arXiv subjects

Neil Birkbeck

Publications and source records attributed to Neil Birkbeck.

At least 19 recordsLinked to original sources

arXiv2026

CachedSearch: Training-Free Cached Exploration for Test-Time Search in Video Diffusion

Test-time search lets small video diffusion models rival larger ones, but costs 2-10x more. All candidates are fully denoised, although most are discarded. Training-free caching makes each rollout 2-3x faster at near-lossless quality. Composition is safe only if lossy caching preserves verifier rankings. We present the first study of whether caching corrupts candidate ranking in video test-time search. On Wan2.1-T2V-1.3B with an adaptive caching wrapper (~2x per-candidate speedup), ImageReward scores seed-matched cached and full rollouts. Median per-prompt Spearman rank correlation is 0.905, with 72% top-1 agreement on the VBench suite. VBench-2.0 replicates this result on a harder suite. Recomputing the cached winner at full compute retains 90-94% of the full-search gain. Errors cluster among near-tied candidates, making corruption self-limiting. This finding leads to CachedSearch. It explores every candidate with aggressive caching, then re-generates only the winner at full compute. At N=8, it captures 94.7% of best-of-N's gain at 63% of the cost. Capture rises with width. At matched budget, it searches twice as wide for 38% more gain. The result holds from 1.3B-14B across six models and four families: Wan, LTX, CogVideoX, and Hunyuan. Wan2.1-14B matches the 1.3B model's fidelity. Mid-trajectory pruning multiplies the exploration saving to 3.11x at 88.6% capture. Ports to other model families require recalibrating a single parameter, showing that fidelity tracks architecture rather than parameter count. CachedSearch is training-free, verifier-agnostic, and orthogonal to the search algorithm, making it a plug-in multiplier for test-time scaling.

cs.AI↗

arXiv2026

Subjective Portrait Region Cropping in Landscape Videos with Temporal Annotation Smoothing

With the rise of mobile video consumption on diverse handheld display resolutions and orientation modes, altering videos to aspect ratios poses challenges. Static cropping and border padding often compromises visual quality, while warping may distort a video's intended meaning. Here we advocate for a more effective approach: cropping significant regions within video frames in a temporal manner, while minimizing distortion and preserving essential content. One barrier to solving this problem is the lack of sufficiently large-scale database devoted to informing these tasks. Towards filling this gap, we introduce the LIVE-YouTube Video Cropping (LIVE-YT VC) database, featuring 1800 videos, annotated by 90 human subjects. Using videos sourced from the YouTube-UGC and LSVQ Databases, this new resource is the largest publicly-available subjective video portrait region cropping database. We also introduce a post-processed version of the database, called LIVE-YT VC++, whereby a novel intra-frame temporal filter was deployed to smooth subjective annotations within each video. We demonstrate the usefulness of this new data resource using the SmartVidCrop algorithm and state-of-the-art video grounding models, in hopes of establishing our subjective dataset as a benchmark for future research. Our contributions offer a resource for advancing video aspect ratio transformation models towards ensuring that reshaped mobile-friendly video content retains its quality and meaning. Since our labels bear resemblances to video saliency annotations, we also conducted an additional analysis to explore the similarity between our labels and video saliency predictions. Finally, we repurposed state-of-the-art video grounding models for aspect ratio change tasks, and fine-tuned them on our dataset. As a service to the research community, we plan to open source the project.

cs.CV↗

arXiv2026

LumaFlux: Lifting 8-Bit Worlds to HDR Reality with Physically-Guided Diffusion Transformers

