arXiv subjects

Jan Skoglund

Publications and source records attributed to Jan Skoglund.

At least 19 recordsLinked to original sources

arXiv2025

Systematic Evaluation of Time-Frequency Features for Binaural Sound Source Localization

This study presents a systematic evaluation of time-frequency feature design for binaural sound source localization (SSL), focusing on how feature selection influences model performance across diverse conditions. We investigate the performance of a convolutional neural network (CNN) model using various combinations of amplitude-based features (magnitude spectrogram, interaural level difference - ILD) and phase-based features (phase spectrogram, interaural phase difference - IPD). Evaluations on in-domain and out-of-domain data with mismatched head-related transfer functions (HRTFs) reveal that carefully chosen feature combinations often outperform increases in model complexity. While two-feature sets such as ILD + IPD are sufficient for in-domain SSL, generalization to diverse content requires richer inputs combining channel spectrograms with both ILD and IPD. Using the optimal feature sets, our low-complexity CNN model achieves competitive performance. Our findings underscore the importance of feature design in binaural SSL and provide practical guidance for both domain-specific and general-purpose localization.

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arXiv2025

Binaspect -- A Python Library for Binaural Audio Analysis, Visualization & Feature Generation

We present Binaspect, an open-source Python library for binaural audio analysis, visualization, and feature generation. Binaspect generates interpretable "azimuth maps" by calculating modified interaural time and level difference spectrograms, and clustering those time-frequency (TF) bins into stable time-azimuth histogram representations. This allows multiple active sources to appear as distinct azimuthal clusters, while degradations manifest as broadened, diffused, or shifted distributions. Crucially, Binaspect operates blindly on audio, requiring no prior knowledge of head models. These visualizations enable researchers and engineers to observe how binaural cues are degraded by codec and renderer design choices, among other downstream processes. We demonstrate the tool on bitrate ladders, ambisonic rendering, and VBAP source positioning, where degradations are clearly revealed. In addition to their diagnostic value, the proposed representations can be exported as structured features suitable for training machine learning models in quality prediction, spatial audio classification, and other binaural tasks. Binaspect is released under an open-source license with full reproducibility scripts at https://github.com/QxLabIreland/Binaspect.

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arXiv2025

BINAQUAL: A Full-Reference Objective Localization Similarity Metric for Binaural Audio

Spatial audio enhances immersion in applications such as virtual reality, augmented reality, gaming, and cinema by creating a three-dimensional auditory experience. Ensuring the spatial fidelity of binaural audio is crucial, given that processes such as compression, encoding, or transmission can alter localization cues. While subjective listening tests like MUSHRA remain the gold standard for evaluating spatial localization quality, they are costly and time-consuming. This paper introduces BINAQUAL, a full-reference objective metric designed to assess localization similarity in binaural audio recordings. BINAQUAL adapts the AMBIQUAL metric, originally developed for localization quality assessment in ambisonics audio format to the binaural domain. We evaluate BINAQUAL across five key research questions, examining its sensitivity to variations in sound source locations, angle interpolations, surround speaker layouts, audio degradations, and content diversity. Results demonstrate that BINAQUAL effectively differentiates between subtle spatial variations and correlates strongly with subjective listening tests, making it a reliable metric for binaural localization quality assessment. The proposed metric provides a robust benchmark for ensuring spatial accuracy in binaural audio processing, paving the way for improved objective evaluations in immersive audio applications.

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arXiv2025

Binamix -- A Python Library for Generating Binaural Audio Datasets

The increasing demand for spatial audio in applications such as virtual reality, immersive media, and spatial audio research necessitates robust solutions to generate binaural audio data sets for use in testing and validation. Binamix is an open-source Python library designed to facilitate programmatic binaural mixing using the extensive SADIE II Database, which provides Head Related Impulse Response (HRIR) and Binaural Room Impulse Response (BRIR) data for 20 subjects. The Binamix library provides a flexible and repeatable framework for creating large-scale spatial audio datasets, making it an invaluable resource for codec evaluation, audio quality metric development, and machine learning model training. A range of pre-built example scripts, utility functions, and visualization plots further streamline the process of custom pipeline creation. This paper presents an overview of the library's capabilities, including binaural rendering, impulse response interpolation, and multi-track mixing for various speaker layouts. The tools utilize a modified Delaunay triangulation technique to achieve accurate HRIR/BRIR interpolation where desired angles are not present in the data. By supporting a wide range of parameters such as azimuth, elevation, subject Impulse Responses (IRs), speaker layouts, mixing controls, and more, the library enables researchers to create large binaural datasets for any downstream purpose. Binamix empowers researchers and developers to advance spatial audio applications with reproducible methodologies by offering an open-source solution for binaural rendering and dataset generation. We release the library under the Apache 2.0 License at https://github.com/QxLabIreland/Binamix/

