arXiv subjects

Oliver Wang

Publications and source records attributed to Oliver Wang.

At least 55 records · Page 3Linked to original sources

arXiv2020

Real-time Semantic Segmentation with Fast Attention

In deep CNN based models for semantic segmentation, high accuracy relies on rich spatial context (large receptive fields) and fine spatial details (high resolution), both of which incur high computational costs. In this paper, we propose a novel architecture that addresses both challenges and achieves state-of-the-art performance for semantic segmentation of high-resolution images and videos in real-time. The proposed architecture relies on our fast spatial attention, which is a simple yet efficient modification of the popular self-attention mechanism and captures the same rich spatial context at a small fraction of the computational cost, by changing the order of operations. Moreover, to efficiently process high-resolution input, we apply an additional spatial reduction to intermediate feature stages of the network with minimal loss in accuracy thanks to the use of the fast attention module to fuse features. We validate our method with a series of experiments, and show that results on multiple datasets demonstrate superior performance with better accuracy and speed compared to existing approaches for real-time semantic segmentation. On Cityscapes, our network achieves 74.4$\%$ mIoU at 72 FPS and 75.5$\%$ mIoU at 58 FPS on a single Titan X GPU, which is~$\sim$50$\%$ faster than the state-of-the-art while retaining the same accuracy.

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arXiv2020

MSG-GAN: Multi-Scale Gradients for Generative Adversarial Networks

While Generative Adversarial Networks (GANs) have seen huge successes in image synthesis tasks, they are notoriously difficult to adapt to different datasets, in part due to instability during training and sensitivity to hyperparameters. One commonly accepted reason for this instability is that gradients passing from the discriminator to the generator become uninformative when there isn't enough overlap in the supports of the real and fake distributions. In this work, we propose the Multi-Scale Gradient Generative Adversarial Network (MSG-GAN), a simple but effective technique for addressing this by allowing the flow of gradients from the discriminator to the generator at multiple scales. This technique provides a stable approach for high resolution image synthesis, and serves as an alternative to the commonly used progressive growing technique. We show that MSG-GAN converges stably on a variety of image datasets of different sizes, resolutions and domains, as well as different types of loss functions and architectures, all with the same set of fixed hyperparameters. When compared to state-of-the-art GANs, our approach matches or exceeds the performance in most of the cases we tried.

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arXiv2020

Temporally Distributed Networks for Fast Video Semantic Segmentation

We present TDNet, a temporally distributed network designed for fast and accurate video semantic segmentation. We observe that features extracted from a certain high-level layer of a deep CNN can be approximated by composing features extracted from several shallower sub-networks. Leveraging the inherent temporal continuity in videos, we distribute these sub-networks over sequential frames. Therefore, at each time step, we only need to perform a lightweight computation to extract a sub-features group from a single sub-network. The full features used for segmentation are then recomposed by application of a novel attention propagation module that compensates for geometry deformation between frames. A grouped knowledge distillation loss is also introduced to further improve the representation power at both full and sub-feature levels. Experiments on Cityscapes, CamVid, and NYUD-v2 demonstrate that our method achieves state-of-the-art accuracy with significantly faster speed and lower latency.

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arXiv2020

CNN-generated images are surprisingly easy to spot... for now

In this work we ask whether it is possible to create a "universal" detector for telling apart real images from these generated by a CNN, regardless of architecture or dataset used. To test this, we collect a dataset consisting of fake images generated by 11 different CNN-based image generator models, chosen to span the space of commonly used architectures today (ProGAN, StyleGAN, BigGAN, CycleGAN, StarGAN, GauGAN, DeepFakes, cascaded refinement networks, implicit maximum likelihood estimation, second-order attention super-resolution, seeing-in-the-dark). We demonstrate that, with careful pre- and post-processing and data augmentation, a standard image classifier trained on only one specific CNN generator (ProGAN) is able to generalize surprisingly well to unseen architectures, datasets, and training methods (including the just released StyleGAN2). Our findings suggest the intriguing possibility that today's CNN-generated images share some common systematic flaws, preventing them from achieving realistic image synthesis. Code and pre-trained networks are available at https://peterwang512.github.io/CNNDetection/ .

