arXiv subjects

Jingwei Zhao

Publications and source records attributed to Jingwei Zhao.

17 recordsLinked to original sources

arXiv2026

Learning Music Style for Piano Arrangement Through Cross-Modal Bootstrapping

What is music style? Though often described using text labels such as "swing," "classical," or "emotional," the real style remains implicit and hidden in concrete music examples. In this paper, we introduce a cross-modal framework that learns implicit music styles from raw audio and applies them to symbolic music generation. Inspired by BLIP-2, our model leverages a Querying Transformer (Q-Former) to extract style representations from a large, pre-trained audio language model (LM), and further applies them to condition a symbolic LM for generating piano arrangements. We adopt a two-stage training strategy: contrastive learning to align auditory style with symbolic expression, followed by generative modeling for music arrangement. Our model generates piano performances jointly conditioned on a lead sheet (content) and a reference audio example (style), enabling controllable and stylistically faithful arrangement. Experiments demonstrate the effectiveness of our approach in piano cover generation, style transfer, and audio-to-MIDI retrieval, achieving substantial improvements in style-aware alignment and music quality.

cs.SD↗

arXiv2026

Discrete-WAM: Unified Discrete Vision-Action Token Editing for World-Policy Learning

Autonomous driving requires reasoning about how ego actions shape future world evolution, rather than merely mapping observations to actions. However, most end-to-end methods rely on direct state-to-action imitation, while existing world models often remain weakly aligned with downstream policy generation. We introduce Discrete-WAM, a unified discrete vision-action world-policy framework that represents visual observations, future states, high-level decisions, and ego actions within a shared token space. Built on this discrete alignment, Discrete-WAM jointly trains world modeling, world-policy modeling, and policy modeling through multi-task and multi-stage pretraining, allowing action-conditioned future prediction to directly support policy generation. For downstream planning, Discrete-WAM further decomposes policy generation into hierarchical decision prediction and parallel action-token editing, where the decision token provides a high-level planning skeleton and confidence-based scheduling refines dense future actions efficiently. Experiments on large-scale autonomous-driving benchmarks show that Discrete-WAM achieves strong planning performance while supporting controllable future generation, counterfactual evaluation, surprise-based world-model analysis, and efficient parallel policy decoding. These results suggest that discrete representation alignment, unified world-policy training, and hierarchical token editing provide a promising design paradigm for physical AI.

cs.RO↗

arXiv2026

Xiaomi OneVL: One-Step Latent Reasoning and Planning with Vision-Language Explanation

Chain-of-Thought (CoT) reasoning has become a powerful driver of trajectory prediction in VLA-based autonomous driving, yet its autoregressive nature imposes a latency cost that is prohibitive for real-time deployment. Latent CoT methods attempt to close this gap by compressing reasoning into continuous hidden states, but consistently fall short of their explicit counterparts. We suggest that this is due to purely linguistic latent representations compressing a symbolic abstraction of the world, rather than the causal dynamics that actually govern driving. Thus, we present OneVL (One-step latent reasoning and planning with Vision-Language explanations), a unified VLA and World Model framework that routes reasoning through compact latent tokens supervised by dual auxiliary decoders. Alongside a language decoder that reconstructs text CoT, we introduce a visual world model decoder that predicts future-frame tokens, forcing the latent space to internalize the causal dynamics of road geometry, agent motion, and environmental change. A three-stage training pipeline progressively aligns these latents with trajectory, language, and visual objectives, ensuring stable joint optimization. In inference, the auxiliary decoders are discarded, and all latent tokens are prefilled in a single parallel pass, matching the speed of answer-only prediction. Across four benchmarks, OneVL becomes the first latent CoT method to surpass explicit CoT, delivering superior accuracy at answer-only latency. These results show that with world model supervision, latent CoT produces more generalizable representations than verbose token-by-token reasoning. Code has been open-sourced to the community. Project Page: https://xiaomi-embodied-intelligence.github.io/OneVL

cs.CV↗

arXiv2026

BEAT: Tokenizing and Generating Symbolic Music by Uniform Temporal Steps

Tokenizing music to fit the general framework of language models is a compelling challenge, especially considering the diverse symbolic structures in which music can be represented (e.g., sequences, grids, and graphs). To date, most approaches tokenize symbolic music as sequences of musical events, such as onsets, pitches, time shifts, or compound note events. This strategy is intuitive and has proven effective in Transformer-based models, but it treats the regularity of musical time implicitly: individual tokens may span different durations, resulting in non-uniform time progression. In this paper, we instead consider whether an alternative tokenization is possible, where a uniform-length musical step (e.g., a beat) serves as the basic unit. Specifically, we encode all events within a single time step at the same pitch as one token, and group tokens explicitly by time step, which resembles a sparse encoding of a piano-roll representation. We evaluate the proposed tokenization on music continuation and accompaniment generation tasks, comparing it with mainstream event-based methods. Results show improved musical quality and structural coherence, while additional analyses confirm higher efficiency and more effective capture of long-range patterns with the proposed tokenization.

