce a novel hybrid playlist continuation model based on what we name "playlist-song membership", that is, whether a given playlist and a given song fit together. The proposed model regards any playlist-song pair exclusively in terms of feature vectors. In light of this information, and after having been trained on a collection of labeled playlist-song pairs, the proposed model decides whether a playlist-song pair fits together or not. Experimental results on two datasets of curated music playlists show that the proposed playlist continuation model compares to a state-of-the-art collaborative filtering model in the ideal situation of extending playlists profiled at training time and where songs occurred frequently in training playlists. In contrast to the collaborative filtering model, and as a result of its general understanding of the playlist-song pairs in terms of feature vectors, the proposed model is additionally able to (1) extend non-profiled playlists and (2) recommend songs that occurred seldom or never in training~playlists.

cs.IR↗

arXiv2018

End-to-End Cross-Modality Retrieval with CCA Projections and Pairwise Ranking Loss

Cross-modality retrieval encompasses retrieval tasks where the fetched items are of a different type than the search query, e.g., retrieving pictures relevant to a given text query. The state-of-the-art approach to cross-modality retrieval relies on learning a joint embedding space of the two modalities, where items from either modality are retrieved using nearest-neighbor search. In this work, we introduce a neural network layer based on Canonical Correlation Analysis (CCA) that learns better embedding spaces by analytically computing projections that maximize correlation. In contrast to previous approaches, the CCA Layer (CCAL) allows us to combine existing objectives for embedding space learning, such as pairwise ranking losses, with the optimal projections of CCA. We show the effectiveness of our approach for cross-modality retrieval on three different scenarios (text-to-image, audio-sheet-music and zero-shot retrieval), surpassing both Deep CCA and a multi-view network using freely learned projections optimized by a pairwise ranking loss, especially when little training data is available (the code for all three methods is released at: https://github.com/CPJKU/cca_layer).

cs.IR↗