The rapid adoption of HDR-capable devices has created a pressing need to convert the 8-bit Standard Dynamic Range (SDR) content into perceptually and physically accurate 10-bit High Dynamic Range (HDR). Existing inverse tone-mapping (ITM) methods often rely on fixed tone-mapping operators that struggle to generalize to real-world degradations, stylistic variations, and camera pipelines, frequently producing clipped highlights, desaturated colors, or unstable tone reproduction. We introduce LumaFlux, a first physically and perceptually guided diffusion transformer (DiT) for SDR-to-HDR reconstruction by adapting a large pretrained DiT. Our LumaFlux introduces (1) a Physically-Guided Adaptation (PGA) module that injects luminance, spatial descriptors, and frequency cues into attention through low-rank residuals; (2) a Perceptual Cross-Modulation (PCM) layer that stabilizes chroma and texture via FiLM conditioning from vision encoder features; and (3) an HDR Residual Coupler that fuses physical and perceptual signals under a timestep- and layer-adaptive modulation schedule. Finally, a lightweight Rational-Quadratic Spline decoder reconstructs smooth, interpretable tone fields for highlight and exposure expansion, enhancing the output of the VAE decoder to generate HDR. To enable robust HDR learning, we curate the first large-scale SDR-HDR training corpus. For fair and reproducible comparison, we further establish a new evaluation benchmark, comprising HDR references and corresponding expert-graded SDR versions. Across benchmarks, LumaFlux outperforms state-of-the-art baselines, achieving superior luminance reconstruction and perceptual color fidelity with minimal additional parameters.

cs.CV↗

arXiv2026

Seeing Beyond 8bits: Subjective and Objective Quality Assessment of HDR-UGC Videos

High Dynamic Range (HDR) user-generated (UGC) videos are rapidly proliferating across social platforms, yet most perceptual video quality assessment (VQA) systems remain tailored to Standard Dynamic Range (SDR). HDR has a higher bit depth, wide color gamut, and elevated luminance range, exposing distortions such as near-black crushing, highlight clipping, banding, and exposure flicker that amplify UGC artifacts and challenge SDR models. To catalyze progress, we curate Beyond8Bits, a large-scale subjective dataset of 44K videos from 6.5K sources with over 1.5M crowd ratings, spanning diverse scenes, capture conditions, and compression settings. We further introduce HDR-Q, the first Multimodal Large Language Model (MLLM) for HDR-UGC VQA. We propose (i) a novel HDR-aware vision encoder to produce HDR-sensitive embeddings, and (ii) HDR-Aware Policy Optimization (HAPO), an RL finetuning framework that anchors reasoning to HDR cues. HAPO augments GRPO via an HDR-SDR contrastive KL that encourages token reliance on HDR inputs and a Gaussian weighted regression reward for fine-grained MOS calibration. Across Beyond8Bits and public HDR-VQA benchmarks, HDR-Q delivers state-of-the-art performance.

cs.CV↗

arXiv2026

Rate-Distortion Optimization for Ensembles of Non-Reference Metrics

Non-reference metrics (NRMs) can assess the visual quality of images and videos without a reference, making them well-suited for the evaluation of user-generated content. Nonetheless, rate-distortion optimization (RDO) in video coding is still mainly driven by full-reference metrics, such as the sum of squared errors, which treat the input as an ideal target. A way to incorporate NRMs into RDO is through linearization (LNRM), where the gradient of the NRM with respect to the input guides bit allocation. While this strategy improves the quality predicted by some metrics, we show that it can yield limited gains or degradations when evaluated with other NRMs. We argue that NRMs are highly non-linear predictors with locally unstable gradients that can compromise the quality of the linearization; furthermore, optimizing a single metric may exploit model-specific biases that do not generalize across quality estimators. Motivated by this observation, we extend the LNRM framework to optimize ensembles of NRMs and, to further improve robustness, we introduce a smoothing-based formulation that stabilizes NRM gradients prior to linearization. Our framework is well-suited to hybrid codecs, and we advocate for its use with overfitted codecs, where it avoids iterative evaluations and backpropagation of neural network-based NRMs, reducing encoder complexity relative to direct NRM optimization. We validate the proposed approach on AVC and Cool-chic, using the YouTube UGC dataset. Experiments demonstrate consistent bitrate savings across multiple NRMs with no decoder complexity overhead and, for Cool-chic, a substantial reduction in encoding runtime compared to direct NRM optimization.

