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Matteo Torcoli

Publications and source records attributed to Matteo Torcoli.

21 records · Page 2Linked to original sources

A Hands-on Comparison of DNNs for Dialog Separation Using Transfer Learning from Music Source Separation

This paper describes a hands-on comparison on using state-of-the-art music source separation deep neural networks (DNNs) before and after task-specific fine-tuning for separating speech content from non-speech content in broadcast audio (i.e., dialog separation). The music separation models are selected as they share the number of channels (2) and sampling rate (44.1 kHz or higher) with the considered broadcast content, and vocals separation in music is considered as a parallel for dialog separation in the target application domain. These similarities are assumed to enable transfer learning between the tasks. Three models pre-trained on music (Open-Unmix, Spleeter, and Conv-TasNet) are considered in the experiments, and fine-tuned with real broadcast data. The performance of the models is evaluated before and after fine-tuning with computational evaluation metrics (SI-SIRi, SI-SDRi, 2f-model), as well as with a listening test simulating an application where the non-speech signal is partially attenuated, e.g., for better speech intelligibility. The evaluations include two reference systems specifically developed for dialog separation. The results indicate that pre-trained music source separation models can be used for dialog separation to some degree, and that they benefit from the fine-tuning, reaching a performance close to task-specific solutions.

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An Improved Measure of Musical Noise Based on Spectral Kurtosis

Audio processing methods operating on a time-frequency representation of the signal can introduce unpleasant sounding artifacts known as musical noise. These artifacts are observed in the context of audio coding, speech enhancement, and source separation. The change in kurtosis of the power spectrum introduced during the processing was shown to correlate with the human perception of musical noise in the context of speech enhancement, leading to the proposal of measures based on it. These baseline measures are here shown to correlate with human perception only in a limited manner. As ground truth for the human perception, the results from two listening tests are considered: one involving audio coding and one involving source separation. Simple but effective perceptually motivated improvements are proposed and the resulting new measure is shown to clearly outperform the baselines in terms of correlation with the results of both listening tests. Moreover, with respect to the listening test on musical noise in audio coding, the exhibited correlation is nearly as good as the one exhibited by the Artifact-related Perceptual Score (APS), which was found to be the best objective measure for this task. The APS is however computationally very expensive. The proposed measure is easily computed, requiring only a fraction of the computational cost of the APS.

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MPEG-H Audio for Improving Accessibility in Broadcasting and Streaming

Broadcasting and streaming services still suffer from various levels of accessibility barriers for a significant portion of the population, limiting the access to information and culture, and in the most severe cases limiting the empowerment of people. This paper provides a brief overview of some of the most common accessibility barriers encountered. It then gives a short introduction to object-based audio (OBA) production and transport, focusing on the aspects relevant for lowering accessibility barriers. MPEG-H Audio is used as a concrete example of an OBA system already deployed. Two example cases (dialog enhancement and audio description) are used to demonstrate in detail the simplicity of producing MPEG-H Audio content providing improved accessibility. Several other possibilities are outlined briefly. We show that using OBA for broadcasting and streaming content allows offering several accessibility features in a flexible manner, requiring only small changes to the existing production workflow, assuming the receiver supports the functionality.

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