arXiv subjects

Mathieu Aubry

Publications and source records attributed to Mathieu Aubry.

At least 55 records · Page 3Linked to original sources

arXiv2020

CosyPose: Consistent multi-view multi-object 6D pose estimation

We introduce an approach for recovering the 6D pose of multiple known objects in a scene captured by a set of input images with unknown camera viewpoints. First, we present a single-view single-object 6D pose estimation method, which we use to generate 6D object pose hypotheses. Second, we develop a robust method for matching individual 6D object pose hypotheses across different input images in order to jointly estimate camera viewpoints and 6D poses of all objects in a single consistent scene. Our approach explicitly handles object symmetries, does not require depth measurements, is robust to missing or incorrect object hypotheses, and automatically recovers the number of objects in the scene. Third, we develop a method for global scene refinement given multiple object hypotheses and their correspondences across views. This is achieved by solving an object-level bundle adjustment problem that refines the poses of cameras and objects to minimize the reprojection error in all views. We demonstrate that the proposed method, dubbed CosyPose, outperforms current state-of-the-art results for single-view and multi-view 6D object pose estimation by a large margin on two challenging benchmarks: the YCB-Video and T-LESS datasets. Code and pre-trained models are available on the project webpage https://www.di.ens.fr/willow/research/cosypose/.

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arXiv2020

RANSAC-Flow: generic two-stage image alignment

This paper considers the generic problem of dense alignment between two images, whether they be two frames of a video, two widely different views of a scene, two paintings depicting similar content, etc. Whereas each such task is typically addressed with a domain-specific solution, we show that a simple unsupervised approach performs surprisingly well across a range of tasks. Our main insight is that parametric and non-parametric alignment methods have complementary strengths. We propose a two-stage process: first, a feature-based parametric coarse alignment using one or more homographies, followed by non-parametric fine pixel-wise alignment. Coarse alignment is performed using RANSAC on off-the-shelf deep features. Fine alignment is learned in an unsupervised way by a deep network which optimizes a standard structural similarity metric (SSIM) between the two images, plus cycle-consistency. Despite its simplicity, our method shows competitive results on a range of tasks and datasets, including unsupervised optical flow on KITTI, dense correspondences on Hpatches, two-view geometry estimation on YFCC100M, localization on Aachen Day-Night, and, for the first time, fine alignment of artworks on the Brughel dataset. Our code and data are available at http://imagine.enpc.fr/~shenx/RANSAC-Flow/

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arXiv2020

Impact of base dataset design on few-shot image classification

The quality and generality of deep image features is crucially determined by the data they have been trained on, but little is known about this often overlooked effect. In this paper, we systematically study the effect of variations in the training data by evaluating deep features trained on different image sets in a few-shot classification setting. The experimental protocol we define allows to explore key practical questions. What is the influence of the similarity between base and test classes? Given a fixed annotation budget, what is the optimal trade-off between the number of images per class and the number of classes? Given a fixed dataset, can features be improved by splitting or combining different classes? Should simple or diverse classes be annotated? In a wide range of experiments, we provide clear answers to these questions on the miniImageNet, ImageNet and CUB-200 benchmarks. We also show how the base dataset design can improve performance in few-shot classification more drastically than replacing a simple baseline by an advanced state of the art algorithm.

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arXiv2020

Monte-Carlo Tree Search for Efficient Visually Guided Rearrangement Planning

We address the problem of visually guided rearrangement planning with many movable objects, i.e., finding a sequence of actions to move a set of objects from an initial arrangement to a desired one, while relying on visual inputs coming from an RGB camera. To do so, we introduce a complete pipeline relying on two key contributions. First, we introduce an efficient and scalable rearrangement planning method, based on a Monte-Carlo Tree Search exploration strategy. We demonstrate that because of its good trade-off between exploration and exploitation our method (i) scales well with the number of objects while (ii) finding solutions which require a smaller number of moves compared to the other state-of-the-art approaches. Note that on the contrary to many approaches, we do not require any buffer space to be available. Second, to precisely localize movable objects in the scene, we develop an integrated approach for robust multi-object workspace state estimation from a single uncalibrated RGB camera using a deep neural network trained only with synthetic data. We validate our multi-object visually guided manipulation pipeline with several experiments on a real UR-5 robotic arm by solving various rearrangement planning instances, requiring only 60 ms to compute the plan to rearrange 25 objects. In addition, we show that our system is insensitive to camera movements and can successfully recover from external perturbations. Supplementary video, source code and pre-trained models are available at https://ylabbe.github.io/rearrangement-planning.

