arXiv subjects

Pedro Martin

Publications and source records attributed to Pedro Martin.

6 recordsLinked to original sources

arXiv2026

GScomp-QA: A Subjective Dataset for Quality Assessment of Compressed Gaussian Splatting

Gaussian Splatting (GS) has emerged as an efficient representation for high-quality 3D reconstruction and novel view synthesis. However, its large model size poses challenges for storage and transmission. While several GS compression solutions have been proposed, their perceptual impact remains poorly understood due to the lack of dedicated evaluation datasets. To address this gap, this paper introduces GScomp-QA, a subjective quality assessment dataset for evaluating synthesis quality from compressed GS models. The dataset comprises 331 video stimuli from 13 real-world scenes, covering 9 state-of-the-art GS compression solutions. By using videos synthesized from uncompressed models as reference, GScomp-QA isolates compression-induced distortions from synthesis artifacts. A subjective study with 20 participants was conducted, providing reliable perceptual scores. Based on these data, GS compression solutions are evaluated through perceptual rate-distortion analysis. In addition, 18 objective quality metrics are evaluated, showing that they do not fully capture GS-specific distortions. GScomp-QA will be publicly available and provide a benchmark for evaluating GS compression solutions and supporting the development of quality metrics tailored to GS compression.

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arXiv2026

Structured Image-based Coding for Efficient Gaussian Splatting Compression

Gaussian Splatting (GS) has recently emerged as a state-of-the-art representation for radiance fields, combining real-time rendering with high visual fidelity. However, GS models require storing millions of parameters, leading to large file sizes that impair their use in practical multimedia systems. To address this limitation, this paper introduces GS Image-based Compression (GSICO), a novel GS codec that efficiently compresses pre-trained GS models while preserving perceptual fidelity. The core contribution lies in a mapping procedure that arranges GS parameters into structured images, guided by a novel algorithm that enhances spatial coherence. These GS parameter images are then encoded using a conventional image codec. Experimental evaluations on Tanks and Temples, Deep Blending, and Mip-NeRF360 datasets show that GSICO achieves average compression factors of 20.2x with minimal loss in visual quality, as measured by PSNR, SSIM, and LPIPS. Compared with state-of-the-art GS compression methods, the proposed codec consistently yields superior rate-distortion (RD) trade-offs.

cs.MM↗

arXiv2025

GS-QA: Comprehensive Quality Assessment Benchmark for Gaussian Splatting View Synthesis

Gaussian Splatting (GS) offers a promising alternative to Neural Radiance Fields (NeRF) for real-time 3D scene rendering. Using a set of 3D Gaussians to represent complex geometry and appearance, GS achieves faster rendering times and reduced memory consumption compared to the neural network approach used in NeRF. However, quality assessment of GS-generated static content is not yet explored in-depth. This paper describes a subjective quality assessment study that aims to evaluate synthesized videos obtained with several static GS state-of-the-art methods. The methods were applied to diverse visual scenes, covering both 360-degree and forward-facing (FF) camera trajectories. Moreover, the performance of 18 objective quality metrics was analyzed using the scores resulting from the subjective study, providing insights into their strengths, limitations, and alignment with human perception. All videos and scores are made available providing a comprehensive database that can be used as benchmark on GS view synthesis and objective quality metrics.

cs.MM↗

arXiv2024

Evaluation of strategies for efficient rate-distortion NeRF streaming

Neural Radiance Fields (NeRF) have revolutionized the field of 3D visual representation by enabling highly realistic and detailed scene reconstructions from a sparse set of images. NeRF uses a volumetric functional representation that maps 3D points to their corresponding colors and opacities, allowing for photorealistic view synthesis from arbitrary viewpoints. Despite its advancements, the efficient streaming of NeRF content remains a significant challenge due to the large amount of data involved. This paper investigates the rate-distortion performance of two NeRF streaming strategies: pixel-based and neural network (NN) parameter-based streaming. While in the former, images are coded and then transmitted throughout the network, in the latter, the respective NeRF model parameters are coded and transmitted instead. This work also highlights the trade-offs in complexity and performance, demonstrating that the NN parameter-based strategy generally offers superior efficiency, making it suitable for one-to-many streaming scenarios.

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arXiv2024

NeRF View Synthesis: Subjective Quality Assessment and Objective Metrics Evaluation

Neural radiance fields (NeRF) are a groundbreaking computer vision technology that enables the generation of high-quality, immersive visual content from multiple viewpoints. This capability has significant advantages for applications such as virtual/augmented reality, 3D modelling, and content creation for the film and entertainment industry. However, the evaluation of NeRF methods poses several challenges, including a lack of comprehensive datasets, reliable assessment methodologies, and objective quality metrics. This paper addresses the problem of NeRF view synthesis (NVS) quality assessment thoroughly, by conducting a rigorous subjective quality assessment test that considers several scene classes and recently proposed NVS methods. Additionally, the performance of a wide range of state-of-the-art conventional and learning-based full-reference 2D image and video quality assessment metrics is evaluated against the subjective scores of the subjective study. This study found that errors in camera pose estimation can result in spatial misalignments between synthesized and reference images, which need to be corrected before applying an objective quality metric. The experimental results are analyzed in depth, providing a comparative evaluation of several NVS methods and objective quality metrics, across different classes of visual scenes, including real and synthetic content for front-face and 360-degree camera trajectories.

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arXiv2023

NeRF-QA: Neural Radiance Fields Quality Assessment Database

This short paper proposes a new database - NeRF-QA - containing 48 videos synthesized with seven NeRF based methods, along with their perceived quality scores, resulting from subjective assessment tests; for the videos selection, both real and synthetic, 360 degrees scenes were considered. This database will allow to evaluate the suitability, to NeRF based synthesized views, of existing objective quality metrics and also the development of new quality metrics, specific for this case.

cs.MM↗