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Konstantinos Tsioutas

Publications and source records attributed to Konstantinos Tsioutas.

2 recordsLinked to original sources

Musical Timing in Studio Recordings

Studio recording techniques vary considerably, ranging from live recordings in a shared acoustic space, to isolated booth recording and overdubbing, where musicians record their parts separately, while listening to previously recorded material. These approaches differ in terms of physical co-presence, visual contact, sound leakage, and acoustic isolation, factors that may influence musical coordination. This study investigates whether the recording style affects timing precision; specifically, whether musicians performing together in the same space achieve tighter temporal coordination. To address these questions, two datasets with a total of 391 multi-track recordings were analyzed to measure the timing relationships between musicians. In addition, an automated sound-leakage detection method was employed to infer the recording conditions of each song: pairwise Mel-spectrogram similarities between the tracks were computed, and summary statistics from the resulting similarity matrices were used to identify recordings with shared acoustic content. The results suggest that recordings showing evidence of shared room acoustics and sound leakage tend to exhibit lower timing variability than highly isolated recordings, whereas overdubbing is associated with increased timing variability.

cs.SD↗

"The Intangible Victory", Interactive Audiovisual Installation

"Intangible Victory" is an audiovisual installation in the form of the intangible being of the Victory of Samothrace that uses interactive digital media. Specifically, through this installation, we redefine the visual symbolism of the ancient sculpture, paying attention to time as a wear factor (entropy) and the special importance of the void as an absence of the sculptural form. Emptiness completes the intangible essence of the sculpture in the field of symbolism as well as in that of artistic significance for the interpretation of the work today. The function of the void and the interaction of the viewer with the work, causes the emergence of a new experience-dialogue between space and time. The use of digital media and technology reveals the absence of the sculptural form as it is visualized in the Victory of Samothrace. The sculptural form is reconstructed from fibers in space in a cylindrical arrangement. The form is rendered with colored strings - conductive sensors, that allow the visitor to interact with the work, creating a sound environment through movement. The sound completely replaces the volume, as the void of the sculptural form together with the viewer in unison present an audiovisual symbolism of the Victory of Samothrace.

cs.MM↗