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Martina Vokáčová

Publications and source records attributed to Martina Vokáčová.

2 recordsLinked to original sources

Production and Perception in LLMs: A Token Probability Approach

The asymmetry between language production and perception has been well-documented in psycholinguistics. Whether large language models (LLMs) exhibit a functionally analogous distinction remains an open question, particularly given that LLMs rely on the same underlying mechanism (next-token prediction) for both input and output processing. In this exploratory study, we operationalize the production-perception distinction through direct token probability measurements rather than metalinguistic prompting. Using the base Llama-3.1-8B model, we generated poems under a production prompt and re-scored the same tokens under both rephrased production prompts and perception-oriented prompts. Across an extended experiment with four production and three perception prompts, production-perception distances consistently and substantially exceeded production-production distances, with non-overlapping ranges across conditions and an overall average ratio of approximately 1.8. Near-ceiling correlations in the production-production control confirm that the effect is specific to communicative framing rather than prompt surface variation, and we show the effect replicates across five open-weight models (Llama-3.1-8B, EuroLLM-9B, gemma-2-9b-it, Mistral-7B-Instruct-v0.3, and Qwen2.5-7B-Instruct), spanning both base and instruction-tuned variants. Temporal analysis revealed that the perception prompt exerts its strongest influence at the beginning of the sequence, with divergence decaying as generated context accumulates, though the specific shape of this decay varies across prompt pairs. These findings suggest that prompt framing alone induces a production-perception distinction in LLM probability distributions, even within a decoder-only architecture.

cs.CL↗

The author is dead, but what if they never lived? A reception experiment on Czech AI- and human-authored poetry

Large language models are increasingly capable of producing creative texts, yet most studies on AI-generated poetry focus on English -- a language that dominates training data. In this paper, we examine the perception of AI- and human-written Czech poetry. We ask if Czech native speakers are able to identify it and how they aesthetically judge it. Participants performed at chance level when guessing authorship (45.8\% correct on average), indicating that Czech AI-generated poems were largely indistinguishable from human-written ones. Aesthetic evaluations revealed a strong authorship bias: when participants believed a poem was AI-generated, they rated it as less favorably, even though AI poems were in fact rated equally or more favorably than human ones on average. The logistic regression model uncovered that the more the people liked a poem, the less probable was that they accurately assign the authorship. Familiarity with poetry or literary background had no effect on recognition accuracy. Our findings show that AI can convincingly produce poetry even in a morphologically complex, low-resource (with respect of the training data of AI models) Slavic language such as Czech. The results suggest that readers' beliefs about authorship and the aesthetic evaluation of the poem are interconnected.

cs.CL↗