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arXiv2020

Generating Object Stamps

We present an algorithm to generate diverse foreground objects and composite them into background images using a GAN architecture. Given an object class, a user-provided bounding box, and a background image, we first use a mask generator to create an object shape, and then use a texture generator to fill the mask such that the texture integrates with the background. By separating the problem of object insertion into these two stages, we show that our model allows us to improve the realism of diverse object generation that also agrees with the provided background image. Our results on the challenging COCO dataset show improved overall quality and diversity compared to state-of-the-art object insertion approaches.

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arXiv2019

Interactive Sketch & Fill: Multiclass Sketch-to-Image Translation

We propose an interactive GAN-based sketch-to-image translation method that helps novice users create images of simple objects. As the user starts to draw a sketch of a desired object type, the network interactively recommends plausible completions, and shows a corresponding synthesized image to the user. This enables a feedback loop, where the user can edit their sketch based on the network's recommendations, visualizing both the completed shape and final rendered image while they draw. In order to use a single trained model across a wide array of object classes, we introduce a gating-based approach for class conditioning, which allows us to generate distinct classes without feature mixing, from a single generator network. Video available at our website: https://arnabgho.github.io/iSketchNFill/.

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arXiv2019

Detecting Photoshopped Faces by Scripting Photoshop

Most malicious photo manipulations are created using standard image editing tools, such as Adobe Photoshop. We present a method for detecting one very popular Photoshop manipulation -- image warping applied to human faces -- using a model trained entirely using fake images that were automatically generated by scripting Photoshop itself. We show that our model outperforms humans at the task of recognizing manipulated images, can predict the specific location of edits, and in some cases can be used to "undo" a manipulation to reconstruct the original, unedited image. We demonstrate that the system can be successfully applied to real, artist-created image manipulations.

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arXiv2019

Web Stereo Video Supervision for Depth Prediction from Dynamic Scenes

We present a fully data-driven method to compute depth from diverse monocular video sequences that contain large amounts of non-rigid objects, e.g., people. In order to learn reconstruction cues for non-rigid scenes, we introduce a new dataset consisting of stereo videos scraped in-the-wild. This dataset has a wide variety of scene types, and features large amounts of nonrigid objects, especially people. From this, we compute disparity maps to be used as supervision to train our approach. We propose a loss function that allows us to generate a depth prediction even with unknown camera intrinsics and stereo baselines in the dataset. We validate the use of large amounts of Internet video by evaluating our method on existing video datasets with depth supervision, including SINTEL, and KITTI, and show that our approach generalizes better to natural scenes.

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arXiv2019

Photometric Mesh Optimization for Video-Aligned 3D Object Reconstruction

In this paper, we address the problem of 3D object mesh reconstruction from RGB videos. Our approach combines the best of multi-view geometric and data-driven methods for 3D reconstruction by optimizing object meshes for multi-view photometric consistency while constraining mesh deformations with a shape prior. We pose this as a piecewise image alignment problem for each mesh face projection. Our approach allows us to update shape parameters from the photometric error without any depth or mask information. Moreover, we show how to avoid a degeneracy of zero photometric gradients via rasterizing from a virtual viewpoint. We demonstrate 3D object mesh reconstruction results from both synthetic and real-world videos with our photometric mesh optimization, which is unachievable with either naïve mesh generation networks or traditional pipelines of surface reconstruction without heavy manual post-processing.

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arXiv2019

B-Script: Transcript-based B-roll Video Editing with Recommendations

In video production, inserting B-roll is a widely used technique to enrich the story and make a video more engaging. However, determining the right content and positions of B-roll and actually inserting it within the main footage can be challenging, and novice producers often struggle to get both timing and content right. We present B-Script, a system that supports B-roll video editing via interactive transcripts. B-Script has a built-in recommendation system trained on expert-annotated data, recommending users B-roll position and content. To evaluate the system, we conducted a within-subject user study with 110 participants, and compared three interface variations: a timeline-based editor, a transcript-based editor, and a transcript-based editor with recommendations. Users found it easier and were faster to insert B-roll using the transcript-based interface, and they created more engaging videos when recommendations were provided.

