arXiv subjects

Paul Primus

Publications and source records attributed to Paul Primus.

At least 19 recordsLinked to original sources

arXiv2026

RealDESED: A Real-World Domestic Sound Event Detection Benchmark

This paper presents RealDESED, a real-world domestic sound event detection (SED) benchmark comprising 5,710 audio recordings collected by 652 participants in their homes. Each recording is between 15 and 35 seconds long and contains temporally precise annotations for 15 common domestic sound classes. In contrast to existing SED datasets, which typically rely on simulated soundscapes or broad web-crawled audio, RealDESED consists exclusively of recordings captured in natural domestic environments, reflecting realistic variability in recording devices, device placement, acoustic conditions, background sounds, and naturally occurring event co-occurrences. A distinguishing characteristic of the dataset is its multi-annotator labeling scheme, where each recording is independently annotated by multiple annotators, while the validation and test sets undergo an additional review process to ensure high annotation quality and reliable benchmarking. Furthermore, the dataset provides rich metadata, including recording device, device placement, environment labels, and textual scene descriptions. We establish a strong transformer-based baseline and investigate annotation aggregation strategies, post-processing methods, long-form inference, and the impact of recording metadata on model performance. Our baseline achieves a macro-averaged PSDS1 score of 0.731 on the test set. We believe RealDESED provides a valuable benchmark for developing and evaluating robust SED systems under realistic domestic conditions, helping to bridge the gap between current research benchmarks and real-world deployment.

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arXiv2026

Low-Latency Neural Models for Real-Time Music Enhancement

Music recordings and live streams are often affected by noise, reverberation, spectral imbalances, or artifacts that degrade listening quality. While speech enhancement has matured into a well-defined research area, music enhancement is less established because musical signals combine overlapping sources, wide bandwidths, strong dynamics, and intentional production effects. We study real-time music enhancement under strict causal and low-latency constraints. We formulate the task around recovery of the intended produced mix from acoustic and production-oriented degradations, adapt compact causal networks to music, and compare speech-derived real-time baselines, an external music-denoising model, an offline restoration reference, and a music-specific MusicFilterNet-MS variant. On the tested hardware, all causal models run faster than real time, but improvements depend strongly on the dataset, degradation type, and metric family; under several objective criteria, indiscriminate enhancement can worsen the degraded input. The main contribution is therefore a benchmark and an analysis rather than a universal best model: real-time music enhancement is feasible, but robust improvement requires degradation-aware modeling, stereo-aware processing, identity-preserving correction, and evaluation beyond a single objective score.

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arXiv2025

On Temporal Guidance and Iterative Refinement in Audio Source Separation

Spatial semantic segmentation of sound scenes (S5) involves the accurate identification of active sound classes and the precise separation of their sources from complex acoustic mixtures. Conventional systems rely on a two-stage pipeline - audio tagging followed by label-conditioned source separation - but are often constrained by the absence of fine-grained temporal information critical for effective separation. In this work, we address this limitation by introducing a novel approach for S5 that enhances the synergy between the event detection and source separation stages. Our key contributions are threefold. First, we fine-tune a pre-trained Transformer to detect active sound classes. Second, we utilize a separate instance of this fine-tuned Transformer to perform sound event detection (SED), providing the separation module with detailed, time-varying guidance. Third, we implement an iterative refinement mechanism that progressively enhances separation quality by recursively reusing the separator's output from previous iterations. These advancements lead to significant improvements in both audio tagging and source separation performance, as demonstrated by our system's second-place finish in Task 4 of the DCASE Challenge 2025. Our implementation and model checkpoints are available in our GitHub repository: https://github.com/theMoro/dcase25task4 .

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arXiv2025

TACOS: Temporally-aligned Audio CaptiOnS for Language-Audio Pretraining

Learning to associate audio with textual descriptions is valuable for a range of tasks, including pretraining, zero-shot classification, audio retrieval, audio captioning, and text-conditioned audio generation. Existing contrastive language-audio pretrained models are typically trained using global, clip-level descriptions, which provide only weak temporal supervision. We hypothesize that CLAP-like language-audio models - particularly, if they are expected to produce frame-level embeddings - can benefit from a stronger temporal supervision. To confirm our hypothesis, we curate a novel dataset of approximately 12,000 audio recordings from Freesound, each annotated with single-sentence free-text descriptions linked to a specific temporal segment in an audio recording. We use large language models to clean these annotations by removing references to non-audible events, transcribed speech, typos, and annotator language bias. We further propose a frame-wise contrastive training strategy that learns to align text descriptions with temporal regions in an audio recording and demonstrate that our model has better temporal text-audio alignment abilities compared to models trained only on global captions when evaluated on the AudioSet Strong benchmark. The dataset and our source code are available on Zenodo and GitHub, respectively.

