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Olivier Perrotin

Publications and source records attributed to Olivier Perrotin.

6 recordsLinked to original sources

EMODY Flow: Emotion-Aware Audio-Driven Full-Body Motion Generation

Embodied conversational agents require synchronized full-body motion (body gestures and facial expressions) that aligns with speech and emotional state. Omni-modal large language models excel at multimodal understanding but produce only linguistic outputs, leaving a critical gap in embodied response generation. We identify and address a failure of emotion conditioning: like other conditional generators that under-use weak conditioning signals, a flow-matching model given both a rich audio embedding and a discrete emotion label suppresses the emotion, generating near-identical motion regardless of the specified emotion. We present EMODY Flow, a lightweight (around 35M parameters) flow-matching framework that attaches to a frozen Qwen-3 Omni model and reuses its internal Mimi audio-codecs to condition two parallel DiT generators - one for SMPL-X body pose, one for FLAME facial expressions. A training-time auxiliary emotion classifier restores emotion sensitivity by forcing generated motion to be emotion-identifiable. EMODY Flow sets a new state of the art on BEAT2 gesture quality, with FGD 0.302, Beat Correlation 0.853, and Diversity 24.62 - improving over the best prior results by 26%, 5%, and 62% respectively - and transfers to zero-shot facial animation on TFHP without domain-specific fine-tuning. Beyond these quantitative gains, the classifier yields clearly emotion-separated motion, which we demonstrate qualitatively through a multidimensional-scaling analysis of the generated gestures.

cs.GR↗

From Tokens to Faces: Investigating Discrete Speech Representations for 3D Facial Animation

The choice of speech representation is critical in speech-driven 3D facial animation. Representations differ in what they encode: SSL features emphasize segmental and semantic cues, neural codecs yield latents optimized for acoustic reconstruction, and ASR-style objectives produce label-based spaces. We evaluate four speech representation families for 3D facial synthesis, comparing their facial reconstruction quality across two facial decoders using objective metrics and a perceptual evaluation. We additionally conduct probing analyses that relate tokenized representations to phonetic units and to articulatory deformations. We found that encoding phonetic classes is beneficial for accurate facial animation prediction on both semantic and label-based representations with comparable facial animation quality. From the latter, we introduce an Audio Visual Text-to-Speech (AVTTS) pipeline that leverages, as a shared space, discrete representations to decode speech and 3D facial motion.

cs.CL↗

Speak Your Mind: The Speech Continuation Task as a Probe of Voice-Based Model Bias

Speech Continuation (SC) is the task of generating a coherent extension of a spoken prompt while preserving both semantic context and speaker identity. Because SC is constrained to a single audio stream, it offers a more direct setting for probing biases in speech foundation models than dialogue does. In this work we present the first systematic evaluation of bias in SC, investigating how gender and phonation type (breathy, creaky, end-creak) affect continuation behaviour. We evaluate three recent models: SpiritLM (base and expressive), VAE-GSLM, and SpeechGPT across speaker similarity, voice quality preservation, and text-based bias metrics. Results show that while both speaker similarity and coherence remain a challenge, textual evaluations reveal significant model and gender interactions: once coherence is sufficiently high (for VAE-GSLM), gender effects emerge on text-metrics such as agency and sentence polarity. In addition, continuations revert toward modal phonation more strongly for female prompts than for male ones, revealing a systematic voice-quality bias. These findings highlight SC as a controlled probe of socially relevant representational biases in speech foundation models, and suggest that it will become an increasingly informative diagnostic as continuation quality improves.

eess.AS↗

Is Self-Supervised Learning Enough to Fill in the Gap? A Study on Speech Inpainting

Speech inpainting consists in reconstructing corrupted or missing speech segments using surrounding context, a process that closely resembles the pretext tasks in Self-Supervised Learning (SSL) for speech encoders. This study investigates using SSL-trained speech encoders for inpainting without any additional training beyond the initial pretext task, and simply adding a decoder to generate a waveform. We compare this approach to supervised fine-tuning of speech encoders for a downstream task -- here, inpainting. Practically, we integrate HuBERT as the SSL encoder and HiFi-GAN as the decoder in two configurations: (1) fine-tuning the decoder to align with the frozen pre-trained encoder's output and (2) fine-tuning the encoder for an inpainting task based on a frozen decoder's input. Evaluations are conducted under single- and multi-speaker conditions using in-domain datasets and out-of-domain datasets (including unseen speakers, diverse speaking styles, and noise). Both informed and blind inpainting scenarios are considered, where the position of the corrupted segment is either known or unknown. The proposed SSL-based methods are benchmarked against several baselines, including a text-informed method combining automatic speech recognition with zero-shot text-to-speech synthesis. Performance is assessed using objective metrics and perceptual evaluations. The results demonstrate that both approaches outperform baselines, successfully reconstructing speech segments up to 200 ms, and sometimes up to 400 ms. Notably, fine-tuning the SSL encoder achieves more accurate speech reconstruction in single-speaker settings, while a pre-trained encoder proves more effective for multi-speaker scenarios. This demonstrates that an SSL pretext task can transfer to speech inpainting, enabling successful speech reconstruction with a pre-trained encoder.

cs.SD↗

Investigating the dynamics of hand and lips in French Cued Speech using attention mechanisms and CTC-based decoding

Hard of hearing or profoundly deaf people make use of cued speech (CS) as a communication tool to understand spoken language. By delivering cues that are relevant to the phonetic information, CS offers a way to enhance lipreading. In literature, there have been several studies on the dynamics between the hand and the lips in the context of human production. This article proposes a way to investigate how a neural network learns this relation for a single speaker while performing a recognition task using attention mechanisms. Further, an analysis of the learnt dynamics is utilized to establish the relationship between the two modalities and extract automatic segments. For the purpose of this study, a new dataset has been recorded for French CS. Along with the release of this dataset, a benchmark will be reported for word-level recognition, a novelty in the automatic recognition of French CS.

cs.CL↗

On the Use of a Spectral Glottal Model for the Source-filter Separation of Speech

The estimation of glottal flow from a speech waveform is a key method for speech analysis and parameterization. Significant research effort has been made to dissociate the first vocal tract resonance from the glottal formant (the low-frequency resonance describing the open-phase of the vocal fold vibration). However few methods cope with estimation of high-frequency spectral tilt to describe the return-phase of the vocal fold vibration, which is crucial to the perception of vocal effort. This paper proposes an improved version of the well-known Iterative Adaptive Inverse Filtering (IAIF) called GFM-IAIF. GFM-IAIF includes a full spectral model of the glottis that incorporates both glottal formant and spectral tilt features. Comparisons with the standard IAIF method show that while GFM-IAIF maintains good performance on vocal tract removal, it significantly improves the perceptive timbral variations associated to vocal effort.

eess.AS↗