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Nadia Mariyan Smith

Publications and source records attributed to Nadia Mariyan Smith.

2 recordsLinked to original sources

Humour as Resistance: Visceralizing the Environmental and Social Impact of AI through Humour-based Creative Practices

The growth of AI does not come without cost. While we hear about the economic costs, the environmental and social costs are often obfuscated by mainstream narratives, and even when acknowledged, are accompanied by a sense of helplessness. To counter this, we, a group of designers and researchers, reflect on our experience leading a humour-based creative campaign surfacing the material impact of AI infrastructures. Through graphics design, physical installations, digital content creation and co-creation workshops, we leaned into humour as a creative practice to provoke collective reflection. Drawing on event ethnography, surveys and interviews with campaign engagers, we examine four roles of humour-based creative work in HCI: a connector to critical friends, a visceral and emotional harbour, social glue, and resistance to power. We argue for the importance of creative practices in bridging social and emotional gaps between people and concerns around technology, and in surfacing hidden perspectives for more inclusive conversations.

cs.HC↗

Relational Aesthesis in Permacomputing Practice: Building a Solar Powered Website from Reclaimed Materials

Permacomputing is a nascent concept and community of practice concerned with developing alternative computing systems grounded in principles of resilience, reuse, sufficiency, and ecological limits. However, research engaging with permacomputing remains in an early stage of development, raising concerns about whether permacomputing can move beyond reflective critique to become a meaningful alternative practice. Through a research-through-design case study, we documented our experience moving a personal website from a data centre in Texas to a self-hosted solar-powered server built from reclaimed electronics. Guided by permacomputing principles and relational aesthesis, we explore what it takes for permacomputing to reconfigure material and perceptual relations. Our findings reveal the frictions of moving away from a maximalist techno-aesthetic while attempting to re-use already existing technologies, potential ways to overcome these challenges through building a community of practice, and the transformative potential of visibilizing and visceralizing digital infrastructures to cultivate more responsible ways of relating to technology. This paper contributes to emerging research on permacomputing and its aesthetics by bringing it into dialogue with theories of non-place and relational aesthesis. Rather than functioning as a purely symbolic gesture, permacomputing practices can cultivate greater collective autonomy, agency, and responsibility in how communities engage and create meaning within digital infrastructures. In the context of socio-ecological crises and anti-colonial transformation, our research offers a situated approach to building and relating to computing technologies in the ashes of dominant technological paradigms.

cs.HC↗