arXiv subjects

Linda Kimrová

Publications and source records attributed to Linda Kimrová.

3 recordsLinked to original sources

arXiv2025

Understanding colors of Dufaycolor: Can we recover them using historical colorimetric and spectral data?

Dufaycolor, an additive color photography process produced from 1935 to the late 1950s, represents one of the most advanced iterations of this technique. This paper presents ongoing research and development of an open-source Color-Screen tool designed to reconstruct the original colors of additive color photographs. We discuss the incorporation of historical measurements of dyes used in the production of the color-screen filter (réseau) to achieve accurate color recovery.

cs.CV↗

arXiv2023

Digital analysis of early color photographs taken using regular color screen processes

Some early color photographic processes based on special color screen filters pose specific challenges in their digitization and digital presentation. Those challenges include dynamic range, resolution, and the difficulty of stitching geometrically-repeating patterns. We describe a novel method used to digitize the collection of early color photographs at the National Geographic Society which makes use of a custom open-source software tool to analyze and precisely stitch regular color screen processes.

cs.GR↗

arXiv2022

Finlay, Thames, Dufay, and Paget color screen process collections: Using digital registration of viewing screens to reveal original color

We discuss digitization, subsequent digital analysis and processing of negatives (and diapositives) made by Finlay, Thames, Dufay, Paget, and similar additive color screen processes. These early color processes (introduced in the 1890s and popular until the 1950s) used a special color screen filter and a monochromatic negative. Due to poor stability of dyes used to produce color screens many of the photographs appear faded; others exist only in the form of (monochromatic) negatives. We discuss the possibility of digitally reconstructing the original color from scans of original negatives or by virtue of infrared imaging of original transparencies (which eliminates the physically coupled color filters) and digitally recreating the original color filter pattern using a new open-source software tool. Photographs taken using additive color screen processes are some of the very earliest color images of our shared cultural heritage. They depict people, places, and events for which there are no other surviving color images. We hope that our new software tool can bring these images back to life.

cs.GR↗