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arXiv2019

Large-Scale Historical Watermark Recognition: dataset and a new consistency-based approach

Historical watermark recognition is a highly practical, yet unsolved challenge for archivists and historians. With a large number of well-defined classes, cluttered and noisy samples, different types of representations, both subtle differences between classes and high intra-class variation, historical watermarks are also challenging for pattern recognition. In this paper, overcoming the difficulty of data collection, we present a large public dataset with more than 6k new photographs, allowing for the first time to tackle at scale the scenarios of practical interest for scholars: one-shot instance recognition and cross-domain one-shot instance recognition amongst more than 16k fine-grained classes. We demonstrate that this new dataset is large enough to train modern deep learning approaches, and show that standard methods can be improved considerably by using mid-level deep features. More precisely, we design both a matching score and a feature fine-tuning strategy based on filtering local matches using spatial consistency. This consistency-based approach provides important performance boost compared to strong baselines. Our model achieves 55% top-1 accuracy on our very challenging 16,753-class one-shot cross-domain recognition task, each class described by a single drawing from the classic Briquet catalog. In addition to watermark classification, we show our approach provides promising results on fine-grained sketch-based image retrieval.

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arXiv2019

Learning elementary structures for 3D shape generation and matching

We propose to represent shapes as the deformation and combination of learnable elementary 3D structures, which are primitives resulting from training over a collection of shape. We demonstrate that the learned elementary 3D structures lead to clear improvements in 3D shape generation and matching. More precisely, we present two complementary approaches for learning elementary structures: (i) patch deformation learning and (ii) point translation learning. Both approaches can be extended to abstract structures of higher dimensions for improved results. We evaluate our method on two tasks: reconstructing ShapeNet objects and estimating dense correspondences between human scans (FAUST inter challenge). We show 16% improvement over surface deformation approaches for shape reconstruction and outperform FAUST inter challenge state of the art by 6%.

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arXiv2019

Pose from Shape: Deep Pose Estimation for Arbitrary 3D Objects

Most deep pose estimation methods need to be trained for specific object instances or categories. In this work we propose a completely generic deep pose estimation approach, which does not require the network to have been trained on relevant categories, nor objects in a category to have a canonical pose. We believe this is a crucial step to design robotic systems that can interact with new objects in the wild not belonging to a predefined category. Our main insight is to dynamically condition pose estimation with a representation of the 3D shape of the target object. More precisely, we train a Convolutional Neural Network that takes as input both a test image and a 3D model, and outputs the relative 3D pose of the object in the input image with respect to the 3D model. We demonstrate that our method boosts performances for supervised category pose estimation on standard benchmarks, namely Pascal3D+, ObjectNet3D and Pix3D, on which we provide results superior to the state of the art. More importantly, we show that our network trained on everyday man-made objects from ShapeNet generalizes without any additional training to completely new types of 3D objects by providing results on the LINEMOD dataset as well as on natural entities such as animals from ImageNet.

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arXiv2019

Unsupervised Image Decomposition in Vector Layers

Deep image generation is becoming a tool to enhance artists and designers creativity potential. In this paper, we aim at making the generation process more structured and easier to interact with. Inspired by vector graphics systems, we propose a new deep image reconstruction paradigm where the outputs are composed from simple layers, defined by their color and a vector transparency mask. This presents a number of advantages compared to the commonly used convolutional network architectures. In particular, our layered decomposition allows simple user interaction, for example to update a given mask, or change the color of a selected layer. From a compact code, our architecture also generates vector images with a virtually infinite resolution, the color at each point in an image being a parametric function of its coordinates. We validate the efficiency of our approach by comparing reconstructions with state-of-the-art baselines given similar memory resources on CelebA and ImageNet datasets. Most importantly, we demonstrate several applications of our new image representation obtained in an unsupervised manner, including editing, vectorization and image search.

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arXiv2019

Unsupervised cycle-consistent deformation for shape matching

We propose a self-supervised approach to deep surface deformation. Given a pair of shapes, our algorithm directly predicts a parametric transformation from one shape to the other respecting correspondences. Our insight is to use cycle-consistency to define a notion of good correspondences in groups of objects and use it as a supervisory signal to train our network. Our method does not rely on a template, assume near isometric deformations or rely on point-correspondence supervision. We demonstrate the efficacy of our approach by using it to transfer segmentation across shapes. We show, on Shapenet, that our approach is competitive with comparable state-of-the-art methods when annotated training data is readily available, but outperforms them by a large margin in the few-shot segmentation scenario.