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arXiv2025

Low-Complexity Acoustic Scene Classification with Device Information in the DCASE 2025 Challenge

This paper presents the Low-Complexity Acoustic Scene Classification with Device Information Task of the DCASE 2025 Challenge, along with its baseline system. Continuing the focus on low-complexity models, data efficiency, and device mismatch from previous editions (2022-2024), this year's task introduces a key change: recording device information is now provided at inference time. This enables the development of device-specific models that leverage device characteristics-reflecting real-world deployment scenarios in which a model is designed with awareness of the underlying hardware. The training set matches the 25% subset used in the corresponding DCASE 2024 challenge, with no restrictions on external data use, highlighting transfer learning as a central topic. The baseline achieves 50.72% accuracy with a device-agnostic model, improving to 51.89% when incorporating device-specific fine-tuning. The task attracted 31 submissions from 12 teams, with 11 teams outperforming the baseline. The top-performing submission achieved an accuracy gain of more than 8 percentage points over the baseline on the evaluation set.

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arXiv2024

Effective Pre-Training of Audio Transformers for Sound Event Detection

We propose a pre-training pipeline for audio spectrogram transformers for frame-level sound event detection tasks. On top of common pre-training steps, we add a meticulously designed training routine on AudioSet frame-level annotations. This includes a balanced sampler, aggressive data augmentation, and ensemble knowledge distillation. For five transformers, we obtain a substantial performance improvement over previously available checkpoints both on AudioSet frame-level predictions and on frame-level sound event detection downstream tasks, confirming our pipeline's effectiveness. We publish the resulting checkpoints that researchers can directly fine-tune to build high-performance models for sound event detection tasks.

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arXiv2024

Improving Query-by-Vocal Imitation with Contrastive Learning and Audio Pretraining

Query-by-Vocal Imitation (QBV) is about searching audio files within databases using vocal imitations created by the user's voice. Since most humans can effectively communicate sound concepts through voice, QBV offers the more intuitive and convenient approach compared to text-based search. To fully leverage QBV, developing robust audio feature representations for both the vocal imitation and the original sound is crucial. In this paper, we present a new system for QBV that utilizes the feature extraction capabilities of Convolutional Neural Networks pre-trained with large-scale general-purpose audio datasets. We integrate these pre-trained models into a dual encoder architecture and fine-tune them end-to-end using contrastive learning. A distinctive aspect of our proposed method is the fine-tuning strategy of pre-trained models using an adapted NT-Xent loss for contrastive learning, creating a shared embedding space for reference recordings and vocal imitations. The proposed system significantly enhances audio retrieval performance, establishing a new state of the art on both coarse- and fine-grained QBV tasks.

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arXiv2024

Estimated Audio-Caption Correspondences Improve Language-Based Audio Retrieval

Dual-encoder-based audio retrieval systems are commonly optimized with contrastive learning on a set of matching and mismatching audio-caption pairs. This leads to a shared embedding space in which corresponding items from the two modalities end up close together. Since audio-caption datasets typically only contain matching pairs of recordings and descriptions, it has become common practice to create mismatching pairs by pairing the audio with a caption randomly drawn from the dataset. This is not ideal because the randomly sampled caption could, just by chance, partly or entirely describe the audio recording. However, correspondence information for all possible pairs is costly to annotate and thus typically unavailable; we, therefore, suggest substituting it with estimated correspondences. To this end, we propose a two-staged training procedure in which multiple retrieval models are first trained as usual, i.e., without estimated correspondences. In the second stage, the audio-caption correspondences predicted by these models then serve as prediction targets. We evaluate our method on the ClothoV2 and the AudioCaps benchmark and show that it improves retrieval performance, even in a restricting self-distillation setting where a single model generates and then learns from the estimated correspondences. We further show that our method outperforms the current state of the art by 1.6 pp. mAP@10 on the ClothoV2 benchmark.