cs.SD↗

arXiv2025

Unifying Symbolic Music Arrangement: Track-Aware Reconstruction and Structured Tokenization

We present a unified framework for automatic multitrack music arrangement that enables a single pre-trained symbolic music model to handle diverse arrangement scenarios, including reinterpretation, simplification, and additive generation. At its core is a segment-level reconstruction objective operating on token-level disentangled content and style, allowing for flexible any-to-any instrumentation transformations at inference time. To support track-wise modeling, we introduce REMI-z, a structured tokenization scheme for multitrack symbolic music that enhances modeling efficiency and effectiveness for both arrangement tasks and unconditional generation. Our method outperforms task-specific state-of-the-art models on representative tasks in different arrangement scenarios -- band arrangement, piano reduction, and drum arrangement, in both objective metrics and perceptual evaluations. Taken together, our framework demonstrates strong generality and suggests broader applicability in symbolic music-to-music transformation.

cs.SD↗

arXiv2025

Deep Learning Approaches for Multimodal Intent Recognition: A Survey

Intent recognition aims to identify users' underlying intentions, traditionally focusing on text in natural language processing. With growing demands for natural human-computer interaction, the field has evolved through deep learning and multimodal approaches, incorporating data from audio, vision, and physiological signals. Recently, the introduction of Transformer-based models has led to notable breakthroughs in this domain. This article surveys deep learning methods for intent recognition, covering the shift from unimodal to multimodal techniques, relevant datasets, methodologies, applications, and current challenges. It provides researchers with insights into the latest developments in multimodal intent recognition (MIR) and directions for future research.

cs.CL↗

arXiv2025

FB-4D: Spatial-Temporal Coherent Dynamic 3D Content Generation with Feature Banks

With the rapid advancements in diffusion models and 3D generation techniques, dynamic 3D content generation has become a crucial research area. However, achieving high-fidelity 4D (dynamic 3D) generation with strong spatial-temporal consistency remains a challenging task. Inspired by recent findings that pretrained diffusion features capture rich correspondences, we propose FB-4D, a novel 4D generation framework that integrates a Feature Bank mechanism to enhance both spatial and temporal consistency in generated frames. In FB-4D, we store features extracted from previous frames and fuse them into the process of generating subsequent frames, ensuring consistent characteristics across both time and multiple views. To ensure a compact representation, the Feature Bank is updated by a proposed dynamic merging mechanism. Leveraging this Feature Bank, we demonstrate for the first time that generating additional reference sequences through multiple autoregressive iterations can continuously improve generation performance. Experimental results show that FB-4D significantly outperforms existing methods in terms of rendering quality, spatial-temporal consistency, and robustness. It surpasses all multi-view generation tuning-free approaches by a large margin and achieves performance on par with training-based methods.

cs.CV↗

arXiv2024

Structured Multi-Track Accompaniment Arrangement via Style Prior Modelling

In the realm of music AI, arranging rich and structured multi-track accompaniments from a simple lead sheet presents significant challenges. Such challenges include maintaining track cohesion, ensuring long-term coherence, and optimizing computational efficiency. In this paper, we introduce a novel system that leverages prior modelling over disentangled style factors to address these challenges. Our method presents a two-stage process: initially, a piano arrangement is derived from the lead sheet by retrieving piano texture styles; subsequently, a multi-track orchestration is generated by infusing orchestral function styles into the piano arrangement. Our key design is the use of vector quantization and a unique multi-stream Transformer to model the long-term flow of the orchestration style, which enables flexible, controllable, and structured music generation. Experiments show that by factorizing the arrangement task into interpretable sub-stages, our approach enhances generative capacity while improving efficiency. Additionally, our system supports a variety of music genres and provides style control at different composition hierarchies. We further show that our system achieves superior coherence, structure, and overall arrangement quality compared to existing baselines.

