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Mason Youngblood

Publications and source records attributed to Mason Youngblood.

8 recordsLinked to original sources

Collective creativity in hybrid societies

Generative AI is changing how cultural artifacts are created and circulated, and with it our understanding of creativity itself. Researchers disagree about whether these tools enrich or impoverish culture, and we argue that much of that disagreement comes from conflating two distinct components of creativity: novelty, a property of single artifacts, and diversity, a property of populations. We argue further that creativity in the context of generative AI is best understood as a property of hybrid collectives, or populations of interacting people and algorithms, rather than of individuals. AI-assisted ideation reliably raises the novelty of individual output while narrowing diversity in the aggregate, but this is not an inevitable consequence of putting machines in the loop. Because humans and models search in complementary ways, mixed groups can outperform and out-diversify groups of either kind alone, and machine-discovered solutions can enter human culture and persist there. What decides the outcome is composition: which agents are present, in what proportion, and how they are connected. The question is no longer whether AI helps or harms creativity, but which mixtures let individual gains accumulate without eroding collective diversity.

cs.AI

Dynamics of collective creativity in AI art competitions

Creativity is a fundamental aspect of how culture evolves, yet the mechanisms by which groups produce novelty are notoriously difficult to infer from the historical record. Iterated learning experiments have shown that cultural transmission reliably distorts artifacts toward the inductive biases of learners, but most of this work uses linear chains between human participants, leaving open how these dynamics play out in the networked, human-AI systems that increasingly shape cultural production. In this study, we leverage one such system, Artbreeder, which hosts daily "remix parties" where users iteratively build on each other's work from a single seed image, producing branching lineages of human-AI co-created images. We analyze a dataset of 130,882 images from 368 remix parties over 13 months and find that images become simpler and converge toward common thematic "attractors" (e.g., steampunk scenes, alien architecture). We also find that while more novel "parent" images produce more novel and complex "children" that attract more likes, users paradoxically prefer to remix images that are less novel and complex. Finally, larger remix parties produce more novelty at the cost of lower complexity.

cs.AI

chatter: a Python library for applying information theory and AI/ML models to animal communication

The study of animal communication often involves categorizing units into types (e.g. syllables in songbirds, or notes in humpback whales). While this approach is useful in many cases, it necessarily flattens the complexity and nuance present in real communication systems. chatter is a new Python library for analyzing animal communication in continuous latent space using information theory and modern machine learning techniques. It is taxonomically agnostic, and has been tested with the vocalizations of birds, bats, whales, and primates. By leveraging a variety of different architectures, including variational autoencoders and vision transformers, chatter represents vocal sequences as trajectories in high-dimensional latent space, bypassing the need for manual or automatic categorization of units. The library provides an end-to-end workflow -- from preprocessing and segmentation to model training and feature extraction -- that enables researchers to quantify the complexity, predictability, similarity, and novelty of vocal sequences.

cs.SD

Phylogenetic reconstruction of the cultural evolution of electronic music via dynamic community detection (1975-1999)

Cultural phylogenies, or "trees" of culture, are typically built using methods from biology that use similarities and differences in artifacts to infer the historical relationships between the populations that produced them. While these methods have yielded important insights, particularly in linguistics, researchers continue to debate the extent to which cultural phylogenies are tree-like or reticulated due to high levels of horizontal transmission. In this study, we propose a novel method for phylogenetic reconstruction using dynamic community detection that explicitly accounts for transmission between lineages. We used data from 1,498,483 collaborative relationships between electronic music artists to construct a cultural phylogeny based on observed population structure. The results suggest that, although the phylogeny is fundamentally tree-like, horizontal transmission is common and populations never become fully isolated from one another. In addition, we found evidence that electronic music diversity has increased between 1975 and 1999. The method used in this study is available as a new R package called DynCommPhylo. Future studies should apply this method to other cultural systems such as academic publishing and film, as well as biological systems where high resolution reproductive data is available, to assess how levels of reticulation in evolution vary across domains.

q-bio.PE

Extremist ideology as a complex contagion: the spread of far-right radicalization in the United States between 2005-2017

