arXiv subjects

Gordon Wichern

Publications and source records attributed to Gordon Wichern.

65 records · Page 4Linked to original sources

arXiv2020

Transcription Is All You Need: Learning to Separate Musical Mixtures with Score as Supervision

Most music source separation systems require large collections of isolated sources for training, which can be difficult to obtain. In this work, we use musical scores, which are comparatively easy to obtain, as a weak label for training a source separation system. In contrast with previous score-informed separation approaches, our system does not require isolated sources, and score is used only as a training target, not required for inference. Our model consists of a separator that outputs a time-frequency mask for each instrument, and a transcriptor that acts as a critic, providing both temporal and frequency supervision to guide the learning of the separator. A harmonic mask constraint is introduced as another way of leveraging score information during training, and we propose two novel adversarial losses for additional fine-tuning of both the transcriptor and the separator. Results demonstrate that using score information outperforms temporal weak-labels, and adversarial structures lead to further improvements in both separation and transcription performance.

cs.SD↗

arXiv2020

Finding Strength in Weakness: Learning to Separate Sounds with Weak Supervision

While there has been much recent progress using deep learning techniques to separate speech and music audio signals, these systems typically require large collections of isolated sources during the training process. When extending audio source separation algorithms to more general domains such as environmental monitoring, it may not be possible to obtain isolated signals for training. Here, we propose objective functions and network architectures that enable training a source separation system with weak labels. In this scenario, weak labels are defined in contrast with strong time-frequency (TF) labels such as those obtained from isolated sources, and refer either to frame-level weak labels where one only has access to the time periods when different sources are active in an audio mixture, or to clip-level weak labels that only indicate the presence or absence of sounds in an entire audio clip. We train a separator that estimates a TF mask for each type of sound event, using a sound event classifier as an assessor of the separator's performance to bridge the gap between the TF-level separation and the ground truth weak labels only available at the frame or clip level. Our objective function requires the classifier applied to a separated source to assign high probability to the class corresponding to that source and low probability to all other classes. The objective function also enforces that the separated sources sum up to the mixture. We benchmark the performance of our algorithm using synthetic mixtures of overlapping events created from a database of sounds recorded in urban environments. Compared to training a network using isolated sources, our model achieves somewhat lower but still significant SI-SDR improvement, even in scenarios with significant sound event overlap.

cs.SD↗

arXiv2020

AutoClip: Adaptive Gradient Clipping for Source Separation Networks

Clipping the gradient is a known approach to improving gradient descent, but requires hand selection of a clipping threshold hyperparameter. We present AutoClip, a simple method for automatically and adaptively choosing a gradient clipping threshold, based on the history of gradient norms observed during training. Experimental results show that applying AutoClip results in improved generalization performance for audio source separation networks. Observation of the training dynamics of a separation network trained with and without AutoClip show that AutoClip guides optimization into smoother parts of the loss landscape. AutoClip is very simple to implement and can be integrated readily into a variety of applications across multiple domains.

eess.AS↗

arXiv2020

WHAMR!: Noisy and Reverberant Single-Channel Speech Separation

While significant advances have been made with respect to the separation of overlapping speech signals, studies have been largely constrained to mixtures of clean, near anechoic speech, not representative of many real-world scenarios. Although the WHAM! dataset introduced noise to the ubiquitous wsj0-2mix dataset, it did not include reverberation, which is generally present in indoor recordings outside of recording studios. The spectral smearing caused by reverberation can result in significant performance degradation for standard deep learning-based speech separation systems, which rely on spectral structure and the sparsity of speech signals to tease apart sources. To address this, we introduce WHAMR!, an augmented version of WHAM! with synthetic reverberated sources, and provide a thorough baseline analysis of current techniques as well as novel cascaded architectures on the newly introduced conditions.

cs.SD↗

arXiv2019

Bootstrapping deep music separation from primitive auditory grouping principles

Separating an audio scene such as a cocktail party into constituent, meaningful components is a core task in computer audition. Deep networks are the state-of-the-art approach. They are trained on synthetic mixtures of audio made from isolated sound source recordings so that ground truth for the separation is known. However, the vast majority of available audio is not isolated. The brain uses primitive cues that are independent of the characteristics of any particular sound source to perform an initial segmentation of the audio scene. We present a method for bootstrapping a deep model for music source separation without ground truth by using multiple primitive cues. We apply our method to train a network on a large set of unlabeled music recordings from YouTube to separate vocals from accompaniment without the need for ground truth isolated sources or artificial training mixtures.

cs.SD↗

arXiv2019

Cutting Music Source Separation Some Slakh: A Dataset to Study the Impact of Training Data Quality and Quantity

Music source separation performance has greatly improved in recent years with the advent of approaches based on deep learning. Such methods typically require large amounts of labelled training data, which in the case of music consist of mixtures and corresponding instrument stems. However, stems are unavailable for most commercial music, and only limited datasets have so far been released to the public. It can thus be difficult to draw conclusions when comparing various source separation methods, as the difference in performance may stem as much from better data augmentation techniques or training tricks to alleviate the limited availability of training data, as from intrinsically better model architectures and objective functions. In this paper, we present the synthesized Lakh dataset (Slakh) as a new tool for music source separation research. Slakh consists of high-quality renderings of instrumental mixtures and corresponding stems generated from the Lakh MIDI dataset (LMD) using professional-grade sample-based virtual instruments. A first version, Slakh2100, focuses on 2100 songs, resulting in 145 hours of mixtures. While not fully comparable because it is purely instrumental, this dataset contains an order of magnitude more data than MUSDB18, the {\it de facto} standard dataset in the field. We show that Slakh can be used to effectively augment existing datasets for musical instrument separation, while opening the door to a wide array of data-intensive music signal analysis tasks.