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arXiv2019

Discovering Visual Patterns in Art Collections with Spatially-consistent Feature Learning

Our goal in this paper is to discover near duplicate patterns in large collections of artworks. This is harder than standard instance mining due to differences in the artistic media (oil, pastel, drawing, etc), and imperfections inherent in the copying process. The key technical insight is to adapt a standard deep feature to this task by fine-tuning it on the specific art collection using self-supervised learning. More specifically, spatial consistency between neighbouring feature matches is used as supervisory fine-tuning signal. The adapted feature leads to more accurate style-invariant matching, and can be used with a standard discovery approach, based on geometric verification, to identify duplicate patterns in the dataset. The approach is evaluated on several different datasets and shows surprisingly good qualitative discovery results. For quantitative evaluation of the method, we annotated 273 near duplicate details in a dataset of 1587 artworks attributed to Jan Brueghel and his workshop. Beyond artwork, we also demonstrate improvement on localization on the Oxford5K photo dataset as well as on historical photograph localization on the Large Time Lags Location (LTLL) dataset.

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arXiv2019

Virtual Training for a Real Application: Accurate Object-Robot Relative Localization without Calibration

Localizing an object accurately with respect to a robot is a key step for autonomous robotic manipulation. In this work, we propose to tackle this task knowing only 3D models of the robot and object in the particular case where the scene is viewed from uncalibrated cameras -- a situation which would be typical in an uncontrolled environment, e.g., on a construction site. We demonstrate that this localization can be performed very accurately, with millimetric errors, without using a single real image for training, a strong advantage since acquiring representative training data is a long and expensive process. Our approach relies on a classification Convolutional Neural Network (CNN) trained using hundreds of thousands of synthetically rendered scenes with randomized parameters. To evaluate our approach quantitatively and make it comparable to alternative approaches, we build a new rich dataset of real robot images with accurately localized blocks.

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arXiv2018

3D-CODED : 3D Correspondences by Deep Deformation

We present a new deep learning approach for matching deformable shapes by introducing {\it Shape Deformation Networks} which jointly encode 3D shapes and correspondences. This is achieved by factoring the surface representation into (i) a template, that parameterizes the surface, and (ii) a learnt global feature vector that parameterizes the transformation of the template into the input surface. By predicting this feature for a new shape, we implicitly predict correspondences between this shape and the template. We show that these correspondences can be improved by an additional step which improves the shape feature by minimizing the Chamfer distance between the input and transformed template. We demonstrate that our simple approach improves on state-of-the-art results on the difficult FAUST-inter challenge, with an average correspondence error of 2.88cm. We show, on the TOSCA dataset, that our method is robust to many types of perturbations, and generalizes to non-human shapes. This robustness allows it to perform well on real unclean, meshes from the the SCAPE dataset.

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arXiv2018

AtlasNet: A Papier-Mâché Approach to Learning 3D Surface Generation

We introduce a method for learning to generate the surface of 3D shapes. Our approach represents a 3D shape as a collection of parametric surface elements and, in contrast to methods generating voxel grids or point clouds, naturally infers a surface representation of the shape. Beyond its novelty, our new shape generation framework, AtlasNet, comes with significant advantages, such as improved precision and generalization capabilities, and the possibility to generate a shape of arbitrary resolution without memory issues. We demonstrate these benefits and compare to strong baselines on the ShapeNet benchmark for two applications: (i) auto-encoding shapes, and (ii) single-view reconstruction from a still image. We also provide results showing its potential for other applications, such as morphing, parametrization, super-resolution, matching, and co-segmentation.