cs.SD↗

arXiv2024

SA-GS: Scale-Adaptive Gaussian Splatting for Training-Free Anti-Aliasing

In this paper, we present a Scale-adaptive method for Anti-aliasing Gaussian Splatting (SA-GS). While the state-of-the-art method Mip-Splatting needs modifying the training procedure of Gaussian splatting, our method functions at test-time and is training-free. Specifically, SA-GS can be applied to any pretrained Gaussian splatting field as a plugin to significantly improve the field's anti-alising performance. The core technique is to apply 2D scale-adaptive filters to each Gaussian during test time. As pointed out by Mip-Splatting, observing Gaussians at different frequencies leads to mismatches between the Gaussian scales during training and testing. Mip-Splatting resolves this issue using 3D smoothing and 2D Mip filters, which are unfortunately not aware of testing frequency. In this work, we show that a 2D scale-adaptive filter that is informed of testing frequency can effectively match the Gaussian scale, thus making the Gaussian primitive distribution remain consistent across different testing frequencies. When scale inconsistency is eliminated, sampling rates smaller than the scene frequency result in conventional jaggedness, and we propose to integrate the projected 2D Gaussian within each pixel during testing. This integration is actually a limiting case of super-sampling, which significantly improves anti-aliasing performance over vanilla Gaussian Splatting. Through extensive experiments using various settings and both bounded and unbounded scenes, we show SA-GS performs comparably with or better than Mip-Splatting. Note that super-sampling and integration are only effective when our scale-adaptive filtering is activated. Our codes, data and models are available at https://github.com/zsy1987/SA-GS.

cs.CV↗

arXiv2023

Polyffusion: A Diffusion Model for Polyphonic Score Generation with Internal and External Controls

We propose Polyffusion, a diffusion model that generates polyphonic music scores by regarding music as image-like piano roll representations. The model is capable of controllable music generation with two paradigms: internal control and external control. Internal control refers to the process in which users pre-define a part of the music and then let the model infill the rest, similar to the task of masked music generation (or music inpainting). External control conditions the model with external yet related information, such as chord, texture, or other features, via the cross-attention mechanism. We show that by using internal and external controls, Polyffusion unifies a wide range of music creation tasks, including melody generation given accompaniment, accompaniment generation given melody, arbitrary music segment inpainting, and music arrangement given chords or textures. Experimental results show that our model significantly outperforms existing Transformer and sampling-based baselines, and using pre-trained disentangled representations as external conditions yields more effective controls.

cs.SD↗

arXiv2023

Q&A: Query-Based Representation Learning for Multi-Track Symbolic Music re-Arrangement

Music rearrangement is a common music practice of reconstructing and reconceptualizing a piece using new composition or instrumentation styles, which is also an important task of automatic music generation. Existing studies typically model the mapping from a source piece to a target piece via supervised learning. In this paper, we tackle rearrangement problems via self-supervised learning, in which the mapping styles can be regarded as conditions and controlled in a flexible way. Specifically, we are inspired by the representation disentanglement idea and propose Q&A, a query-based algorithm for multi-track music rearrangement under an encoder-decoder framework. Q&A learns both a content representation from the mixture and function (style) representations from each individual track, while the latter queries the former in order to rearrange a new piece. Our current model focuses on popular music and provides a controllable pathway to four scenarios: 1) re-instrumentation, 2) piano cover generation, 3) orchestration, and 4) voice separation. Experiments show that our query system achieves high-quality rearrangement results with delicate multi-track structures, significantly outperforming the baselines.

cs.SD↗

arXiv2022

Beat Transformer: Demixed Beat and Downbeat Tracking with Dilated Self-Attention

We propose Beat Transformer, a novel Transformer encoder architecture for joint beat and downbeat tracking. Different from previous models that track beats solely based on the spectrogram of an audio mixture, our model deals with demixed spectrograms with multiple instrument channels. This is inspired by the fact that humans perceive metrical structures from richer musical contexts, such as chord progression and instrumentation. To this end, we develop a Transformer model with both time-wise attention and instrument-wise attention to capture deep-buried metrical cues. Moreover, our model adopts a novel dilated self-attention mechanism, which achieves powerful hierarchical modelling with only linear complexity. Experiments demonstrate a significant improvement in demixed beat tracking over the non-demixed version. Also, Beat Transformer achieves up to 4% point improvement in downbeat tracking accuracy over the TCN architectures. We further discover an interpretable attention pattern that mirrors our understanding of hierarchical metrical structures.

cs.SD↗

arXiv2022

Domain Adversarial Training on Conditional Variational Auto-Encoder for Controllable Music Generation