eess.IV↗

arXiv2026

TABES: Trajectory-Aware Backward-on-Entropy Steering for Masked Diffusion Models

Masked Diffusion Models (MDMs) have emerged as a promising non-autoregressive paradigm for generative tasks, offering parallel decoding and bidirectional context utilization. However, current sampling methods rely on simple confidence-based heuristics that ignore the long-term impact of local decisions, leading to trajectory lock-in where early hallucinations cascade into global incoherence. While search-based methods mitigate this, they incur prohibitive computational costs ($O(K)$ forward passes per step). In this work, we propose Backward-on-Entropy (BoE) Steering, a gradient-guided inference framework that approximates infinite-horizon lookahead via a single backward pass. We formally derive the Token Influence Score (TIS) from a first-order expansion of the trajectory cost functional, proving that the gradient of future entropy with respect to input embeddings serves as an optimal control signal for minimizing uncertainty. To ensure scalability, we introduce \texttt{ActiveQueryAttention}, a sparse adjoint primitive that exploits the structure of the masking objective to reduce backward pass complexity. BoE achieves a superior Pareto frontier for inference-time scaling compared to existing unmasking methods, demonstrating that gradient-guided steering offers a mathematically principled and efficient path to robust non-autoregressive generation. We will release the code.

cs.LG↗

arXiv2025

Avoiding Quality Saturation in UGC Compression Using Denoised References

Video-sharing platforms must re-encode large volumes of noisy user-generated content (UGC) to meet streaming demands. However, conventional codecs, which aim to minimize the mean squared error (MSE) between the compressed and input videos, can cause quality saturation (QS) when applied to UGC, i.e., increasing the bitrate preserves input artifacts without improving visual quality. A direct approach to solve this problem is to detect QS by repeatedly evaluating a non-reference metric (NRM) on videos compressed with multiple codec parameters, which is inefficient. In this paper, we re-frame UGC compression and QS detection from the lens of noisy source coding theory: rather than using a NRM, we compute the MSE with respect to the denoised UGC, which serves as an alternative reference (D-MSE). Unlike MSE measured between the UGC input and the compressed UGC, D-MSE saturates at non-zero values as bitrates increase, a phenomenon we term distortion saturation (DS). Since D-MSE can be computed at the block level in the transform domain, we can efficiently detect D-MSE without coding and decoding with various parameters. We propose two methods for DS detection: distortion saturation detection (DSD), which relies on an input-dependent threshold derived from the D-MSE of the input UGC, and rate-distortion saturation detection (RDSD), which estimates the Lagrangian at the saturation point using a low-complexity compression method. Both methods work as a pre-processing step that can help standard-compliant codecs avoid QS in UGC compression. Experiments with AVC show that preventing encoding in the saturation region, i.e., avoiding encoding at QPs that result in QS according to our methods, achieves BD-rate savings of 8%-20% across multiple different NRMs, compared to a na\"ive baseline that encodes at the given input QP while ignoring QS.

eess.IV↗

arXiv2025

CHUG: Crowdsourced User-Generated HDR Video Quality Dataset

High Dynamic Range (HDR) videos enhance visual experiences with superior brightness, contrast, and color depth. The surge of User-Generated Content (UGC) on platforms like YouTube and TikTok introduces unique challenges for HDR video quality assessment (VQA) due to diverse capture conditions, editing artifacts, and compression distortions. Existing HDR-VQA datasets primarily focus on professionally generated content (PGC), leaving a gap in understanding real-world UGC-HDR degradations. To address this, we introduce CHUG: Crowdsourced User-Generated HDR Video Quality Dataset, the first large-scale subjective study on UGC-HDR quality. CHUG comprises 856 UGC-HDR source videos, transcoded across multiple resolutions and bitrates to simulate real-world scenarios, totaling 5,992 videos. A large-scale study via Amazon Mechanical Turk collected 211,848 perceptual ratings. CHUG provides a benchmark for analyzing UGC-specific distortions in HDR videos. We anticipate CHUG will advance No-Reference (NR) HDR-VQA research by offering a large-scale, diverse, and real-world UGC dataset. The dataset is publicly available at: https://shreshthsaini.github.io/CHUG/.

