SearcharxivSearch

arXiv subjects

Junming Gao

Publications and source records attributed to Junming Gao.

2 recordsLinked to original sources

Reviving Ancient Paintings via Poem: A Colorization Framework for Aligning Cultural Semantics

The irreversible fading of ancient paintings disrupts the "congruence between poems and paintings", a core aesthetic principle where visual imagery harmonizes with literary inscriptions. Although diffusion models provide strong generative priors, restoring historically faithful colors remains difficult: visual restoration is inherently ambiguous, while direct text guidance often causes modern semantic bias, over-saturation, and cross-boundary color leakage. To address this, we propose PoemColor, a poem-guided ancient painting colorization framework. Our method aligns poetic cultural semantics with painting restoration through two key designs. First, the Poetic Painting Projector (P3) converts implicit poetic context into a classical color-aware condition via poem-to-palette pretraining, reducing the ambiguity of poem-to-color mapping. Second, Structure-Aware Semantic Attention (SASA) regulates how poetic color semantics are injected into the diffusion backbone by jointly controlling their propagation direction and regional injection strength. In addition, we construct a hybrid restoration dataset that integrates synthetic degradation with expert-restored artifacts, providing both scalable supervision and real classical color references. Extensive experiments demonstrate that our framework significantly outperforms state-of-the-art methods, delivering controllable colorization that revives both historical authenticity and poetic semantics.

cs.CV

PRevivor: Reviving Ancient Chinese Paintings using Prior-Guided Color Transformers

Ancient Chinese paintings are a valuable cultural heritage that is damaged by irreversible color degradation. Reviving color-degraded paintings is extraordinarily difficult due to the complex chemistry mechanism. Progress is further slowed by the lack of comprehensive, high-quality datasets, which hampers the creation of end-to-end digital restoration tools. To revive colors, we propose PRevivor, a prior-guided color transformer that learns from recent paintings (e.g., Ming and Qing Dynasty) to restore ancient ones (e.g., Tang and Song Dynasty). To develop PRevivor, we decompose color restoration into two sequential sub-tasks: luminance enhancement and hue correction. For luminance enhancement, we employ two variational U-Nets and a multi-scale mapping module to translate faded luminance into restored counterparts. For hue correction, we design a dual-branch color query module guided by localized hue priors extracted from faded paintings. Specifically, one branch focuses attention on regions guided by masked priors, enforcing localized hue correction, whereas the other branch remains unconstrained to maintain a global reasoning capability. To evaluate PRevivor, we conduct extensive experiments against state-of-the-art colorization methods. The results demonstrate superior performance both quantitatively and qualitatively.

cs.CV