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arXiv2024

Multi-Iteration Multi-Stage Fine-Tuning of Transformers for Sound Event Detection with Heterogeneous Datasets

A central problem in building effective sound event detection systems is the lack of high-quality, strongly annotated sound event datasets. For this reason, Task 4 of the DCASE 2024 challenge proposes learning from two heterogeneous datasets, including audio clips labeled with varying annotation granularity and with different sets of possible events. We propose a multi-iteration, multi-stage procedure for fine-tuning Audio Spectrogram Transformers on the joint DESED and MAESTRO Real datasets. The first stage closely matches the baseline system setup and trains a CRNN model while keeping the pre-trained transformer model frozen. In the second stage, both CRNN and transformer are fine-tuned using heavily weighted self-supervised losses. After the second stage, we compute strong pseudo-labels for all audio clips in the training set using an ensemble of fine-tuned transformers. Then, in a second iteration, we repeat the two-stage training process and include a distillation loss based on the pseudo-labels, achieving a new single-model, state-of-the-art performance on the public evaluation set of DESED with a PSDS1 of 0.692. A single model and an ensemble, both based on our proposed training procedure, ranked first in Task 4 of the DCASE Challenge 2024.

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arXiv2024

Improving Audio Spectrogram Transformers for Sound Event Detection Through Multi-Stage Training

This technical report describes the CP-JKU team's submission for Task 4 Sound Event Detection with Heterogeneous Training Datasets and Potentially Missing Labels of the DCASE 24 Challenge. We fine-tune three large Audio Spectrogram Transformers, PaSST, BEATs, and ATST, on the joint DESED and MAESTRO datasets in a two-stage training procedure. The first stage closely matches the baseline system setup and trains a CRNN model while keeping the large pre-trained transformer model frozen. In the second stage, both CRNN and transformer are fine-tuned using heavily weighted self-supervised losses. After the second stage, we compute strong pseudo-labels for all audio clips in the training set using an ensemble of all three fine-tuned transformers. Then, in a second iteration, we repeat the two-stage training process and include a distillation loss based on the pseudo-labels, boosting single-model performance substantially. Additionally, we pre-train PaSST and ATST on the subset of AudioSet that comes with strong temporal labels, before fine-tuning them on the Task 4 datasets.

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arXiv2024

Fusing Audio and Metadata Embeddings Improves Language-based Audio Retrieval

Matching raw audio signals with textual descriptions requires understanding the audio's content and the description's semantics and then drawing connections between the two modalities. This paper investigates a hybrid retrieval system that utilizes audio metadata as an additional clue to understand the content of audio signals before matching them with textual queries. We experimented with metadata often attached to audio recordings, such as keywords and natural-language descriptions, and we investigated late and mid-level fusion strategies to merge audio and metadata. Our hybrid approach with keyword metadata and late fusion improved the retrieval performance over a content-based baseline by 2.36 and 3.69 pp. mAP@10 on the ClothoV2 and AudioCaps benchmarks, respectively.

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arXiv2024

Data-Efficient Low-Complexity Acoustic Scene Classification in the DCASE 2024 Challenge

This article describes the Data-Efficient Low-Complexity Acoustic Scene Classification Task in the DCASE 2024 Challenge and the corresponding baseline system. The task setup is a continuation of previous editions (2022 and 2023), which focused on recording device mismatches and low-complexity constraints. This year's edition introduces an additional real-world problem: participants must develop data-efficient systems for five scenarios, which progressively limit the available training data. The provided baseline system is based on an efficient, factorized CNN architecture constructed from inverted residual blocks and uses Freq-MixStyle to tackle the device mismatch problem. The task received 37 submissions from 17 teams, with the large majority of systems outperforming the baseline. The top-ranked system's accuracy ranges from 54.3% on the smallest to 61.8% on the largest subset, corresponding to relative improvements of approximately 23% and 9% over the baseline system on the evaluation set.

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arXiv2023

Advancing Natural-Language Based Audio Retrieval with PaSST and Large Audio-Caption Data Sets

This work presents a text-to-audio-retrieval system based on pre-trained text and spectrogram transformers. Our method projects recordings and textual descriptions into a shared audio-caption space in which related examples from different modalities are close. Through a systematic analysis, we examine how each component of the system influences retrieval performance. As a result, we identify two key components that play a crucial role in driving performance: the self-attention-based audio encoder for audio embedding and the utilization of additional human-generated and synthetic data sets during pre-training. We further experimented with augmenting ClothoV2 captions with available keywords to increase their variety; however, this only led to marginal improvements. Our system ranked first in the 2023's DCASE Challenge, and it outperforms the current state of the art on the ClothoV2 benchmark by 5.6 pp. mAP@10.

