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John J. O'Hare

Publications and source records attributed to John J. O'Hare.

2 recordsLinked to original sources

The Copy Ceiling: An Input-Exposure Control for Ontology-Grounded Generation over Curated Corpora

We built a node that grounds a replaceable language model in a maintained ontology corpus, then asked what its successful-looking evaluation could support. Across ten models, grounding raised target-name recall from 0.265 unaided to about 0.92. A copy baseline, the recall a verbatim copy of the shown context already achieves, scores 0.964, and every model sits 0.022 to 0.067 below it. Copying therefore scores higher on this limited recall measure, which does not assess whether answers are better. The comparison tests what a recall score establishes; it does not test whether reasoning occurred, because a reasoned answer and a copy score alike when the answer name is already in context. We report exposure accounting (four counts classifying each gold item by whether the context exposed it and the answer recovered it) and a model-judged audit of 423 sampled item observations. A separate paired production study found a model-judged quality gain of +0.27 [+0.11, +0.45] on a 0-5 scale. Operational studies found failures that recall alone would not show: rephrasing questions out of the graph's vocabulary cut exposure from 0.964 to 0.328, yet the absence-keyed fallback would have fired on only 2 of 506; and inserting extracted facts degraded judged pages in every arm, so that step was disabled. Five-arm controls show that any well-formed on-corpus block beats no context but do not establish that the specific content matters, and no matched comparison against flat-text retrieval was run. The corpus is public and largely LLM-generated, which establishes neither training exposure nor novelty. Each study has its own outcome measure. Where gold derives from the injected corpus, we recommend reporting the accounting beside quality judgements, not in place of them.

cs.CL↗

Dream machine -- the next creative economy

We examine the structural transformation of creative industries under generative artificial intelligence, drawing on 374 primary sources spanning policy documents, industry data, creator surveys, and platform analytics. Beginning with the December 2024 release of OpenAI's Sora video model as a watershed event, we trace the historical pattern of creative resistance to technological disruption, then develop an analytical framework -- the Human-AI Agency Continuum for mapping the spectrum of human and machine collaboration in creative work. We present evidence for the "slop ceiling," an audience-imposed quality threshold that constrains AI-generated content to approximately 1--3% of platform streams despite comprising 44% of uploads. Analysis of the UK Government's 2025 consultation on AI and copyright (over 11,500 responses, 88% opposing expanded AI training rights) reveals deep structural tensions between technology firms and creative workers. We investigate how major studios, from Disney's $1 billion OpenAI investment to Netflix's AI-native animation unit, are positioning for an AI-augmented production pipeline. The work covers coordination collapse in creative supply chains, the emergence of new professional roles such as prompt engineers and AI orchestrators, and proposes four principles for navigating the transition: transparency, consent, compensation, and human-centred design. Eight appendices provide quantitative analysis, a glossary, topical bibliography, and deep dives into shadow AI adoption, AI stigma, and algorithmic intent.

cs.CY↗