cs.CV↗

arXiv2025

Rate-Distortion Optimization with Non-Reference Metrics for UGC Compression

Service providers must encode a large volume of noisy videos to meet the demand for user-generated content (UGC) in online video-sharing platforms. However, low-quality UGC challenges conventional codecs based on rate-distortion optimization (RDO) with full-reference metrics (FRMs). While effective for pristine videos, FRMs drive codecs to preserve artifacts when the input is degraded, resulting in suboptimal compression. A more suitable approach used to assess UGC quality is based on non-reference metrics (NRMs). However, RDO with NRMs as a measure of distortion requires an iterative workflow of encoding, decoding, and metric evaluation, which is computationally impractical. This paper overcomes this limitation by linearizing the NRM around the uncompressed video. The resulting cost function enables block-wise bit allocation in the transform domain by estimating the alignment of the quantization error with the gradient of the NRM. To avoid large deviations from the input, we add sum of squared errors (SSE) regularization. We derive expressions for both the SSE regularization parameter and the Lagrangian, akin to the relationship used for SSE-RDO. Experiments with images and videos show bitrate savings of more than 30\% over SSE-RDO using the target NRM, with no decoder complexity overhead and minimal encoder complexity increase.

eess.IV↗

arXiv2025

Context and Pixel Aware Large Language Model for Video Quality Assessment

Video quality assessment (VQA) is a challenging research topic with broad applications. Traditional hand-crafted and discriminative learning-based VQA models mainly focus on pixel-level distortions and lack contextual understanding, while recent multimodal large language models (MLLMs) struggle with sensitivity to small distortions or handle quality scoring and description as separate tasks. To address these shortcomings, we introduce CP-LLM: a Context- and Pixel-aware Large Language Model. CP-LLM is a novel multimodal LLM architecture featuring dual vision encoders designed to independently analyze perceptual quality at both high-level (video context) and low-level (pixel distortion) granularity, along with a language decoder that subsequently reasons about the interplay between these aspects. This design enables CP-LLM to simultaneously produce robust quality scores and interpretable quality descriptions, with enhanced sensitivity to pixel distortions (e.g., compression artifacts). Experiment results demonstrate that CP-LLM achieves state-of-the-art cross-dataset performance on VQA benchmarks and superior robustness to pixel distortions.

cs.CV↗

arXiv2024

An Ensemble Approach to Short-form Video Quality Assessment Using Multimodal LLM

The rise of short-form videos, characterized by diverse content, editing styles, and artifacts, poses substantial challenges for learning-based blind video quality assessment (BVQA) models. Multimodal large language models (MLLMs), renowned for their superior generalization capabilities, present a promising solution. This paper focuses on effectively leveraging a pretrained MLLM for short-form video quality assessment, regarding the impacts of pre-processing and response variability, and insights on combining the MLLM with BVQA models. We first investigated how frame pre-processing and sampling techniques influence the MLLM's performance. Then, we introduced a lightweight learning-based ensemble method that adaptively integrates predictions from the MLLM and state-of-the-art BVQA models. Our results demonstrated superior generalization performance with the proposed ensemble approach. Furthermore, the analysis of content-aware ensemble weights highlighted that some video characteristics are not fully represented by existing BVQA models, revealing potential directions to improve BVQA models further.

