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Jianye Kang

Publications and source records attributed to Jianye Kang.

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OmniJudge or OmniBias? Diagnosing Multimodal Judges through Balanced, Decoupled Lenses

Multimodal understanding models that can jointly judge text-to-image (T2I), text-to-video (T2V) and text-to-speech (TTS) generation are increasingly used as "OmniJudges" for evaluation and automatic annotation. How reliably they understand what they score remains unclear, since existing benchmarks and training data tend to overemphasize positive examples and to conflate distinct failure modes, so a judge may score well without recognizing failures while its capability gaps stay hidden. Motivated by this, we introduce D3-Omni, a balanced and decoupled benchmark for diagnosing fine-grained multimodal understanding, covering 53 orthogonal binary dimensions (17/22/14) and 10,671 samples (3,526/1,998/5,147) across the three tasks. Rather than re-generating outputs, which may leak information across dimensions, we fix verified fully positive seeds and derive negatives through controlled prompt rewriting and atomic, dimension-isolating perturbations. The resulting D3 design is Dual-balanced, which helps alleviate negative-sample scarcity and per-dimension label imbalance; Decoupled, so that each error is attributable to a single capability; and Dynamic, steering construction toward under-represented regions of the label distribution as generative models improve.The suite reaches near 1:1 per-dimension parity and a uniform distribution over all total-score levels. Under this balanced view, even strong OmniJudges tend to struggle on modality-related dimensions, to confirm satisfied requirements far more reliably than they detect violated ones, and to treat nominally distinct attributes as largely a single decision, suggesting that aggregate accuracy may hide systematic blind spots that a balanced and decoupled lens can help expose and, in turn, address.

cs.AI

Qwen-Image-Bench: From Generation to Creation in Text-to-Image Evaluation

Text-to-Image generation has evolved from basic image synthesis into a frequently used core capability in professional creative workflows, where simple text-image alignment can no longer satisfy users' pressing demands for faithful real-world reconstruction and genuine creative expression. Existing benchmarks, however, remain anchored in these foundational criteria and do not yet capture the nuanced capabilities that matter in authentic artistic practice, making it difficult to reliably distinguish state-of-the-art T2I models. To address the gap, we introduce Qwen-Image-Bench, a creator-centric benchmark co-designed with professional artists and grounded in real-world creation scenarios. Qwen-Image-Bench enriches conventional evaluation with two application-driven dimensions: Real-world Fidelity and Creative Generation. Drawing on the staged reasoning inherent in professional artistic workflows, we organize these five pillars into a top-down hierarchical taxonomy that further decomposes into 23 second-level sub-capabilities and 56 third-level verifiable rubrics. To ensure broad coverage, we curate 1000 stratified prompts with each prompt jointly exercising more than four fine-grained facets across multiple pillars. We train a unified judge model Q-Judger based on Qwen3.6-27B, supervised by 80 professional annotators from global art academies under blind labeling and triple-review protocols, that scores every image across all 56 verifiable facets, producing fine-grained, rubric-grounded, and fully attributable diagnostics rather than a single opaque score. Empirically, Qwen-Image-Bench reliably distinguishes leading T2I models, achieving the greatest separation on the two application-driven dimensions of Real-world Fidelity and Creative Generation where existing benchmarks provide little insight, while also providing a trustworthy optimization signal for production-level T2I development.

cs.CV