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Jodie Jenkinson

Publications and source records attributed to Jodie Jenkinson.

2 recordsLinked to original sources

Representational Fidelity in Didactic Visualization: Toward a Multidimensional Design Space

Representational fidelity is routinely treated as a single abstract-realistic continuum, a simplification that limits how it is described and compared across research and design contexts. We introduce a multidimensional design space of representational fidelity for didactic visualization in science & engineering, inductively derived from a 175-item corpus spanning several disciplines, modalities, and instructional aims. The resulting design space specifies five dimensions: Morphological, Dynamic, Cueing, Contextual, and Interactive Fidelity, with seven sub-dimensions. We demonstrate the design space's descriptive power through successive rounds of expansion and refinement and analyze the corpus to reveal relationships among dimensions and implications for design and research. We further validate the design space through a pilot focus group in which participants applied the dimensions in an open-ended design exercise. Resulting sketches and verbal rationales informed a single-designer applied case study, offering preliminary evidence of the design space's generative potential as a structured aid to design exploration. Together, these contributions lay the groundwork for future research and more intentional design practice.

cs.HC

Deconstructing Implicit Beliefs in Visual Data Journalism: Unstable Meanings Behind Data as Truth & Design for Insight

We conduct a deconstructive reading of a qualitative interview study with 17 visual data journalists from newsrooms across the globe. We borrow a deconstruction approach from literary critique to explore the instability of meaning in language and reveal implicit beliefs in words and ideas. Through our analysis we surface two sets of opposing implicit beliefs in visual data journalism: objectivity/subjectivity and humanism/mechanism. We contextualize these beliefs through a genealogical analysis, which brings deconstruction theory into practice by providing a historic backdrop for these opposing perspectives. Our analysis shows that these beliefs held within visual data journalism are not self-enclosed but rather a product of external societal forces and paradigm shifts over time. Through this work, we demonstrate how thinking with critical theories such as deconstruction and genealogy can reframe "success" in visual data storytelling and diversify visualization research outcomes. These efforts push the ways in which we as researchers produce domain knowledge to examine the sociotechnical issues of today's values towards datafication and data visualization. All supplemental materials for this work are available at osf.io/5fr48.

cs.HC