Increasing levels of far-right extremist violence have generated public concern about the spread of radicalization in the United States. Previous research suggests that radicalized individuals are destabilized by various environmental (or endemic) factors, exposed to extremist ideology, and subsequently reinforced by members of their community. As such, the spread of radicalization may proceed through a social contagion process, in which extremist ideologies behave like complex contagions that require multiple exposures for adoption. In this study, I applied an epidemiological method called two-component spatio-temporal intensity modeling to data from 416 far-right extremists exposed in the United States between 2005 and 2017. The results indicate that patterns of far-right radicalization in the United States are consistent with a complex contagion process, in which reinforcement is required for transmission. Both social media usage and group membership enhance the spread of extremist ideology, suggesting that online and physical organizing remain primary recruitment tools of the far-right movement. Additionally, I identified several endemic factors, such as poverty, that increase the probability of radicalization in particular regions. Future research should investigate how specific interventions, such as online counter-narratives to battle propaganda, may be effectively implemented to mitigate the spread of far-right extremism in the United States.

physics.soc-ph

A Raspberry Pi-based, RFID-equipped birdfeeder for the remote monitoring of wild bird populations

Radio-frequency identification (RFID) is an increasingly popular wireless technology that allows researchers to monitor wild bird populations from fixed locations in the field. Our lab has developed an RFID-equipped birdfeeder based on the Raspberry Pi Zero W, a low-cost single-board computer, that collects continuous visitation data from birds tagged with passive integrated transponder (PIT) tags. Each birdfeeder has a perch antenna connected to an RFID reader board on a Raspberry Pi powered by a portable battery. When a tagged bird lands on the perch to eat from the feeder, its unique code is stored with the date and time on the Raspberry Pi. These birdfeeders require only basic soldering and coding skills to assemble, and can be easily outfitted with additional hardware like video cameras and microphones. We outline the process of assembling the hardware and setting up the operating system for the birdfeeders. Then, we describe an example implementation of the birdfeeders to track house finches (Haemorhous mexicanus) on the campus of Queens College in New York City.

q-bio.QM

Conformity bias in the cultural transmission of music sampling traditions

One of the fundamental questions of cultural evolutionary research is how individual-level processes scale up to generate population-level patterns. Previous studies in music have revealed that frequency-based bias (e.g. conformity and novelty) drives large-scale cultural diversity in different ways across domains and levels of analysis. Music sampling is an ideal research model for this process because samples are known to be culturally transmitted between collaborating artists, and sampling events are reliably documented in online databases. The aim of the current study was to determine whether frequency-based bias has played a role in the cultural transmission of music sampling traditions, using a longitudinal dataset of sampling events across three decades. Firstly, we assessed whether turn-over rates of popular samples differ from those expected under neutral evolution. Next, we used agent-based simulations in an approximate Bayesian computation framework to infer what level of frequency-based bias likely generated the observed data. Despite anecdotal evidence of novelty bias, we found that sampling patterns at the population-level are most consistent with conformity bias.

stat.AP

Cultural transmission modes of music sampling traditions remain stable despite delocalization in the digital age

Music sampling is a common practice among hip-hop and electronic producers that has played a critical role in the development of particular subgenres. Artists preferentially sample drum breaks, and previous studies have suggested that these may be culturally transmitted. With the advent of digital sampling technologies and social media the modes of cultural transmission may have shifted, and music communities may have become decoupled from geography. The aim of the current study was to determine whether drum breaks are culturally transmitted through musical collaboration networks, and to identify the factors driving the evolution of these networks. Using network-based diffusion analysis we found strong evidence for the cultural transmission of drum breaks via collaboration between artists, and identified several demographic variables that bias transmission. Additionally, using network evolution methods we found evidence that the structure of the collaboration network is no longer biased by geographic proximity after the year 2000, and that gender disparity has relaxed over the same period. Despite the delocalization of communities by the internet, collaboration remains a key transmission mode of music sampling traditions. The results of this study provide valuable insight into how demographic biases shape cultural transmission in complex networks, and how the evolution of these networks has shifted in the digital age.

stat.AP