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Marc Vermeulen

Publications and source records attributed to Marc Vermeulen.

2 recordsLinked to original sources

Can Deep Learning Assist Automatic Identification of Layered Pigments From XRF Data?

X-ray fluorescence spectroscopy (XRF) plays an important role for elemental analysis in a wide range of scientific fields, especially in cultural heritage. XRF imaging, which uses a raster scan to acquire spectra across artworks, provides the opportunity for spatial analysis of pigment distributions based on their elemental composition. However, conventional XRF-based pigment identification relies on time-consuming elemental mapping by expert interpretations of measured spectra. To reduce the reliance on manual work, recent studies have applied machine learning techniques to cluster similar XRF spectra in data analysis and to identify the most likely pigments. Nevertheless, it is still challenging for automatic pigment identification strategies to directly tackle the complex structure of real paintings, e.g. pigment mixtures and layered pigments. In addition, pixel-wise pigment identification based on XRF imaging remains an obstacle due to the high noise level compared with averaged spectra. Therefore, we developed a deep-learning-based end-to-end pigment identification framework to fully automate the pigment identification process. In particular, it offers high sensitivity to the underlying pigments and to the pigments with a low concentration, therefore enabling satisfying results in mapping the pigments based on single-pixel XRF spectrum. As case studies, we applied our framework to lab-prepared mock-up paintings and two 19th-century paintings: Paul Gauguin's Poèmes Barbares (1896) that contains layered pigments with an underlying painting, and Paul Cezanne's The Bathers (1899-1904). The pigment identification results demonstrated that our model achieved comparable results to the analysis by elemental mapping, suggesting the generalizability and stability of our model.

cs.CV

Characterizing the Immaterial. Noninvasive Imaging and Analysis of Stephen Benton's Hologram Engine no. 9

Invented in 1962, holography is a unique merging of art and technology. It persisted at the scientific cutting edge through the 1990s, when digital imaging emerged and supplanted film. Today, holography is experiencing new interest as analog holograms enter major museum collections as bona fide works of art. In this essay, we articulate our initial steps at Northwestern's Center for Scientific Studies in the Arts to describe the technological challenges on the conservation of holograms, emphasizing their nature as an active material. A holographic image requires user interaction to be viewed, and the materials are delicate and prone to deterioration. Specifically, we outline our methods for creating digital preservation copies of holographic artworks by documenting the wavefront of propagating light. In so doing, we demonstrate why it remains challenging to faithfully capture their high spatial resolution, the full parallax, and deep depths of field without terabytes of data. In addition, we use noninvasive analytical techniques such as spectral imaging, X-ray fluorescence, and optical coherence tomography, to provide insights on hologram material properties. Through these studies we hope to address current concerns about the long term preservation of holograms while translating this artform into a digital format to entice new audiences.

physics.hist-ph