cs.CV↗

arXiv2024

YouTube SFV+HDR Quality Dataset

The popularity of Short form videos (SFV) has grown dramatically in the past few years, and has become a phenomenal video category with billions of viewers. Meanwhile, High Dynamic Range (HDR) as an advanced feature also becomes more and more popular on video sharing platforms. As a hot topic with huge impact, SFV and HDR bring new questions to video quality research: 1) is SFV+HDR quality assessment significantly different from traditional User Generated Content (UGC) quality assessment? 2) do objective quality metrics designed for traditional UGC still work well for SFV+HDR? To answer the above questions, we created the first large scale SFV+HDR dataset with reliable subjective quality scores, covering 10 popular content categories. Further, we also introduce a general sampling framework to maximize the representativeness of the dataset. We provided a comprehensive analysis of subjective quality scores for Short form SDR and HDR videos, and discuss the reliability of state-of-the-art UGC quality metrics and potential improvements.

cs.CV↗

arXiv2022

Direct Optimisation of $\boldsymbol\lambda$ for HDR Content Adaptive Transcoding in AV1

Since the adoption of VP9 by Netflix in 2016, royalty-free coding standards continued to gain prominence through the activities of the AOMedia consortium. AV1, the latest open source standard, is now widely supported. In the early years after standardisation, HDR video tends to be under served in open source encoders for a variety of reasons including the relatively small amount of true HDR content being broadcast and the challenges in RD optimisation with that material. AV1 codec optimisation has been ongoing since 2020 including consideration of the computational load. In this paper, we explore the idea of direct optimisation of the Lagrangian $\lambda$ parameter used in the rate control of the encoders to estimate the optimal Rate-Distortion trade-off achievable for a High Dynamic Range signalled video clip. We show that by adjusting the Lagrange multiplier in the RD optimisation process on a frame-hierarchy basis, we are able to increase the Bjontegaard difference rate gains by more than 3.98$\times$ on average without visually affecting the quality.

eess.IV↗

arXiv2022

CONVIQT: Contrastive Video Quality Estimator

Perceptual video quality assessment (VQA) is an integral component of many streaming and video sharing platforms. Here we consider the problem of learning perceptually relevant video quality representations in a self-supervised manner. Distortion type identification and degradation level determination is employed as an auxiliary task to train a deep learning model containing a deep Convolutional Neural Network (CNN) that extracts spatial features, as well as a recurrent unit that captures temporal information. The model is trained using a contrastive loss and we therefore refer to this training framework and resulting model as CONtrastive VIdeo Quality EstimaTor (CONVIQT). During testing, the weights of the trained model are frozen, and a linear regressor maps the learned features to quality scores in a no-reference (NR) setting. We conduct comprehensive evaluations of the proposed model on multiple VQA databases by analyzing the correlations between model predictions and ground-truth quality ratings, and achieve competitive performance when compared to state-of-the-art NR-VQA models, even though it is not trained on those databases. Our ablation experiments demonstrate that the learned representations are highly robust and generalize well across synthetic and realistic distortions. Our results indicate that compelling representations with perceptual bearing can be obtained using self-supervised learning. The implementations used in this work have been made available at https://github.com/pavancm/CONVIQT.

eess.IV↗

arXiv2022

Making Video Quality Assessment Models Sensitive to Frame Rate Distortions

We consider the problem of capturing distortions arising from changes in frame rate as part of Video Quality Assessment (VQA). Variable frame rate (VFR) videos have become much more common, and streamed videos commonly range from 30 frames per second (fps) up to 120 fps. VFR-VQA offers unique challenges in terms of distortion types as well as in making non-uniform comparisons of reference and distorted videos having different frame rates. The majority of current VQA models require compared videos to be of the same frame rate, but are unable to adequately account for frame rate artifacts. The recently proposed Generalized Entropic Difference (GREED) VQA model succeeds at this task, using natural video statistics models of entropic differences of temporal band-pass coefficients, delivering superior performance on predicting video quality changes arising from frame rate distortions. Here we propose a simple fusion framework, whereby temporal features from GREED are combined with existing VQA models, towards improving model sensitivity towards frame rate distortions. We find through extensive experiments that this feature fusion significantly boosts model performance on both HFR/VFR datasets as well as fixed frame rate (FFR) VQA databases. Our results suggest that employing efficient temporal representations can result much more robust and accurate VQA models when frame rate variations can occur.