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arXiv2022

Improved Zero-Shot Audio Tagging & Classification with Patchout Spectrogram Transformers

Standard machine learning models for tagging and classifying acoustic signals cannot handle classes that were not seen during training. Zero-Shot (ZS) learning overcomes this restriction by predicting classes based on adaptable class descriptions. This study sets out to investigate the effectiveness of self-attention-based audio embedding architectures for ZS learning. To this end, we compare the very recent patchout spectrogram transformer with two classic convolutional architectures. We evaluate these three architectures on three tasks and on three different benchmark datasets: general-purpose tagging on AudioSet, environmental sound classification on ESC-50, and instrument tagging on OpenMIC. Our results show that the self-attention-based embedding methods outperform both compared convolutional architectures in all of these settings. By designing training and test data accordingly, we observe that prediction performance suffers significantly when the `semantic distance' between training and new test classes is large, an effect that will deserve more detailed investigations.

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arXiv2022

Improving Natural-Language-based Audio Retrieval with Transfer Learning and Audio & Text Augmentations

The absence of large labeled datasets remains a significant challenge in many application areas of deep learning. Researchers and practitioners typically resort to transfer learning and data augmentation to alleviate this issue. We study these strategies in the context of audio retrieval with natural language queries (Task 6b of the DCASE 2022 Challenge). Our proposed system uses pre-trained embedding models to project recordings and textual descriptions into a shared audio-caption space in which related examples from different modalities are close. We employ various data augmentation techniques on audio and text inputs and systematically tune their corresponding hyperparameters with sequential model-based optimization. Our results show that the used augmentations strategies reduce overfitting and improve retrieval performance.

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arXiv2020

Anomalous Sound Detection as a Simple Binary Classification Problem with Careful Selection of Proxy Outlier Examples

Unsupervised anomalous sound detection is concerned with identifying sounds that deviate from what is defined as 'normal', without explicitly specifying the types of anomalies. A significant obstacle is the diversity and rareness of outliers, which typically prevent us from collecting a representative set of anomalous sounds. As a consequence, most anomaly detection methods use unsupervised rather than supervised machine learning methods. Nevertheless, we will show that anomalous sound detection can be effectively framed as a supervised classification problem if the set of anomalous samples is carefully substituted with what we call proxy outliers. Candidates for proxy outliers are available in abundance as they potentially include all recordings that are neither normal nor abnormal sounds. We experiment with the machine condition monitoring data set of the 2020's DCASE Challenge and find proxy outliers with matching recording conditions and high similarity to the target sounds particularly informative. If no data with similar sounds and matching recording conditions is available, data sets with a larger diversity in these two dimensions are preferable. Our models based on supervised training with proxy outliers achieved rank three in Task 2 of the DCASE2020 Challenge.

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arXiv2020

Receptive-Field Regularized CNNs for Music Classification and Tagging

Convolutional Neural Networks (CNNs) have been successfully used in various Music Information Retrieval (MIR) tasks, both as end-to-end models and as feature extractors for more complex systems. However, the MIR field is still dominated by the classical VGG-based CNN architecture variants, often in combination with more complex modules such as attention, and/or techniques such as pre-training on large datasets. Deeper models such as ResNet -- which surpassed VGG by a large margin in other domains -- are rarely used in MIR. One of the main reasons for this, as we will show, is the lack of generalization of deeper CNNs in the music domain. In this paper, we present a principled way to make deep architectures like ResNet competitive for music-related tasks, based on well-designed regularization strategies. In particular, we analyze the recently introduced Receptive-Field Regularization and Shake-Shake, and show that they significantly improve the generalization of deep CNNs on music-related tasks, and that the resulting deep CNNs can outperform current more complex models such as CNNs augmented with pre-training and attention. We demonstrate this on two different MIR tasks and two corresponding datasets, thus offering our deep regularized CNNs as a new baseline for these datasets, which can also be used as a feature-extracting module in future, more complex approaches.

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arXiv2020

On Data Augmentation and Adversarial Risk: An Empirical Analysis

Data augmentation techniques have become standard practice in deep learning, as it has been shown to greatly improve the generalisation abilities of models. These techniques rely on different ideas such as invariance-preserving transformations (e.g, expert-defined augmentation), statistical heuristics (e.g, Mixup), and learning the data distribution (e.g, GANs). However, in the adversarial settings it remains unclear under what conditions such data augmentation methods reduce or even worsen the misclassification risk. In this paper, we therefore analyse the effect of different data augmentation techniques on the adversarial risk by three measures: (a) the well-known risk under adversarial attacks, (b) a new measure of prediction-change stress based on the Laplacian operator, and (c) the influence of training examples on prediction. The results of our empirical analysis disprove the hypothesis that an improvement in the classification performance induced by a data augmentation is always accompanied by an improvement in the risk under adversarial attack. Further, our results reveal that the augmented data has more influence than the non-augmented data, on the resulting models. Taken together, our results suggest that general-purpose data augmentations that do not take into the account the characteristics of the data and the task, must be applied with care.

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