The variational auto-encoder has become a leading framework for symbolic music generation, and a popular research direction is to study how to effectively control the generation process. A straightforward way is to control a model using different conditions during inference. However, in music practice, conditions are usually sequential (rather than simple categorical labels), involving rich information that overlaps with the learned representation. Consequently, the decoder gets confused about whether to "listen to" the latent representation or the condition, and sometimes just ignores the condition. To solve this problem, we leverage domain adversarial training to disentangle the representation from condition cues for better control. Specifically, we propose a condition corruption objective that uses the representation to denoise a corrupted condition. Minimized by a discriminator and maximized by the VAE encoder, this objective adversarially induces a condition-invariant representation. In this paper, we focus on the task of melody harmonization to illustrate our idea, while our methodology can be generalized to other controllable generative tasks. Demos and experiments show that our methodology facilitates not only condition-invariant representation learning but also higher-quality controllability compared to baselines.

cs.SD↗

arXiv2022

AccoMontage2: A Complete Harmonization and Accompaniment Arrangement System

We propose AccoMontage2, a system capable of doing full-length song harmonization and accompaniment arrangement based on a lead melody. Following AccoMontage, this study focuses on generating piano arrangements for popular/folk songs and it carries on the generalized template-based retrieval method. The novelties of this study are twofold. First, we invent a harmonization module (which AccoMontage does not have). This module generates structured and coherent full-length chord progression by optimizing and balancing three loss terms: a micro-level loss for note-wise dissonance, a meso-level loss for phrase-template matching, and a macro-level loss for full piece coherency. Second, we develop a graphical user interface which allows users to select different styles of chord progression and piano texture. Currently, chord progression styles include Pop, R&B, and Dark, while piano texture styles include several levels of voicing density and rhythmic complexity. Experimental results show that both our harmonization and arrangement results significantly outperform the baselines. Lastly, we release AccoMontage2 as an online application as well as the organized chord progression templates as a public dataset.

cs.SD↗

arXiv2021

AccoMontage: Accompaniment Arrangement via Phrase Selection and Style Transfer

Accompaniment arrangement is a difficult music generation task involving intertwined constraints of melody, harmony, texture, and music structure. Existing models are not yet able to capture all these constraints effectively, especially for long-term music generation. To address this problem, we propose AccoMontage, an accompaniment arrangement system for whole pieces of music through unifying phrase selection and neural style transfer. We focus on generating piano accompaniments for folk/pop songs based on a lead sheet (i.e., melody with chord progression). Specifically, AccoMontage first retrieves phrase montages from a database while recombining them structurally using dynamic programming. Second, chords of the retrieved phrases are manipulated to match the lead sheet via style transfer. Lastly, the system offers controls over the generation process. In contrast to pure learning-based approaches, AccoMontage introduces a novel hybrid pathway, in which rule-based optimization and deep learning are both leveraged to complement each other for high-quality generation. Experiments show that our model generates well-structured accompaniment with delicate texture, significantly outperforming the baselines.

cs.SD↗

arXiv2020

Beyond Class-Conditional Assumption: A Primary Attempt to Combat Instance-Dependent Label Noise

Supervised learning under label noise has seen numerous advances recently, while existing theoretical findings and empirical results broadly build up on the class-conditional noise (CCN) assumption that the noise is independent of input features given the true label. In this work, we present a theoretical hypothesis testing and prove that noise in real-world dataset is unlikely to be CCN, which confirms that label noise should depend on the instance and justifies the urgent need to go beyond the CCN assumption.The theoretical results motivate us to study the more general and practical-relevant instance-dependent noise (IDN). To stimulate the development of theory and methodology on IDN, we formalize an algorithm to generate controllable IDN and present both theoretical and empirical evidence to show that IDN is semantically meaningful and challenging. As a primary attempt to combat IDN, we present a tiny algorithm termed self-evolution average label (SEAL), which not only stands out under IDN with various noise fractions, but also improves the generalization on real-world noise benchmark Clothing1M. Our code is released. Notably, our theoretical analysis in Section 2 provides rigorous motivations for studying IDN, which is an important topic that deserves more research attention in future.

cs.LG↗

arXiv2020

Robustness of Accuracy Metric and its Inspirations in Learning with Noisy Labels

For multi-class classification under class-conditional label noise, we prove that the accuracy metric itself can be robust. We concretize this finding's inspiration in two essential aspects: training and validation, with which we address critical issues in learning with noisy labels. For training, we show that maximizing training accuracy on sufficiently many noisy samples yields an approximately optimal classifier. For validation, we prove that a noisy validation set is reliable, addressing the critical demand of model selection in scenarios like hyperparameter-tuning and early stopping. Previously, model selection using noisy validation samples has not been theoretically justified. We verify our theoretical results and additional claims with extensive experiments. We show characterizations of models trained with noisy labels, motivated by our theoretical results, and verify the utility of a noisy validation set by showing the impressive performance of a framework termed noisy best teacher and student (NTS). Our code is released.

cs.LG↗