arXiv subjects

Giorgio Presti

Publications and source records attributed to Giorgio Presti.

3 recordsLinked to original sources

arXiv2026

The Aura in the Machine: Genealogy and the Status of the Work of Art in the Generative Era

This paper frames Generative Artificial Intelligence (AI) not as an unprecedented technological rupture, but as an industrial-scale manifestation of a deeply rooted historical process. Through a genealogy of generative arts, it shows how AI's questions on authorship and creativity have precise historical precedents. A taxonomy of generative systems is proposed across three functional categories (medium, artwork, instrument), the attribution of which is editorial rather than ontological. From individual cognitive atrophy to Model Collapse, the systemic risks of creative automation are identified; environmental enrichment is proposed as an antidote. The role of the artist undergoes a radical metamorphosis: from craftsman of the object to entropic agent, systems designer, explorer, and negentropic curator. This pipeline-based taxonomy rests on a specific premise: the algorithmic system remains medium, instrument, or artwork, while creative agency resides in the humans distributed along it. Algorithmic Repetition is introduced as the aesthetic degeneration of aligned generative systems; the Benjaminian aura does not dissolve in the generative era but condenses upon the productive system. Manifestation is proposed as a third ontological status for generative works, transcending the dichotomy between original and copy. To support the proposed theses, two complementary aspects are examined: the radicalization of distributed authorship; and the reevaluation of older generative models, whose instability constitutes an aesthetic degree of freedom lost by recent ones.

cs.CY↗

arXiv2022

A Sonification of the zCOSMOS Galaxy Dataset

Sonification is the transformation of data into acoustic signals, achievable through different techniques. Sonification can be defined as a way to represent data values and relations as perceivable sounds, aiming at facilitating their communication and interpretation. Like data visualization provides meaning via images, sonification conveys meaning via sound. Sonification approaches are useful in a number of scenario. A first case is the possibility to receive information while keeping other sensory channels free, like in medical environment, in driving experience, etc. Another scenario addresses an easier recognition of patterns when data present high dimensionality and cardinality. Finally, sonification can be applied to presentation and dissemination initiatives, also with artistic goals. The zCOSMOS dataset contains detailed data about almost 20000 galaxies, describing the evolution of a relatively small portion of the universe in the last 10 million years in terms of galaxy mass, absolute luminosity, redshift, distance, age, and star formation rate. The present paper proposes a sonification for the mentioned dataset, with the following goals: i) providing a general description of the dataset, accessible via sound, which could also make unnoticed patterns emerge; ii) realizing an artistic but scientifically accurate sonic portrait of a portion of the universe, thus filling the gap between art and science in the context of scientific dissemination and so-called "edutainment"; iii) adding value to the dataset, since also scientific data and achievements must be considered as a cultural heritage that needs to be preserved and enhanced. Both scientific and technological aspects of the sonification are addressed.

cs.SD↗

arXiv2016

Audio Features Affected by Music Expressiveness

Within a Music Information Retrieval perspective, the goal of the study presented here is to investigate the impact on sound features of the musician's affective intention, namely when trying to intentionally convey emotional contents via expressiveness. A preliminary experiment has been performed involving $10$ tuba players. The recordings have been analysed by extracting a variety of features, which have been subsequently evaluated by combining both classic and machine learning statistical techniques. Results are reported and discussed.

cs.IR↗