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arXiv2025

Perceptual Audio Coding: A 40-Year Historical Perspective

In the history of audio and acoustic signal processing, perceptual audio coding has certainly excelled as a bright success story by its ubiquitous deployment in virtually all digital media devices, such as computers, tablets, mobile phones, set-top-boxes, and digital radios. From a technology perspective, perceptual audio coding has undergone tremendous development from the first very basic perceptually driven coders (including the popular mp3 format) to today's full-blown integrated coding/rendering systems. This paper provides a historical overview of this research journey by pinpointing the pivotal development steps in the evolution of perceptual audio coding. Finally, it provides thoughts about future directions in this area.

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arXiv2024

SCOREQ: Speech Quality Assessment with Contrastive Regression

In this paper, we present SCOREQ, a novel approach for speech quality prediction. SCOREQ is a triplet loss function for contrastive regression that addresses the domain generalisation shortcoming exhibited by state of the art no-reference speech quality metrics. In the paper we: (i) illustrate the problem of L2 loss training failing at capturing the continuous nature of the mean opinion score (MOS) labels; (ii) demonstrate the lack of generalisation through a benchmarking evaluation across several speech domains; (iii) outline our approach and explore the impact of the architectural design decisions through incremental evaluation; (iv) evaluate the final model against state of the art models for a wide variety of data and domains. The results show that the lack of generalisation observed in state of the art speech quality metrics is addressed by SCOREQ. We conclude that using a triplet loss function for contrastive regression improves generalisation for speech quality prediction models but also has potential utility across a wide range of applications using regression-based predictive models.

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arXiv2024

Neural Speech and Audio Coding: Modern AI Technology Meets Traditional Codecs

This paper explores the integration of model-based and data-driven approaches within the realm of neural speech and audio coding systems. It highlights the challenges posed by the subjective evaluation processes of speech and audio codecs and discusses the limitations of purely data-driven approaches, which often require inefficiently large architectures to match the performance of model-based methods. The study presents hybrid systems as a viable solution, offering significant improvements to the performance of conventional codecs through meticulously chosen design enhancements. Specifically, it introduces a neural network-based signal enhancer designed to post-process existing codecs' output, along with the autoencoder-based end-to-end models and LPCNet--hybrid systems that combine linear predictive coding (LPC) with neural networks. Furthermore, the paper delves into predictive models operating within custom feature spaces (TF-Codec) or predefined transform domains (MDCTNet) and examines the use of psychoacoustically calibrated loss functions to train end-to-end neural audio codecs. Through these investigations, the paper demonstrates the potential of hybrid systems to advance the field of speech and audio coding by bridging the gap between traditional model-based approaches and modern data-driven techniques.

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arXiv2024

NOMAD: Unsupervised Learning of Perceptual Embeddings for Speech Enhancement and Non-matching Reference Audio Quality Assessment

This paper presents NOMAD (Non-Matching Audio Distance), a differentiable perceptual similarity metric that measures the distance of a degraded signal against non-matching references. The proposed method is based on learning deep feature embeddings via a triplet loss guided by the Neurogram Similarity Index Measure (NSIM) to capture degradation intensity. During inference, the similarity score between any two audio samples is computed through Euclidean distance of their embeddings. NOMAD is fully unsupervised and can be used in general perceptual audio tasks for audio analysis e.g. quality assessment and generative tasks such as speech enhancement and speech synthesis. The proposed method is evaluated with 3 tasks. Ranking degradation intensity, predicting speech quality, and as a loss function for speech enhancement. Results indicate NOMAD outperforms other non-matching reference approaches in both ranking degradation intensity and quality assessment, exhibiting competitive performance with full-reference audio metrics. NOMAD demonstrates a promising technique that mimics human capabilities in assessing audio quality with non-matching references to learn perceptual embeddings without the need for human-generated labels.