eess.IV↗

arXiv2022

Perceptual Quality Assessment of UGC Gaming Videos

In recent years, with the vigorous development of the video game industry, the proportion of gaming videos on major video websites like YouTube has dramatically increased. However, relatively little research has been done on the automatic quality prediction of gaming videos, especially on those that fall in the category of "User-Generated-Content" (UGC). Since current leading general-purpose Video Quality Assessment (VQA) models do not perform well on this type of gaming videos, we have created a new VQA model specifically designed to succeed on UGC gaming videos, which we call the Gaming Video Quality Predictor (GAME-VQP). GAME-VQP successfully predicts the unique statistical characteristics of gaming videos by drawing upon features designed under modified natural scene statistics models, combined with gaming specific features learned by a Convolution Neural Network. We study the performance of GAME-VQP on a very recent large UGC gaming video database called LIVE-YT-Gaming, and find that it both outperforms other mainstream general VQA models as well as VQA models specifically designed for gaming videos. The new model will be made public after paper being accepted.

eess.IV↗

arXiv2022

Subjective and Objective Analysis of Streamed Gaming Videos

The rising popularity of online User-Generated-Content (UGC) in the form of streamed and shared videos, has hastened the development of perceptual Video Quality Assessment (VQA) models, which can be used to help optimize their delivery. Gaming videos, which are a relatively new type of UGC videos, are created when skilled gamers post videos of their gameplay. These kinds of screenshots of UGC gameplay videos have become extremely popular on major streaming platforms like YouTube and Twitch. Synthetically-generated gaming content presents challenges to existing VQA algorithms, including those based on natural scene/video statistics models. Synthetically generated gaming content presents different statistical behavior than naturalistic videos. A number of studies have been directed towards understanding the perceptual characteristics of professionally generated gaming videos arising in gaming video streaming, online gaming, and cloud gaming. However, little work has been done on understanding the quality of UGC gaming videos, and how it can be characterized and predicted. Towards boosting the progress of gaming video VQA model development, we conducted a comprehensive study of subjective and objective VQA models on UGC gaming videos. To do this, we created a novel UGC gaming video resource, called the LIVE-YouTube Gaming video quality (LIVE-YT-Gaming) database, comprised of 600 real UGC gaming videos. We conducted a subjective human study on this data, yielding 18,600 human quality ratings recorded by 61 human subjects. We also evaluated a number of state-of-the-art (SOTA) VQA models on the new database, including a new one, called GAME-VQP, based on both natural video statistics and CNN-learned features. To help support work in this field, we are making the new LIVE-YT-Gaming Database, publicly available through the link: https://live.ece.utexas.edu/research/LIVE-YT-Gaming/index.html .

cs.CV↗

arXiv2021

Image Quality Assessment using Contrastive Learning

We consider the problem of obtaining image quality representations in a self-supervised manner. We use prediction of distortion type and degree as an auxiliary task to learn features from an unlabeled image dataset containing a mixture of synthetic and realistic distortions. We then train a deep Convolutional Neural Network (CNN) using a contrastive pairwise objective to solve the auxiliary problem. We refer to the proposed training framework and resulting deep IQA model as the CONTRastive Image QUality Evaluator (CONTRIQUE). During evaluation, the CNN weights are frozen and a linear regressor maps the learned representations to quality scores in a No-Reference (NR) setting. We show through extensive experiments that CONTRIQUE achieves competitive performance when compared to state-of-the-art NR image quality models, even without any additional fine-tuning of the CNN backbone. The learned representations are highly robust and generalize well across images afflicted by either synthetic or authentic distortions. Our results suggest that powerful quality representations with perceptual relevance can be obtained without requiring large labeled subjective image quality datasets. The implementations used in this paper are available at \url{https://github.com/pavancm/CONTRIQUE}.

cs.CV↗