Searcharxiv⌕ Search

arXiv subjects

Jingrui An

Publications and source records attributed to Jingrui An.

2 recordsLinked to original sources

Making Smell Actionable in Design: Lexicon, Movement Patterns, and Gesture Cards

Smell is powerful in design, yet it often remains vague and difficult to work with in studios and classrooms. While olfactory HCI has produced devices, toolkits, and scenario-based applications, designers still lack teachable, shareable resources that link smell to bodily action. This paper presents a three-phase research program that makes smell actionable by moving from lived smell experiences to movement patterns and, finally, to gesture resources. We study olfactory-motor mappings and package the results as teachable design representations through a progressively narrowing method: (1) extracting smell-verb-intent relations from user narratives; (2) capturing and clustering embodied enactments into standardized upper-limb trajectory families; and (3) translating these trajectories into gesture card representations for design teaching and ideation through design workshops. We present a three-phase translational framework and empirically derived smell-gesture correspondences that structure the smell-intent-trajectory-gesture pathway, together with reusable assets (lexicon, trajectory atlas, gesture tables, and cards) that support teaching, reuse, and adaptation across contexts.

cs.HC↗

Authenticity as Aesthetics: Enabling the Client to Dominate Decision-making in Co-design

This paper revises aesthetics theory through the lens of authenticity and investigates practical applications using a co-design approach. We encourage designers to include ordinary clients as co-creators in the co-design process, guiding them in expressing their aesthetics, values, and preferences while stimulating their creativity. This paper proposes a bespoke design process framework for authenticity aesthetics that incorporates empathy, defining, ideating, prototyping, and testing. This framework delineates the roles and responsibilities of clients and designers at different phases and highlights evolving material mediums that enable their communication. The paper concludes by reflecting on consumerist aesthetics, advocating for designers to focus on the insights of ordinary clients, design for their authentic uniqueness, and recognize the broad prospects of bespoke design methods.

cs.HC↗