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arXiv2023

A Comparison of Deep Learning MOS Predictors for Speech Synthesis Quality

Speech synthesis quality prediction has made remarkable progress with the development of supervised and self-supervised learning (SSL) MOS predictors but some aspects related to the data are still unclear and require further study. In this paper, we evaluate several MOS predictors based on wav2vec 2.0 and the NISQA speech quality prediction model to explore the role of the training data, the influence of the system type, and the role of cross-domain features in SSL models. Our evaluation is based on the VoiceMOS challenge dataset. Results show that SSL-based models show the highest correlation and lowest mean squared error compared to supervised models. The key point of this study is that benchmarking the statistical performance of MOS predictors alone is not sufficient to rank models since potential issues hidden in the data could bias the evaluated performances.

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arXiv2023

LMCodec: A Low Bitrate Speech Codec With Causal Transformer Models

We introduce LMCodec, a causal neural speech codec that provides high quality audio at very low bitrates. The backbone of the system is a causal convolutional codec that encodes audio into a hierarchy of coarse-to-fine tokens using residual vector quantization. LMCodec trains a Transformer language model to predict the fine tokens from the coarse ones in a generative fashion, allowing for the transmission of fewer codes. A second Transformer predicts the uncertainty of the next codes given the past transmitted codes, and is used to perform conditional entropy coding. A MUSHRA subjective test was conducted and shows that the quality is comparable to reference codecs at higher bitrates. Example audio is available at https://mjenrungrot.github.io/chrome-media-audio-papers/publications/lmcodec.

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arXiv2022

Using Rater and System Metadata to Explain Variance in the VoiceMOS Challenge 2022 Dataset

Non-reference speech quality models are important for a growing number of applications. The VoiceMOS 2022 challenge provided a dataset of synthetic voice conversion and text-to-speech samples with subjective labels. This study looks at the amount of variance that can be explained in subjective ratings of speech quality from metadata and the distribution imbalances of the dataset. Speech quality models were constructed using wav2vec 2.0 with additional metadata features that included rater groups and system identifiers and obtained competitive metrics including a Spearman rank correlation coefficient (SRCC) of 0.934 and MSE of 0.088 at the system-level, and 0.877 and 0.198 at the utterance-level. Using data and metadata that the test restricted or blinded further improved the metrics. A metadata analysis showed that the system-level metrics do not represent the model's system-level prediction as a result of the wide variation in the number of utterances used for each system on the validation and test datasets. We conclude that, in general, conditions should have enough utterances in the test set to bound the sample mean error, and be relatively balanced in utterance count between systems, otherwise the utterance-level metrics may be more reliable and interpretable.

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arXiv2022

Ultra-Low-Bitrate Speech Coding with Pretrained Transformers

Speech coding facilitates the transmission of speech over low-bandwidth networks with minimal distortion. Neural-network based speech codecs have recently demonstrated significant improvements in quality over traditional approaches. While this new generation of codecs is capable of synthesizing high-fidelity speech, their use of recurrent or convolutional layers often restricts their effective receptive fields, which prevents them from compressing speech efficiently. We propose to further reduce the bitrate of neural speech codecs through the use of pretrained Transformers, capable of exploiting long-range dependencies in the input signal due to their inductive bias. As such, we use a pretrained Transformer in tandem with a convolutional encoder, which is trained end-to-end with a quantizer and a generative adversarial net decoder. Our numerical experiments show that supplementing the convolutional encoder of a neural speech codec with Transformer speech embeddings yields a speech codec with a bitrate of $600\,\mathrm{bps}$ that outperforms the original neural speech codec in synthesized speech quality when trained at the same bitrate. Subjective human evaluations suggest that the quality of the resulting codec is comparable or better than that of conventional codecs operating at three to four times the rate.

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arXiv2021

SoundStream: An End-to-End Neural Audio Codec

We present SoundStream, a novel neural audio codec that can efficiently compress speech, music and general audio at bitrates normally targeted by speech-tailored codecs. SoundStream relies on a model architecture composed by a fully convolutional encoder/decoder network and a residual vector quantizer, which are trained jointly end-to-end. Training leverages recent advances in text-to-speech and speech enhancement, which combine adversarial and reconstruction losses to allow the generation of high-quality audio content from quantized embeddings. By training with structured dropout applied to quantizer layers, a single model can operate across variable bitrates from 3kbps to 18kbps, with a negligible quality loss when compared with models trained at fixed bitrates. In addition, the model is amenable to a low latency implementation, which supports streamable inference and runs in real time on a smartphone CPU. In subjective evaluations using audio at 24kHz sampling rate, SoundStream at 3kbps outperforms Opus at 12kbps and approaches EVS at 9.6kbps. Moreover, we are able to perform joint compression and enhancement either at the encoder or at the decoder side with no additional latency, which we demonstrate through background noise suppression for speech.

