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Igor Lugo

Publications and source records attributed to Igor Lugo.

6 recordsLinked to original sources

Revising price coordination in the classical and neoclassical economics based on elementary cellular automata

The coordination of prices in economics is one of the most complex phenomena. In particular, the classical and neoclassical approaches related to the economic theory provide some insights into such a complex coordination based on different formulations. However, these formulations have not been successful for explaining simple mechanisms to understand and predict a set of prices that theoretically clears all markets. Consequently, elementary cellular automata can contribute to clarify such a coordination problem by using simple computational rules to describe the theoretical bases of the classical and neoclassical economics. Therefore, we propose to use this type of cellular automata for explaining different escenarios of price coordination in which simple rules of price interactions generate stable and unstable patterns of coordination. We used an explorative data analysis based on the Shannon entropy for computing the uncertainty related to such generated patterns of coordination, and a Monte Carlo simulation approximation based on a Spearman correlation for evaluating the statistical significance of such price coordination. Findings suggested that the classical economics provides a consistent approach for understanding the coordination of prices because it emphasizes human interactions based on logical choices related to an objective data. On the other hand, the neoclassical approach does not propose any type of mechanism for describing the price coordination. The neoclassical individual is just a spectator and receiver of the unpredictable and supposed event of price coordination. As a result, by modeling the economic theory based on computational concepts, we reveal facts and believes behind the classical and neoclassical economics.

nlin.CG

Inclusive education via empathy propagation in schools of students with special education needs

This study presents a theoretical model for identifying emergent scenarios of inclusiveness related to student with special education needs (SEN). Based on variations of the Shelling model of segregation, we explored the propagation of thinking about others as equals (empathy) in students with and without $SEN$ in school environments. We use the complex systems approach for modeling possible scenarios of inclusiveness in which patterns of empathy between students emerge instead of the well-known behavior of segregation. Based on simple transitional rules, which are evaluated by a set of null models, we show the emergence of empathy between students in school environments. Findings suggest that small variations in the incentive of students for being considered as $SEN$ generate the presence of inclusive patterns. In other situations, patterns of segregation are commonly presented.

cs.CY

Complexity of frequency fluctuations and the interpretive style in the bass viola da gamba

Audio signals in a set of musical pieces are modeled as a complex network for studying the relationship between the complexity of frequency fluctuations and the interpretive style of the bass viola da gamba. Based on interdisciplinary scientific and music approaches, we compute the spectral decomposition and translated its frequency components to a network of sounds. We applied a best fit analysis for identifying the statistical distributions that describe more precisely the behavior of such frequencies and computed the centrality measures and identify cliques for characterizing such a network. Findings suggested statistical regularities in the type of statistical distribution that best describes frequency fluctuations. The centrality measure confirmed the most influential and stable group of sounds in a piece of music, meanwhile the identification of the largest clique indicated functional groups of sounds that interact closely for identifying the emergence of complex frequency fluctuations. Therefore, by modeling the sound as a complex network, we can clearly associate the presence of large-scale statistical regularities with the presence of similar frequency fluctuations related to different musical events played by a same musician.

cs.SD

Musical composition and 2D cellular automata based on music intervals

This study is a theoretical approach for exploring the applicability of a 2D cellular automaton based on melodic and harmonic intervals in random arrays of musical notes. The aim of this study was to explore alternatives uses for a cellular automaton in the musical context for better understanding the musical creativity. We used the complex systems and humanities approaches as a framework for capturing the essence of creating music based on rules of music theory. Findings suggested that such rules matter for generating large-scale patterns of organized notes. Therefore, our formulation provides a novel approach for understanding and replicating aspects of the musical creativity.

cs.SD

Pi\`eces de viole des Cinq Livres and their statistical signatures: the musical work of Marin Marais and Jordi Savall

This study analyzes the spectrum of audio signals related to the work of "Pi\`eces de viole des Cinq Livres" based on the collaborative work between Marin Marais and Jordi Savall for the underlying musical information. In particular, we explore the identification of possible statistical signatures related to this musical work. Based on the complex systems approach, we compute the spectrum of audio signals, analyze and identify their best-fit statistical distributions, and plot their relative frequencies using the scientific pitch notation. Findings suggest that the collection of frequency components related to the spectrum of each of the books that form this audio work show highly skewed and associated statistical distributions. Therefore, the most frequent statistical distribution that best describes the collection of these audio data and may be associated with a singular statistical signature is the exponential.

cs.SD

An Experiment with Electric Guitar Signals for Exploring the Virtuosity based on the Entropy of Music

We analyze the concept of virtuosity as a collective attribute in music and its relationship with the entropy based on an experiment that compares two sets of digital signals played by composer-performer electric guitarists. Based on an interdisciplinary approach related to the complex systems, we computed the spectrum of signals, identified statistical distributions that best describe them, and measured the Shannon entropy to establish their diversity. Findings suggested that virtuosity might be related to a range of entropy values that identify levels of diversity of the frequency components of audio signals. Despite the presence of different values of entropy in the two sets of signals, they are statistically similar. Therefore, entropy values can be interpreted as levels of virtuosity in music.

cs.SD