arXiv subjects

Markus Schedl

Publications and source records attributed to Markus Schedl.

78 records · Page 5Linked to original sources

arXiv2019

Towards Evaluating User Profiling Methods Based on Explicit Ratings on Item Features

In order to improve the accuracy of recommendations, many recommender systems nowadays use side information beyond the user rating matrix, such as item content. These systems build user profiles as estimates of users' interest on content (e.g., movie genre, director or cast) and then evaluate the performance of the recommender system as a whole e.g., by their ability to recommend relevant and novel items to the target user. The user profile modelling stage, which is a key stage in content-driven RS is barely properly evaluated due to the lack of publicly available datasets that contain user preferences on content features of items. To raise awareness of this fact, we investigate differences between explicit user preferences and implicit user profiles. We create a dataset of explicit preferences towards content features of movies, which we release publicly. We then compare the collected explicit user feature preferences and implicit user profiles built via state-of-the-art user profiling models. Our results show a maximum average pairwise cosine similarity of 58.07\% between the explicit feature preferences and the implicit user profiles modelled by the best investigated profiling method and considering movies' genres only. For actors and directors, this maximum similarity is only 9.13\% and 17.24\%, respectively. This low similarity between explicit and implicit preference models encourages a more in-depth study to investigate and improve this important user profile modelling step, which will eventually translate into better recommendations.

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arXiv2019

Modeling Artist Preferences of Users with Different Music Consumption Patterns for Fair Music Recommendations

Music recommender systems have become central parts of popular streaming platforms such as Last.fm, Pandora, or Spotify to help users find music that fits their preferences. These systems learn from the past listening events of users to recommend music a user will likely listen to in the future. Here, current algorithms typically employ collaborative filtering (CF) utilizing similarities between users' listening behaviors. Some approaches also combine CF with content features into hybrid recommender systems. While music recommender systems can provide quality recommendations to listeners of mainstream music artists, recent research has shown that they tend to discriminate listeners of unorthodox, low-mainstream artists. This is foremost due to the scarcity of usage data of low-mainstream music as music consumption patterns are biased towards popular artists. Thus, the objective of our work is to provide a novel approach for modeling artist preferences of users with different music consumption patterns and listening habits.

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arXiv2018

The Importance of Song Context and Song Order in Automated Music Playlist Generation

The automated generation of music playlists can be naturally regarded as a sequential task, where a recommender system suggests a stream of songs that constitute a listening session. In order to predict the next song in a playlist, some of the playlist models proposed so far consider the current and previous songs in the playlist (i.e., the song context) and possibly the order of the songs in the playlist. We investigate the impact of the song context and the song order on next-song recommendations by conducting dedicated off-line experiments on two datasets of hand-curated music playlists. Firstly, we compare three playlist models, each able to consider a different song context length: a popularity-based model, a song-based Collaborative Filtering (CF) model and a Recurrent-Neural-Network-based model (RNN). We also consider a model that predicts next songs at random as a reference. Secondly, we challenge the RNN model (the only model from the first experiment able to consider the song order) by manipulating the order of songs within playlists. Our results indicate that the song context has a positive impact on the quality of next-song recommendations, even though this effect can be masked by the bias towards very popular songs. Furthermore, in our experiments the song order does not appear as a crucial variable to predict better next-song recommendations.

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arXiv2018

A Hybrid Approach to Music Playlist Continuation Based on Playlist-Song Membership

Automated music playlist continuation is a common task of music recommender systems, that generally consists in providing a fitting extension to a given playlist. Collaborative filtering models, that extract abstract patterns from curated music playlists, tend to provide better playlist continuations than content-based approaches. However, pure collaborative filtering models have at least one of the following limitations: (1) they can only extend playlists profiled at training time; (2) they misrepresent songs that occur in very few playlists. We introduce a novel hybrid playlist continuation model based on what we name "playlist-song membership", that is, whether a given playlist and a given song fit together. The proposed model regards any playlist-song pair exclusively in terms of feature vectors. In light of this information, and after having been trained on a collection of labeled playlist-song pairs, the proposed model decides whether a playlist-song pair fits together or not. Experimental results on two datasets of curated music playlists show that the proposed playlist continuation model compares to a state-of-the-art collaborative filtering model in the ideal situation of extending playlists profiled at training time and where songs occurred frequently in training playlists. In contrast to the collaborative filtering model, and as a result of its general understanding of the playlist-song pairs in terms of feature vectors, the proposed model is additionally able to (1) extend non-profiled playlists and (2) recommend songs that occurred seldom or never in training~playlists.

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arXiv2018

Current Challenges and Visions in Music Recommender Systems Research

Music recommender systems (MRS) have experienced a boom in recent years, thanks to the emergence and success of online streaming services, which nowadays make available almost all music in the world at the user's fingertip. While today's MRS considerably help users to find interesting music in these huge catalogs, MRS research is still facing substantial challenges. In particular when it comes to build, incorporate, and evaluate recommendation strategies that integrate information beyond simple user--item interactions or content-based descriptors, but dig deep into the very essence of listener needs, preferences, and intentions, MRS research becomes a big endeavor and related publications quite sparse. The purpose of this trends and survey article is twofold. We first identify and shed light on what we believe are the most pressing challenges MRS research is facing, from both academic and industry perspectives. We review the state of the art towards solving these challenges and discuss its limitations. Second, we detail possible future directions and visions we contemplate for the further evolution of the field. The article should therefore serve two purposes: giving the interested reader an overview of current challenges in MRS research and providing guidance for young researchers by identifying interesting, yet under-researched, directions in the field.

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arXiv2017

Music Playlist Continuation by Learning from Hand-Curated Examples and Song Features: Alleviating the Cold-Start Problem for Rare and Out-of-Set Songs

Automated music playlist generation is a specific form of music recommendation. Generally stated, the user receives a set of song suggestions defining a coherent listening session. We hypothesize that the best way to convey such playlist coherence to new recommendations is by learning it from actual curated examples, in contrast to imposing ad hoc constraints. Collaborative filtering methods can be used to capture underlying patterns in hand-curated playlists. However, the scarcity of thoroughly curated playlists and the bias towards popular songs result in the vast majority of songs occurring in very few playlists and thus being poorly recommended. To overcome this issue, we propose an alternative model based on a song-to-playlist classifier, which learns the underlying structure from actual playlists while leveraging song features derived from audio, social tags and independent listening logs. Experiments on two datasets of hand-curated playlists show competitive performance compared to collaborative filtering when sufficient training data is available and more robust performance when recommending rare and out-of-set songs. For example, both approaches achieve a recall@100 of roughly 35% for songs occurring in 5 or more training playists, whereas the proposed model achieves a recall@100 of roughly 15% for songs occurring in 4 or less training playlists, compared to the 3% achieved by collaborative filtering.

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