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Jianhuai Hu

Publications and source records attributed to Jianhuai Hu.

3 recordsLinked to original sources

MUUNRiver-Bench: Diagnosing Relation-Dependent Music Retrieval with Multimodal Instructions

Music retrieval is relation-dependent: given a reference track, a listener may seek its style with a new theme, a cover, or a comparable voice, and these intents demand contradictory rankings. We present MUUNRiver-Bench, a diagnostic benchmark whose reference-audio queries use natural-language instructions to define relevance. A pipeline combining expert genre priors, LLM-generated prompts and lyrics, synthesis, and expert review yields 3,440 tracks spanning 13 genres and 116 sub-genres, and seven tasks: similar-music, style-preserving lyric-rewriting, lyric-preserving style-rewriting, cover, vocal-timbre, isolated-vocal, and segment retrieval. Across six models in eight configurations, task-wise rank reversals reveal complementary biases: acoustic encoders favour local identity, whereas text-aligned encoders favour semantic relations. Frozen encoders diagnose default similarity preferences; instruction-aware and audio-text fusion systems provide exploratory tests of textual conditioning, with neither simple fusion scheme consistently improving its backbone

cs.SD↗

TUTTI: Toward generalizable audio-to-score transcription via fully synthesized data

Generalizable Audio-to-Score (A2S) transcription is fundamentally constrained by the severe scarcity of high-quality, real-world paired data. Relying solely on existing human-annotated datasets often restricts the generalization of A2S models, limiting their efficacy primarily to single-instrumentation domains. To break this dependency on scarce real-world data, we introduce TUTTI (Transformer for Unified audio-To-score Transcription trained on Synthetic multi-Instrumentation Data), a pre-training paradigm driven by a purely synthetic, large-scale dataset. Rather than using human-composed scores, we leverage a symbolic music generation model to generate a massive, highly scalable multi-instrumentation corpus and create audio-score pairs with expressive acoustic characteristics. Capitalizing on the generated data, we employ a standard Transformer encoder-decoder architecture. We empirically demonstrate that pre-training a unified attention-based model on generated, multi-instrumentation data yields a consistently stronger foundational representation than single-instrumentation training. When fine-tuned with downstream real-world datasets, TUTTI outperforms previous approaches, establishing new overall state-of-the-art results across various A2S baselines. Notably, TUTTI shows remarkable cross-instrument transferability, effectively adapting to unseen instruments with highly competitive performance. The source code and the TuttiCorpus dataset will be made publicly available at https://github.com/a-musiclover/TUTTI.

cs.SD↗

NotaGen: Advancing Musicality in Symbolic Music Generation with Large Language Model Training Paradigms

We introduce NotaGen, a symbolic music generation model aiming to explore the potential of producing high-quality classical sheet music. Inspired by the success of Large Language Models (LLMs), NotaGen adopts pre-training, fine-tuning, and reinforcement learning paradigms (henceforth referred to as the LLM training paradigms). It is pre-trained on 1.6M pieces of music in ABC notation, and then fine-tuned on approximately 9K high-quality classical compositions conditioned on "period-composer-instrumentation" prompts. For reinforcement learning, we propose the CLaMP-DPO method, which further enhances generation quality and controllability without requiring human annotations or predefined rewards. Our experiments demonstrate the efficacy of CLaMP-DPO in symbolic music generation models with different architectures and encoding schemes. Furthermore, subjective A/B tests show that NotaGen outperforms baseline models against human compositions, greatly advancing musical aesthetics in symbolic music generation.

cs.SD↗