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arXiv2019

Joint Stabilization and Direction of 360°Videos

360° video provides an immersive experience for viewers, allowing them to freely explore the world by turning their head. However, creating high-quality 360° video content can be challenging, as viewers may miss important events by looking in the wrong direction, or they may see things that ruin the immersion, such as stitching artifacts and the film crew. We take advantage of the fact that not all directions are equally likely to be observed; most viewers are more likely to see content located at ``true north'', i.e. in front of them, due to ergonomic constraints. We therefore propose 360° video direction, where the video is jointly optimized to orient important events to the front of the viewer and visual clutter behind them, while producing smooth camera motion. Unlike traditional video, viewers can still explore the space as desired, but with the knowledge that the most important content is likely to be in front of them. Constraints can be user guided, either added directly on the equirectangular projection or by recording ``guidance'' viewing directions while watching the video in a VR headset, or automatically computed, such as via visual saliency or forward motion direction. To accomplish this, we propose a new motion estimation technique specifically designed for 360° video which outperforms the commonly used 5-point algorithm on wide angle video. We additionally formulate the direction problem as an optimization where a novel parametrization of spherical warping allows us to correct for some degree of parallax effects. We compare our approach to recent methods that address stabilization-only and converting 360° video to narrow field-of-view video.

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arXiv2018

Toward Multimodal Image-to-Image Translation

Many image-to-image translation problems are ambiguous, as a single input image may correspond to multiple possible outputs. In this work, we aim to model a \emph{distribution} of possible outputs in a conditional generative modeling setting. The ambiguity of the mapping is distilled in a low-dimensional latent vector, which can be randomly sampled at test time. A generator learns to map the given input, combined with this latent code, to the output. We explicitly encourage the connection between output and the latent code to be invertible. This helps prevent a many-to-one mapping from the latent code to the output during training, also known as the problem of mode collapse, and produces more diverse results. We explore several variants of this approach by employing different training objectives, network architectures, and methods of injecting the latent code. Our proposed method encourages bijective consistency between the latent encoding and output modes. We present a systematic comparison of our method and other variants on both perceptual realism and diversity.

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arXiv2018

DeepLens: Shallow Depth Of Field From A Single Image

We aim to generate high resolution shallow depth-of-field (DoF) images from a single all-in-focus image with controllable focal distance and aperture size. To achieve this, we propose a novel neural network model comprised of a depth prediction module, a lens blur module, and a guided upsampling module. All modules are differentiable and are learned from data. To train our depth prediction module, we collect a dataset of 2462 RGB-D images captured by mobile phones with a dual-lens camera, and use existing segmentation datasets to improve border prediction. We further leverage a synthetic dataset with known depth to supervise the lens blur and guided upsampling modules. The effectiveness of our system and training strategies are verified in the experiments. Our method can generate high-quality shallow DoF images at high resolution, and produces significantly fewer artifacts than the baselines and existing solutions for single image shallow DoF synthesis. Compared with the iPhone portrait mode, which is a state-of-the-art shallow DoF solution based on a dual-lens depth camera, our method generates comparable results, while allowing for greater flexibility to choose focal points and aperture size, and is not limited to one capture setup.

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arXiv2018

Self-Supervised Generation of Spatial Audio for 360 Video

We introduce an approach to convert mono audio recorded by a 360 video camera into spatial audio, a representation of the distribution of sound over the full viewing sphere. Spatial audio is an important component of immersive 360 video viewing, but spatial audio microphones are still rare in current 360 video production. Our system consists of end-to-end trainable neural networks that separate individual sound sources and localize them on the viewing sphere, conditioned on multi-modal analysis of audio and 360 video frames. We introduce several datasets, including one filmed ourselves, and one collected in-the-wild from YouTube, consisting of 360 videos uploaded with spatial audio. During training, ground-truth spatial audio serves as self-supervision and a mixed down mono track forms the input to our network. Using our approach, we show that it is possible to infer the spatial location of sound sources based only on 360 video and a mono audio track.

