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Matthew Whitehead

Publications and source records attributed to Matthew Whitehead.

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Establishing the $^{40}$Ca$(p,p \alpha)$ reaction at 392 MeV under quasi-free scattering conditions

The $(p,p \alpha)$ reaction offers a direct means to probe preformed $\alpha$-cluster structures in nuclei under quasi-free scattering conditions. Previous studies around 100 MeV provided valuable insights into $\alpha$ clustering, but quantitative comparison with microscopic cluster wave functions remained limited due to strong distortion effects. At higher energies, the reaction mechanism becomes simpler and the distorted-wave impulse approximation (DWIA) provides a more reliable framework for quantitative analysis. In the present work, the $^{40}$Ca$(p,p\alpha)$ reaction was measured at an incident energy of 392 MeV using the high-resolution Grand Raiden and LAS spectrometers at RCNP. Despite the small cross section in this energy region, the achieved resolution allowed clear separation of the ground and excited states of the residual $^{36}$Ar nucleus, and corresponding momentum distributions were extracted. DWIA calculations using a Woods-Saxon $\alpha + ^{36}$Ar bound-state wave function yielded an experimental spectroscopic factor of $ S_{\mathrm{FAC}}^{\mathrm{WS}} = 0.51 \pm 0.05 $, consistent with the previous result at 101.5 MeV $(0.52 \pm 0.23 )$. This agreement demonstrates that the reaction mechanism is well described across a wide energy range. The present study establishes the feasibility of high-precision $(p,p\alpha)$ measurements at several hundred MeV and highlights their potential as a quantitative probe of $\alpha$ clustering in medium-mass nuclei, forming the basis for systematic studies in both stable and unstable systems.

nucl-ex

Chord Embeddings: Analyzing What They Capture and Their Role for Next Chord Prediction and Artist Attribute Prediction

Natural language processing methods have been applied in a variety of music studies, drawing the connection between music and language. In this paper, we expand those approaches by investigating \textit{chord embeddings}, which we apply in two case studies to address two key questions: (1) what musical information do chord embeddings capture?; and (2) how might musical applications benefit from them? In our analysis, we show that they capture similarities between chords that adhere to important relationships described in music theory. In the first case study, we demonstrate that using chord embeddings in a next chord prediction task yields predictions that more closely match those by experienced musicians. In the second case study, we show the potential benefits of using the representations in tasks related to musical stylometrics.

cs.SD