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arXiv2021

Handling Background Noise in Neural Speech Generation

Recent advances in neural-network based generative modeling of speech has shown great potential for speech coding. However, the performance of such models drops when the input is not clean speech, e.g., in the presence of background noise, preventing its use in practical applications. In this paper we examine the reason and discuss methods to overcome this issue. Placing a denoising preprocessing stage when extracting features and target clean speech during training is shown to be the best performing strategy.

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arXiv2021

WARP-Q: Quality Prediction For Generative Neural Speech Codecs

Good speech quality has been achieved using waveform matching and parametric reconstruction coders. Recently developed very low bit rate generative codecs can reconstruct high quality wideband speech with bit streams less than 3 kb/s. These codecs use a DNN with parametric input to synthesise high quality speech outputs. Existing objective speech quality models (e.g., POLQA, ViSQOL) do not accurately predict the quality of coded speech from these generative models underestimating quality due to signal differences not highlighted in subjective listening tests. We present WARP-Q, a full-reference objective speech quality metric that uses dynamic time warping cost for MFCC speech representations. It is robust to small perceptual signal changes. Evaluation using waveform matching, parametric and generative neural vocoder based codecs as well as channel and environmental noise shows that WARP-Q has better correlation and codec quality ranking for novel codecs compared to traditional metrics in addition to versatility for general quality assessment scenarios.

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arXiv2021

Generative Speech Coding with Predictive Variance Regularization

The recent emergence of machine-learning based generative models for speech suggests a significant reduction in bit rate for speech codecs is possible. However, the performance of generative models deteriorates significantly with the distortions present in real-world input signals. We argue that this deterioration is due to the sensitivity of the maximum likelihood criterion to outliers and the ineffectiveness of modeling a sum of independent signals with a single autoregressive model. We introduce predictive-variance regularization to reduce the sensitivity to outliers, resulting in a significant increase in performance. We show that noise reduction to remove unwanted signals can significantly increase performance. We provide extensive subjective performance evaluations that show that our system based on generative modeling provides state-of-the-art coding performance at 3 kb/s for real-world speech signals at reasonable computational complexity.

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arXiv2020

Improving Opus Low Bit Rate Quality with Neural Speech Synthesis

The voice mode of the Opus audio coder can compress wideband speech at bit rates ranging from 6 kb/s to 40 kb/s. However, Opus is at its core a waveform matching coder, and as the rate drops below 10 kb/s, quality degrades quickly. As the rate reduces even further, parametric coders tend to perform better than waveform coders. In this paper we propose a backward-compatible way of improving low bit rate Opus quality by re-synthesizing speech from the decoded parameters. We compare two different neural generative models, WaveNet and LPCNet. WaveNet is a powerful, high-complexity, and high-latency architecture that is not feasible for a practical system, yet provides a best known achievable quality with generative models. LPCNet is a low-complexity, low-latency RNN-based generative model, and practically implementable on mobile phones. We apply these systems with parameters from Opus coded at 6 kb/s as conditioning features for the generative models. A listening test shows that for the same 6 kb/s Opus bit stream, synthesized speech using LPCNet clearly outperforms the output of the standard Opus decoder. This opens up ways to improve the decoding quality of existing speech and audio waveform coders without breaking compatibility.

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arXiv2020

ViSQOL v3: An Open Source Production Ready Objective Speech and Audio Metric

Estimation of perceptual quality in audio and speech is possible using a variety of methods. The combined v3 release of ViSQOL and ViSQOLAudio (for speech and audio, respectively,) provides improvements upon previous versions, in terms of both design and usage. As an open source C++ library or binary with permissive licensing, ViSQOL can now be deployed beyond the research context into production usage. The feedback from internal production teams at Google has helped to improve this new release, and serves to show cases where it is most applicable, as well as to highlight limitations. The new model is benchmarked against real-world data for evaluation purposes. The trends and direction of future work is discussed.

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