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arXiv2018

Localizing Moments in Video with Temporal Language

Localizing moments in a longer video via natural language queries is a new, challenging task at the intersection of language and video understanding. Though moment localization with natural language is similar to other language and vision tasks like natural language object retrieval in images, moment localization offers an interesting opportunity to model temporal dependencies and reasoning in text. We propose a new model that explicitly reasons about different temporal segments in a video, and shows that temporal context is important for localizing phrases which include temporal language. To benchmark whether our model, and other recent video localization models, can effectively reason about temporal language, we collect the novel TEMPOral reasoning in video and language (TEMPO) dataset. Our dataset consists of two parts: a dataset with real videos and template sentences (TEMPO - Template Language) which allows for controlled studies on temporal language, and a human language dataset which consists of temporal sentences annotated by humans (TEMPO - Human Language).

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arXiv2018

Learning Blind Video Temporal Consistency

Applying image processing algorithms independently to each frame of a video often leads to undesired inconsistent results over time. Developing temporally consistent video-based extensions, however, requires domain knowledge for individual tasks and is unable to generalize to other applications. In this paper, we present an efficient end-to-end approach based on deep recurrent network for enforcing temporal consistency in a video. Our method takes the original unprocessed and per-frame processed videos as inputs to produce a temporally consistent video. Consequently, our approach is agnostic to specific image processing algorithms applied on the original video. We train the proposed network by minimizing both short-term and long-term temporal losses as well as the perceptual loss to strike a balance between temporal stability and perceptual similarity with the processed frames. At test time, our model does not require computing optical flow and thus achieves real-time speed even for high-resolution videos. We show that our single model can handle multiple and unseen tasks, including but not limited to artistic style transfer, enhancement, colorization, image-to-image translation and intrinsic image decomposition. Extensive objective evaluation and subject study demonstrate that the proposed approach performs favorably against the state-of-the-art methods on various types of videos.

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arXiv2018

The Unreasonable Effectiveness of Deep Features as a Perceptual Metric

While it is nearly effortless for humans to quickly assess the perceptual similarity between two images, the underlying processes are thought to be quite complex. Despite this, the most widely used perceptual metrics today, such as PSNR and SSIM, are simple, shallow functions, and fail to account for many nuances of human perception. Recently, the deep learning community has found that features of the VGG network trained on ImageNet classification has been remarkably useful as a training loss for image synthesis. But how perceptual are these so-called "perceptual losses"? What elements are critical for their success? To answer these questions, we introduce a new dataset of human perceptual similarity judgments. We systematically evaluate deep features across different architectures and tasks and compare them with classic metrics. We find that deep features outperform all previous metrics by large margins on our dataset. More surprisingly, this result is not restricted to ImageNet-trained VGG features, but holds across different deep architectures and levels of supervision (supervised, self-supervised, or even unsupervised). Our results suggest that perceptual similarity is an emergent property shared across deep visual representations.

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arXiv2018

ST-GAN: Spatial Transformer Generative Adversarial Networks for Image Compositing

We address the problem of finding realistic geometric corrections to a foreground object such that it appears natural when composited into a background image. To achieve this, we propose a novel Generative Adversarial Network (GAN) architecture that utilizes Spatial Transformer Networks (STNs) as the generator, which we call Spatial Transformer GANs (ST-GANs). ST-GANs seek image realism by operating in the geometric warp parameter space. In particular, we exploit an iterative STN warping scheme and propose a sequential training strategy that achieves better results compared to naive training of a single generator. One of the key advantages of ST-GAN is its applicability to high-resolution images indirectly since the predicted warp parameters are transferable between reference frames. We demonstrate our approach in two applications: (1) visualizing how indoor furniture (e.g. from product images) might be perceived in a room, (2) hallucinating how accessories like glasses would look when matched with real portraits.

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