cs.SD↗

arXiv2019

WHAM!: Extending Speech Separation to Noisy Environments

Recent progress in separating the speech signals from multiple overlapping speakers using a single audio channel has brought us closer to solving the cocktail party problem. However, most studies in this area use a constrained problem setup, comparing performance when speakers overlap almost completely, at artificially low sampling rates, and with no external background noise. In this paper, we strive to move the field towards more realistic and challenging scenarios. To that end, we created the WSJ0 Hipster Ambient Mixtures (WHAM!) dataset, consisting of two speaker mixtures from the wsj0-2mix dataset combined with real ambient noise samples. The samples were collected in coffee shops, restaurants, and bars in the San Francisco Bay Area, and are made publicly available. We benchmark various speech separation architectures and objective functions to evaluate their robustness to noise. While separation performance decreases as a result of noise, we still observe substantial gains relative to the noisy signals for most approaches.

cs.SD↗

arXiv2019

Phasebook and Friends: Leveraging Discrete Representations for Source Separation

Deep learning based speech enhancement and source separation systems have recently reached unprecedented levels of quality, to the point that performance is reaching a new ceiling. Most systems rely on estimating the magnitude of a target source by estimating a real-valued mask to be applied to a time-frequency representation of the mixture signal. A limiting factor in such approaches is a lack of phase estimation: the phase of the mixture is most often used when reconstructing the estimated time-domain signal. Here, we propose "magbook", "phasebook", and "combook", three new types of layers based on discrete representations that can be used to estimate complex time-frequency masks. Magbook layers extend classical sigmoidal units and a recently introduced convex softmax activation for mask-based magnitude estimation. Phasebook layers use a similar structure to give an estimate of the phase mask without suffering from phase wrapping issues. Combook layers are an alternative to the magbook-phasebook combination that directly estimate complex masks. We present various training and inference schemes involving these representations, and explain in particular how to include them in an end-to-end learning framework. We also present an oracle study to assess upper bounds on performance for various types of masks using discrete phase representations. We evaluate the proposed methods on the wsj0-2mix dataset, a well-studied corpus for single-channel speaker-independent speaker separation, matching the performance of state-of-the-art mask-based approaches without requiring additional phase reconstruction steps.

cs.SD↗

arXiv2018

Class-conditional embeddings for music source separation

Isolating individual instruments in a musical mixture has a myriad of potential applications, and seems imminently achievable given the levels of performance reached by recent deep learning methods. While most musical source separation techniques learn an independent model for each instrument, we propose using a common embedding space for the time-frequency bins of all instruments in a mixture inspired by deep clustering and deep attractor networks. Additionally, an auxiliary network is used to generate parameters of a Gaussian mixture model (GMM) where the posterior distribution over GMM components in the embedding space can be used to create a mask that separates individual sources from a mixture. In addition to outperforming a mask-inference baseline on the MUSDB-18 dataset, our embedding space is easily interpretable and can be used for query-based separation.

cs.SD↗

arXiv2018

Bootstrapping single-channel source separation via unsupervised spatial clustering on stereo mixtures

Separating an audio scene into isolated sources is a fundamental problem in computer audition, analogous to image segmentation in visual scene analysis. Source separation systems based on deep learning are currently the most successful approaches for solving the underdetermined separation problem, where there are more sources than channels. Traditionally, such systems are trained on sound mixtures where the ground truth decomposition is already known. Since most real-world recordings do not have such a decomposition available, this limits the range of mixtures one can train on, and the range of mixtures the learned models may successfully separate. In this work, we use a simple blind spatial source separation algorithm to generate estimated decompositions of stereo mixtures. These estimates, together with a weighting scheme in the time-frequency domain, based on confidence in the separation quality, are used to train a deep learning model that can be used for single-channel separation, where no source direction information is available. This demonstrates how a simple cue such as the direction of origin of source can be used to bootstrap a model for source separation that can be used in situations where that cue is not available.

cs.SD↗

arXiv2018

End-to-End Audio Visual Scene-Aware Dialog using Multimodal Attention-Based Video Features

Dialog systems need to understand dynamic visual scenes in order to have conversations with users about the objects and events around them. Scene-aware dialog systems for real-world applications could be developed by integrating state-of-the-art technologies from multiple research areas, including: end-to-end dialog technologies, which generate system responses using models trained from dialog data; visual question answering (VQA) technologies, which answer questions about images using learned image features; and video description technologies, in which descriptions/captions are generated from videos using multimodal information. We introduce a new dataset of dialogs about videos of human behaviors. Each dialog is a typed conversation that consists of a sequence of 10 question-and-answer(QA) pairs between two Amazon Mechanical Turk (AMT) workers. In total, we collected dialogs on roughly 9,000 videos. Using this new dataset for Audio Visual Scene-aware dialog (AVSD), we trained an end-to-end conversation model that generates responses in a dialog about a video. Our experiments demonstrate that using multimodal features that were developed for multimodal attention-based video description enhances the quality of generated dialog about dynamic scenes (videos). Our dataset, model code and pretrained models will be publicly available for a new Video Scene-Aware Dialog challenge.

cs.CL↗