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arXiv2018

3D Sketching using Multi-View Deep Volumetric Prediction

Sketch-based modeling strives to bring the ease and immediacy of drawing to the 3D world. However, while drawings are easy for humans to create, they are very challenging for computers to interpret due to their sparsity and ambiguity. We propose a data-driven approach that tackles this challenge by learning to reconstruct 3D shapes from one or more drawings. At the core of our approach is a deep convolutional neural network (CNN) that predicts occupancy of a voxel grid from a line drawing. This CNN provides us with an initial 3D reconstruction as soon as the user completes a single drawing of the desired shape. We complement this single-view network with an updater CNN that refines an existing prediction given a new drawing of the shape created from a novel viewpoint. A key advantage of our approach is that we can apply the updater iteratively to fuse information from an arbitrary number of viewpoints, without requiring explicit stroke correspondences between the drawings. We train both CNNs by rendering synthetic contour drawings from hand-modeled shape collections as well as from procedurally-generated abstract shapes. Finally, we integrate our CNNs in a minimal modeling interface that allows users to seamlessly draw an object, rotate it to see its 3D reconstruction, and refine it by re-drawing from another vantage point using the 3D reconstruction as guidance. The main strengths of our approach are its robustness to freehand bitmap drawings, its ability to adapt to different object categories, and the continuum it offers between single-view and multi-view sketch-based modeling.

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arXiv2016

Crafting a multi-task CNN for viewpoint estimation

Convolutional Neural Networks (CNNs) were recently shown to provide state-of-the-art results for object category viewpoint estimation. However different ways of formulating this problem have been proposed and the competing approaches have been explored with very different design choices. This paper presents a comparison of these approaches in a unified setting as well as a detailed analysis of the key factors that impact performance. Followingly, we present a new joint training method with the detection task and demonstrate its benefit. We also highlight the superiority of classification approaches over regression approaches, quantify the benefits of deeper architectures and extended training data, and demonstrate that synthetic data is beneficial even when using ImageNet training data. By combining all these elements, we demonstrate an improvement of approximately 5% mAVP over previous state-of-the-art results on the Pascal3D+ dataset. In particular for their most challenging 24 view classification task we improve the results from 31.1% to 36.1% mAVP.

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arXiv2016

Deep Exemplar 2D-3D Detection by Adapting from Real to Rendered Views

This paper presents an end-to-end convolutional neural network (CNN) for 2D-3D exemplar detection. We demonstrate that the ability to adapt the features of natural images to better align with those of CAD rendered views is critical to the success of our technique. We show that the adaptation can be learned by compositing rendered views of textured object models on natural images. Our approach can be naturally incorporated into a CNN detection pipeline and extends the accuracy and speed benefits from recent advances in deep learning to 2D-3D exemplar detection. We applied our method to two tasks: instance detection, where we evaluated on the IKEA dataset, and object category detection, where we out-perform Aubry et al. for "chair" detection on a subset of the Pascal VOC dataset.

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arXiv2016

Learning Dense Correspondence via 3D-guided Cycle Consistency

Discriminative deep learning approaches have shown impressive results for problems where human-labeled ground truth is plentiful, but what about tasks where labels are difficult or impossible to obtain? This paper tackles one such problem: establishing dense visual correspondence across different object instances. For this task, although we do not know what the ground-truth is, we know it should be consistent across instances of that category. We exploit this consistency as a supervisory signal to train a convolutional neural network to predict cross-instance correspondences between pairs of images depicting objects of the same category. For each pair of training images we find an appropriate 3D CAD model and render two synthetic views to link in with the pair, establishing a correspondence flow 4-cycle. We use ground-truth synthetic-to-synthetic correspondences, provided by the rendering engine, to train a ConvNet to predict synthetic-to-real, real-to-real and real-to-synthetic correspondences that are cycle-consistent with the ground-truth. At test time, no CAD models are required. We demonstrate that our end-to-end trained ConvNet supervised by cycle-consistency outperforms state-of-the-art pairwise matching methods in correspondence-related tasks.

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arXiv2015

Understanding deep features with computer-generated imagery

We introduce an approach for analyzing the variation of features generated by convolutional neural networks (CNNs) with respect to scene factors that occur in natural images. Such factors may include object style, 3D viewpoint, color, and scene lighting configuration. Our approach analyzes CNN feature responses corresponding to different scene factors by controlling for them via rendering using a large database of 3D CAD models. The rendered images are presented to a trained CNN and responses for different layers are studied with respect to the input scene factors. We perform a decomposition of the responses based on knowledge of the input scene factors and analyze the resulting components. In particular, we quantify their relative importance in the CNN responses and visualize them using principal component analysis. We show qualitative and quantitative results of our study on three CNNs trained on large image datasets: AlexNet, Places, and Oxford VGG. We observe important differences across the networks and CNN layers for different scene factors and object categories. Finally, we demonstrate that our analysis based on computer-generated imagery translates to the network representation of natural images.

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